The History of Antiquity, Vol. 1 (of 6). Duncker Max

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subjection, however, does not seem to have gone beyond payment of tribute. The following campaigns of the king were again for the most part directed against the Retennu; a battle was fought at Aratu (Aradus). The sums which Tuthmosis received in tribute from the Cheta (Hittites) are enumerated. Afterwards the king made repeated expeditions against Naharina (Arem Naharaim), i. e. against the land of the two rivers, Mesopotamia, and here also he levied tribute. Then the tribute is given in the list, which the king received from the Punt (the Arabians). That Lower Nubia, as far as the old boundary at Semne, was subject to Tuthmosis III. is beyond a doubt. An inscription found at Ellesieh in Nubia informs us that Nahi, the governor of Nubia, has sent the tribute of the lands of the south to the king in gold, ebony, and ivory,188 and the list quoted mentions 115 tribes or places subdued by Tuthmosis in the south of Egypt.189 Of Amenophis II., the successor of Tuthmosis III. (1565-1555 B.C.), inscriptions at Amada in Nubia declare that he fought against the Retennu (Syrians), and slew seven kings, and that in the south he forced his way as far as Napata, i. e. up the Nile as far as Mount Barkal.190

      His successor, Tuthmosis IV., appears on monuments of the island Konosso, near Philæ, as victorious over the negroes.191 And after him Amenophis III. (1524-1488 B.C.) again directed his arms in his first campaign against the negroes; a memorial stone at Semne tells us that he traversed Abha, the land of the negroes. That the power of Amenophis III. extended to the south far beyond Semne is proved by the ruins of a temple which he built at Soleb on the Nile, "to his image living upon earth," i. e. to the copy or manifestation of his divine nature, his own divinity,192 and inscriptions on certain scarabæi assure us that Amenophis ruled from Naharina, i. e. Mesopotamia, to the land of Karu in the south.193

      Thebes was the point from which the liberation of the land began. Here the new dynasty who had restored the kingdom, driven out the enemy, and carried the arms of Egypt far to the south and east, took up their lasting abode, and this city became the brilliant centre of the new kingdom. Here, also, the new Pharaohs glorified themselves by mighty works, as the old kings had done in the city of Memphis and the burial-place adjacent. And along with the warlike vigour displayed by the people, the art and civilisation of Egypt, under the series of kings extending from Amosis to Amenophis III. (1684-1488 B.C.), reached the highest perfection which the position and character of the nation permitted.

      On the right bank of the Nile, on a terrace near the modern village of Karnak, the first Sesurtesen (2371-2325 B.C.), built a temple of moderate size to Ammon (p. 102). To this Tuthmosis I. (1646-1625 B.C.) added a splendid gateway, a lofty gate between two broad wings, which rise in the form of truncated pyramids, and behind this gateway he built an oblong court, encircled by a portico supported on pillars. Against these pillars leaned karyatids, images of Osiris, with the hands, in which is the cross with handles, crossed upon the breast. Of these four remain still uninjured. Before the entrance of the gateway he erected two obelisks of red granite, of which one, sixty-nine feet in height, is still standing. The inscription runs thus: – "The mighty Horus, the friend of truth, the king Tutmes, the mighty sun, which is given to the world, whom Ammon establishes, has erected this firm structure in honour of his father Ammon Ra, the protector of the world, and has placed two large obelisks before the double gates."194 The queen Misphra (Ramake), who was regent for Tuthmosis II., and in the early years of Tuthmosis III. (1625-1591 B.C.), erected in the oblong court of Tuthmosis I. the two second largest obelisks known. Of these also one is still uninjured, and stands ninety feet high, the other has fallen, and lies on the ground. The inscription tells us that the queen whom Ammon himself had placed on the throne and chosen as the protectress of Egypt, had resolved in her heart to erect two great obelisks, the tops of which should reach to heaven, in honour of the god Ammon and in remembrance of her father Tuthmosis I., in order that her name might continue in the temple of Ammon for ever and ever. Each obelisk was to be of a single stone of red granite. Her holiness had commenced the work in her fifteenth year, and completed it in her sixteenth, seven months after the work was commenced in the mountain quarry.195

      To this court Tuthmosis III. added a gateway towards the south, and surrounded the ancient sanctuary of Sesurtesen with a circle of huge buildings. These consisted of two halls, each of twelve pillars, to the right and left of the entrance, on which abut chambers, great or small as the walls which surround the old temple allow. On the walls which close these halls and chambers towards the old building, the king recorded the events of his reign from the twenty-second to the forty-second year, from which everything has already been given which up to this time can be regarded as certain. The two largest obelisks also, of which the largest is now standing in Rome before the Lateran, and the other is destroyed, were erected by Tuthmosis III., and placed, as it would seem, before the entrance into the old temple of Sesurtesen. The obelisk now at Constantinople is also a work of this prince. The inscription says that Tuthmosis III. "extended his dominion from Mount Apta (in the south) to the uttermost habitations of Mesopotamia."196 On the east side of the enlarged temple of Sesurtesen, he built a splendid hall, the roof of which is supported by fifty-six pillars. Besides this he built additions to the temple of Ra at Heliopolis, restored the temple at Dendera, apparently after a plan sketched on a goatskin, which, belonging to the time of Chufu (p. 94) was rediscovered under king Phiops (p. 101),197 and finally he erected shrines to the sun-god Mentu at Hermonthis, near Thebes, the god Sebek at Ombos, Chnum at Letopolis (Esneh), and on the island of Elephantine. In Nubia he erected temples at Pselchis, Korte, Amada, and Semne. The temple at Semne he consecrated to Chnum and Sesurtesen III., who extended the borders of Egypt to this point (p. 105), in order that "the king might live again in this memorial."198

      Before the great sphinx, near the second pyramid, Tuthmosis IV. erected the memorial stone already mentioned (p. 94); it represents the king worshipping the sphinx. In the inscription the sphinx addresses the king, and says, "I, thy father Harmachu, give thee the dominion, the world in all its length and breadth, rich tribute from all nations, and a long life of many years."199

      The buildings of Amenophis III. are not inferior to those of Tuthmosis III. in extent or magnificence. Half an hour southward of the gateways, court, and porticoes of the temple at Karnak, close on the right bank of the Nile, at the modern village of Luxor, Amenophis built a second temple to Ammon, the god of Thebes. In a court surrounded by colonnades, the "court of sacrifice" joined the antechamber of the temple, or outer temple, then came the temple with the Holy of Holies, built in the form invariably used in Egypt after the restoration.200 Only the spacious antechamber, a hall with a roof supported on pillars and lighted by windows in the wall, or by the spaces between the front pillars, could be entered by laymen. The inner temple, reserved for the priests, to which a second gate led from the antechamber, was a smaller hall of the same kind, which received only a moderate light through openings made high up in the side walls. From this half-darkened room the Holy of Holies was again separated by a court, and the entrance was through a door. Two other doors led by means of a passage running round the Holy of Holies into the chamber surrounding it. The Holy of Holies, together with the chambers abutting upon it, was surrounded by a high wall and formed a separate temple of small dimensions. The masonry is heavy, and narrows toward the top. Here in the gloom dwelt the hidden spirit of the god. The heavy, solemn, mysterious character of the Egyptian temple naturally makes itself most strongly felt in these spaces or rooms. On the inner walls of the temple the sacrifices and worship rendered by the king are represented, on the outer walls we see his achievements in war. What still remains of the building of Amenophis – and it was subsequently enlarged –

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