St. Dionysius of Alexandria: Letters and Treatises. Saint Dionysius of Alexandria
fairly continuous throughout: they deal (1) with the atomistic portion of the Epicurean philosophy, and (2) with the more strictly “theological” portion of it, the references to the hedonistic doctrine being only slight and passing.
Dionysius begins by remarking that of the various hypotheses which have been started as to the origin of the universe, one of the least satisfactory is that of Epicurus, viz. that it is the result of a chance concourse of an infinite number of atoms, as they rush through space.
He then proceeds to show by a series of illustrations taken from human workmanship that mere chance could never produce the wonderful results that we see all around us. So, too, from the study of the heavens the same inference must be drawn.
His next point appears to be that the difference in durability, which Epicurus postulates for the various bodies produced by atoms, goes to upset his theory. If some products (e. g. the gods) are eternal and some are short-lived, what determines the difference? Some of the senseless atoms themselves must be gifted with powers of directing, arranging and ruling. But if it is mere chance, then Epicurus asks us, who study the order and the phenomena of earth and heaven, to believe the impossible.
The same conclusion is arrived at by the study of man, whose mere body is a machine so marvellous that some have emerged from the study of it with a belief that Φύσις herself is a deity. The higher powers, too, of man, his mind and reason and skill, all point in the opposite direction to Epicurus’s solution of the problem. It cannot, surely, be the atoms rather than the Muses which are responsible for the arts and sciences.
The half-humorous allusion to these heaven-born personages of heathen mythology leads Dionysius to attack the Epicurean theory of the gods. According to Epicurus, the gods in no way concern themselves with mundane matters, but spend a serene existence without labour or exertion of any kind. But such an existence, says Dionysius, is so repugnant to the very idea and instinct of man that it must be absolutely false with regard to divine beings.
At this point occurs a short passage in which the inconsistency of Democritus, from whom Epicurus had confessedly borrowed his physics, mutatis mutandis, is criticized, though it has only a general bearing upon the line of argument. Democritus, he says, who professed that he would have given the world in exchange for the discovery of one good cause (αἰτιολογία), yet in putting forward his ideas of Chance as a cause could not have been more absurd: he sets up Τύχη as the sovereign cause of the Universe, and yet banishes her as a power from the life of men. The truth is that, while practical men and even philosophers find their highest pleasure in benefiting others, by this theory the gods are to be kept from any share in such pleasure.
One other inconsistency in the Epicurean writings Dionysius next deals with, and that is Epicurus’s own constant use of oaths and adjurations, in which the names of those very beings occur whose influence upon men’s affairs he so depreciates. This is, in Dionysius’s opinion, due to his fear of being put to death by the state for atheism, as Socrates had been: though he is probably doing Epicurus a wrong.
The extracts end with a repetition of the appeal to the wonders of the sky and of the earth as a conclusive contradiction of Epicurus’s views.8
A selection from these interesting portions of a not unimportant work for its time will be found on pp. 91 ff.
General Characteristics of his Writings
20. The letter to Basilides on several points of ecclesiastical order (the larger portion of which is given on pp. 76 ff.) is a model of what such episcopal utterances should be: it definitely states which is the highest and best course, but leaves the decision to the individual conscience. But it is to the general correspondence (pp. 35 ff.) that the bulk of English readers will probably turn, and that deals with a large variety of subjects: in some cases theological matters like Novatianism and the baptism of heretics are discussed; in others there are descriptions of the martyrdoms of his time at Alexandria and his own personal experiences under persecution, all told with a vividness and a sobriety eminently characteristic of the man: others are addressed to persons or districts in his province, especially at Eastertide, treating of matters of local and temporary importance, while one or two incidents which he records are of much value as illustrating church customs and manners of the period (e. g. the case of Sarapion on p. 42, prayers for the Emperors on p. 47, matters connected with the celebration of Holy Baptism and Holy Communion on p. 59).
In his controversy with the Sabellians, as we have already remarked, some of the expressions and figures employed were insufficiently guarded or explained and so laid Dionysius open to criticism: but we must remember how much more easy it is for us, who have the benefit of subsequent history and experience, to see this and to correct it, than it was for him and for his contemporaries to grope their way, as they slowly but surely did, under the Divine guidance to a fuller knowledge and a more accurate statement of the truth.
21. It is further to be noticed how very seldom, if ever, Dionysius offends against the principles of good taste either when attacking opponents, or when describing horrors, or when dealing with the mysteries of the Faith. In controversy he always displays an admirable moderation and sweetness of tone, which is the more remarkable because his convictions were strong and definite. This is especially to be observed in his treatment of Novatianus the intruder (see p. 50), in his criticism of the deceased Nepos of Arsenoe (see p. 82), and to a less extent in his defence of himself against the charges of Germanus (see p. 43). Even when he has to speak of one whom he believes to have done him wrong, like the Prefect Æmilianus (p. 48), or of one whom his soul abhors like Macrianus (p. 68), his language is mild in comparison with that of many in similar circumstances. So, too, when he takes upon himself to describe the tortures and deaths of the martyrs (pp. 35 f.), or the ravages of pestilence (p. 74), he indulges in but few ghastly or revolting details, though his narrative is always lively and thrilling. And once more when he deals with such a subject as the Eternal Sonship of our Lord, or, if the passage (not here given) be authentic, His Death and Passion, the same good taste and restraint of language is to be observed.
22. Dionysius’s literary style is excellent for the age in which he lived, and so far confirms the truth of the statement that he had been a master of rhetoric before his conversion. He gives evidence of having read widely and to good purpose both in classical and in religious literature. As to the former, he actually quotes from or refers to Homer, Hesiod, Thucydides, Aristotle, and Democritus: but his language is really saturated with classical uses, and a large number of the words and phrases which he employs recall the best writers of antiquity. His compositions exhibit signs of much care in production, notably the treatise On Nature (περὶ Φύσεως) and the two Easter letters, to the Alexandrians and to Hierax (pp. 70 and 73). Here, and to a somewhat less degree in the letter to Hermammon (pp. 65 ff.), he writes in a more rhetorical and elaborate manner than in most of the other fragments which are extant, but even in these passages he is seldom fantastic, or stilted, or obscure; whilst in pure narrative or simple description (e. g. in the letters which record his own or others’ sufferings and in the treatise On the Promises (περὶ Ἐπαγγελιῶν)), his language could hardly be more unaffected or better chosen.
Dionysius as Interpreter of Scripture
23. To what extent did Dionysius accept the principles and methods of Origen, especially
I was much assisted in drawing up this summary of περὶ Φύσεως and also in writing the notes upon the extracts from the text by Professor H. Jackson, of Cambridge fame.