The Clansman: An Historical Romance of the Ku Klux Klan. Thomas Dixon

The Clansman: An Historical Romance of the Ku Klux Klan - Thomas Dixon


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the music of a song for the occasion. It was dedicated to the President, and the programme announced that it would be rendered during the evening between the acts by a famous quartet, assisted by the whole company in chorus. The National flag would be draped about each singer, worn as the togas of ancient Greece and Rome.

      It was already known by the crowd that General and Mrs. Grant had left the city for the North and could not be present, but every eye was fixed on the door through which the President and Mrs. Lincoln would enter. It was the hour of his supreme triumph.

      What a romance his life! The thought of it thrilled the crowd as they waited. A few years ago this tall, sad-faced man had floated down the Sangamon River into a rough Illinois town, ragged, penniless, friendless, alone, begging for work. Four years before he had entered Washington as President of the United States – but he came under cover of the night with a handful of personal friends, amid universal contempt for his ability and the loud expressed conviction of his failure from within and without his party. He faced a divided Nation and the most awful civil convulsion in history. Through it all he had led the Nation in safety, growing each day in power and fame, until to-night, amid the victorious shouts of millions of a Union fixed in eternal granite, he stood forth the idol of the people, the first great American, the foremost man of the world.

      There was a stir at the door, and the tall figure suddenly loomed in view of the crowd. With one impulse they leaped to their feet, and shout after shout shook the building. The orchestra was playing “Hail to the Chief!” but nobody heard it. They saw the Chief! They were crying their own welcome in music that came from the rhythmic beat of human hearts.

      As the President walked along the aisle with Mrs. Lincoln, accompanied by Senator Harris’ daughter and Major Rathbone, cheer after cheer burst from the crowd. He turned, his face beaming with pleasure, and bowed as he passed.

      The answer of the crowd shook the building to its foundations, and the President paused. His dark face flashed with emotion as he looked over the sea of cheering humanity. It was a moment of supreme exaltation. The people had grown to know and love and trust him, and it was sweet. His face, lit with the responsive fires of emotion, was transfigured. The soul seemed to separate itself from its dreamy, rugged dwelling-place and flash its inspiration from the spirit world.

      As around this man’s personality had gathered the agony and horror of war, so now about his head glowed and gleamed in imagination the splendours of victory.

      Margaret impulsively put her hand on Phil’s arm:

      “Why, how Southern he looks! How tall and dark and typical his whole figure!”

      “Yes, and his traits of character even more typical,” said Phil. “On the surface, easy friendly ways and the tenderness of a woman – beneath, an iron will and lion heart. I like him. And what always amazes me is his universality. A Southerner finds in him the South, the Western man the West, even Charles Sumner, from Boston, almost loves him. You know I think he is the first great all-round American who ever lived in the White House.”

      The President’s party had now entered the box, and as Mr. Lincoln took the armchair nearest the audience, in full view of every eye in the house, again the cheers rent the air. In vain Withers’ baton flew, and the orchestra did its best. The music was drowned as in the roar of the sea. Again he rose and bowed and smiled, his face radiant with pleasure. The soul beneath those deep-cut lines had long pined for the sunlight. His love of the theatre and the humorous story were the protest of his heart against pain and tragedy. He stood there bowing to the people, the grandest, gentlest figure of the fiercest war of human history – a man who was always doing merciful things stealthily as others do crimes. Little sunlight had come into his life, yet to-night he felt that the sun of a new day in his history and the history of the people was already tingeing the horizon with glory.

      Back of those smiles what a story! Many a night he had paced back and forth in the telegraph office of the War Department, read its awful news of defeat, and alone sat down and cried over the list of the dead. Many a black hour his soul had seen when the honours of earth were forgotten and his great heart throbbed on his sleeve. His character had grown so evenly and silently with the burdens he had borne, working mighty deeds with such little friction, he could not know, nor could the crowd to whom he bowed, how deep into the core of the people’s life the love of him had grown.

      As he looked again over the surging crowd his tall figure seemed to straighten, erect and buoyant, with the new dignity of conscious triumphant leadership. He knew that he had come unto his own at last, and his brain was teeming with dreams of mercy and healing.

      The President resumed his seat, the tumult died away, and the play began amid a low hum of whispered comment directed at the flag-draped box. The actors struggled in vain to hold the attention of the audience, until finally Hawk, the actor playing Dundreary, determined to catch their ear, paused and said:

      “Now, that reminds me of a little story, as Mr. Lincoln says – ”

      Instantly the crowd burst into a storm of applause, the President laughed, leaned over and spoke to his wife, and the electric connection was made between the stage, the box, and the people.

      After this the play ran its smooth course, and the audience settled into its accustomed humour of sympathetic attention.

      In spite of the novelty of this, her first view of a theatre, the President fascinated Margaret. She watched the changing lights and shadows of his sensitive face with untiring interest, and the wonder of his life grew upon her imagination. This man who was the idol of the North and yet to her so purely Southern, who had come out of the West and yet was greater than the West or the North, and yet always supremely human – this man who sprang to his feet from the chair of State and bowed to a sorrowing woman with the deference of a knight, every man’s friend, good-natured, sensible, masterful and clear in intellect, strong, yet modest, kind and gentle – yes, he was more interesting than all the drama and romance of the stage!

      He held her imagination in a spell. Elsie, divining her abstraction, looked toward the President’s box and saw approaching it along the balcony aisle the figure of John Wilkes Booth.

      “Look,” she cried, touching Margaret’s arm. “There’s John Wilkes Booth, the actor! Isn’t he handsome? They say he’s in love with my chum, a senator’s daughter whose father hates Mr. Lincoln with perfect fury.”

      “He is handsome,” Margaret answered. “But I’d be afraid of him, with that raven hair and eyes shining like something wild.”

      “They say he is wild and dissipated, yet half the silly girls in town are in love with him. He’s as vain as a peacock.”

      Booth, accustomed to free access to the theatre, paused near the entrance to the box and looked deliberately over the great crowd, his magnetic face flushed with deep emotion, while his fiery inspiring eyes glittered with excitement.

      Dressed in a suit of black broadcloth of faultless fit, from the crown of his head to the soles of his feet he was physically without blemish. A figure of perfect symmetry and proportion, his dark eyes flashing, his marble forehead crowned with curling black hair, agility and grace stamped on every line of his being – beyond a doubt he was the handsomest man in America. A flutter of feminine excitement rippled the surface of the crowd in the balcony as his well-known figure caught the wandering eyes of the women.

      He turned and entered the door leading to the President’s box, and Margaret once more gave her attention to the stage.

      Hawk, as Dundreary, was speaking his lines and looking directly at the President instead of at the audience:

      “Society, eh? Well, I guess I know enough to turn you inside out, old woman, you darned old sockdologing man trap!”

      Margaret winced at the coarse words, but the galleries burst into shouts of laughter that lingered in ripples and murmurs and the shuffling of feet.

      The muffled crack of a pistol in the President’s box hushed the laughter for an instant.

      No one realized what had happened, and when the assassin suddenly leaped from the box, with a blood-marked knife flashing in his right hand, caught his foot in the flags and fell to his knees on the stage, many thought


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