The Critic in the Orient. Fitch George Hamlin
children were as numerous as in tenement streets of American cities on a Sunday afternoon, and in small country towns the number of children seemed even greater than in the big cities.
Another feature of Japanese life that made a profound impression on me was the pilgrimage of school children to the various sacred shrines throughout the empire. At Nikko and at Nara, two of the great seats of Buddhist and Shinto shrines, these child pilgrims were conspicuous. They were seen in bands of fifty or seventy-five, attended by tutors. The boys were dressed in blue or black jackets, white or blue trousers and white leggings. Each carried his few belongings in a small box or a handkerchief and each had an umbrella to protect him from the frequent showers.
The girls had dark red merino skirts, with kimono waists of some dark stuff. Many were without stockings, but all wore straw sandals or those with wooden sole and heavy wooden clogs. School children are admitted to temples and shrines at half rates and in every place the guides pay special attention to these young visitors.
Pilgrimages of soldiers and others are also very common. Whenever a party of one hundred is formed it receives the benefit of the half-rate admission. No observant tourist can fail to see that in the pilgrimages of these school children and these soldiers the authorities of new Japan find the best means of stimulating patriotism. Church and State are so closely welded that the Mikado is regarded as a god. Passionate devotion to country is the great ruling power which separates Japan from all other modern nations.
The number of young men who leave their country to escape the three years' conscription is very small. The schoolboy in his most impressionable years is brought to these sacred shrines; he listens to the story of the Forty-seven Ronins and other tales of Japanese chivalry; his soul is fired to imitate their self-sacrificing patriotism. The bloody slopes of Port Arthur witnessed the effect of such training as this.
The Japanese Capital and Its Parks and Temples
Tokio, the capital of Japan, is a picturesque city of enormous extent and the tourist who sees it in two or three days must expect to do strenuous work. The city, which actually covers one hundred square miles, is built on the low shore of Tokio bay and is intersected by the Sumi river and a network of narrow canals. The river and these canals are crossed by frequent bridges. At night the tourist may mark his approach to one of these canals by the evil odors that poison the air. Even in October the air is sultry in Tokio during the day and far into the night, but toward morning a penetrating damp wind arises.
Although Tokio's main streets have been widened to imposing avenues that run through a series of great parks, the native life may be studied on every hand – for a block from the big streets, with their clanging electric cars, one comes upon narrow alleys lined with shops and teeming with life. Here, for the first time, the tourist sees Japanese city life, only slightly influenced by foreign customs. The streets are not more than twelve or fifteen feet wide, curbed on each side by flat blocks of granite, seldom more than a foot or eighteen inches wide. These furnish the only substitute for a sidewalk in rainy weather, as most of the streets are macadamized. A slight rainfall wets the surface and makes walking for the foreigner very disagreeable. The Japanese use in rainy weather the wooden sandal with two transverse clogs about two inches high, which lifts him out of the mud. All Japanese dignitaries and nearly all foreigners use the jinrikisha, which has the right of way in the narrow streets. The most common sound in the streets is the bell of the rickshaw man or his warning shout of "Hi! Hi!"
My first day's excursion included a ride through Shiba and Hibiya parks to Uyeno Park, the resting place of many of the shoguns. This makes a trip which will consume the entire day. Shiba Park is noteworthy for its temples (which contain some of the most remarkable specimens of Japanese art) and for the tombs of seven of the fifteen shoguns or native rulers who preceded the Mikado in the government of Japan. The first and third shoguns are buried at Nikko, while the fourth, fifth, eighth, ninth, eleventh and thirteenth lie in Uyeno Park, Tokio. These mortuary chapels in Shiba Park are all similar in general design, the only differences being in the lavishness of the decoration. Out of regard for the foreign visitor it is not necessary to remove one's shoes in entering these temples, as cloth covers are provided. Each temple is divided into three parts – the outer oratory, a corridor and the inner sanctum, where the shogun alone was privileged to worship. The daimyos or nobles were lined up in the corridor, while the smaller nobles and chiefs filled the oratory. It would be tedious to describe these temples, but one will serve as a specimen of all. This is the temple of the second shogun, which is noteworthy for the beauty of the decoration of the sanctum and the tomb.
