History of the Opera from its Origin in Italy to the present Time. Edwards Henry Sutherland
was Heine's own joke.
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And this, Beaumarchais's.
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"Life of Handel," by Victor Schœlcher.
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I adhere to the custom of calling Margarita de l'Epine by her pretty Christian name, without any complimentary prefix, and of styling her probably more dignified competitor, Mrs. Tofts. Thus in later times it has been the fashion to say, Jenny Lind, and even Giulia Grisi, but not Theresa Titiens or Henrietta Sontag.
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Burnt down in 1789. The present edifice was erected from designs by Michael Novosielski, (who, to judge from his name, must have been a Russian or a Pole), in 1790. Altered and enlarged by Nash and Repton, in 1816 – 18.
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It is to be regretted, however, that in sneering at an Italian librettist who called Handel "The Orpheus of our age," Addison thought fit to speak of the great composer with neither politeness, nor wit, nor even accuracy, as "Mynheer." —
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The same trenchant critics who attribute Addison's satire of the Opera to the failure of his
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The Queen's gardeners.
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It is also known that both profited by the study of Scarlatti's works.
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See Chapter II.