Two enormous gilded pillars support the vaulted roof of the sanctum, which is formed of beams in a very curious pattern. A frieze of medallions of birds, gilded and painted, runs around the top of the wall. The shrine dates back for two and one-half centuries and is of rich gold lacquer. The bronze incense burner, in the form of a lion, bears the date of 1635. The great war drum of Ieyasu, the first of the Tokugawa shoguns, lies upon a richly decorated stand. Back of the temple is the octagonal hall, which houses the tomb of the second shogun. This tomb is the largest example of gold lacquer in the world, and parts of it are inlaid with enamel and crystal. Scenes from Liao-Ling, China, and Lake Biwa, Japan, adorn the upper half, while the lower half bears elaborate decoration of the lion and the peony. The base of the tomb is a solid block of stone in the shape of the lotus. The hall is supported by eight pillars covered with gilded copper, and the walls are covered with gilded lacquer. The enormous amount of money expended on these shrines will amaze any foreign visitor, as well as the profound reverence shown by the Japanese for these resting places of the shoguns.
Passing along a wide avenue traversed by electric cars one soon reaches Hibiya Park, one of the show places of Tokio. To the European tourist or the visitor from our Eastern States the beauty of the vegetation is a source of marvel, but San Francisco's Golden Gate Park can equal everything that grows here in the way of ornamental shrubs, trees and flowers. On the south side of the park are the Parliament buildings, and near by the fine, new brick buildings of the Naval and Judicial Departments and the courts. Near by are grouped many of the foreign legations, the palaces of princes and the mansions of the Japanese officials and foreign embassadors. Here also is the Museum of Arms, which is very interesting because of the many specimens of ancient Japanese weapons and the trophies of the wars with China and Russia. In this museum one may see the profound interest which the Japanese pilgrims from all parts of the empire take in these memorials of conquest. To them they rank with the sacred shrines as objects of veneration.
Not far away is the moat which surrounds the massive walls of the imperial palace, open only to those who have the honor of an imperial audience. These walls are of granite laid up without mortar, the corner stones being of unusual size. The visitor may see the handsome roofs of the imperial palaces. Those who have been admitted declare that the decorations and the furniture are in the highest style of Japanese art, although the simplicity and the neutral colors that mark the Shinto temples prevail in the private chambers of the Emperor. In the throne chamber and the banquet hall, on the other hand, gold and brilliant hues make a blaze of color. Near the palace grounds are the Government printing office and a number of schools.
Turning down into Yoken street, one of the great avenues of traffic, you soon reach Uyeno Park – the most popular pleasure ground of the capital, and famous in the spring for its long lines of cherry trees in full blossom. In the autumn it impressed me, as did all the other Japanese parks, as rather damp and unwholesome. The ground was saturated from recent rain; all the stonework was covered with moss and lichen; the trees dripped moisture, and the little lakes scattered here and there were like those gloomy tarns that Poe loved to paint in his poems. Near the entrance to this park is a shallow lake covered with lotus plants, and a short distance beyond from a little hill one may get a good view of the buildings of the imperial university. Here is a good foreign restaurant where one may enjoy a palatable lunch. Near by on a slight eminence stands a huge bronze image of Buddha, twenty-one and one-half feet high, called the Daibutsu. It is one of several such figures scattered over the empire. Passing through a massive granite torii, or gate, one reaches an avenue of stately cryptomeria, or cedar trees that leads to a row of stone lanterns presented in 1651 by daimyos as a memorial to the first shogun. The temple beyond is famous for its beautiful lacquer.
Near at hand are the temples and tombs of the six shoguns of the Tokugawa family,