Friendship Village. Gale Zona
air, and I carried them off to see my Cloth-o'-Gold rose which had opened in the night, to the very crimson heart of it. And I told them of the seven guests whom, after all, Calliope had actually contrived to marshal to her dinner. And in the midst of our almost gay speculation on this, they went at their share of the task.
The three moved about their offices gravely at first, Libbie Liberty keeping her back to us as she worked, Miss Viny scrupulously intent on the delicate clatter of the egg-beater, Miss Lucy with eyes downcast on the sage she rolled. I noted how Calliope made little excuses to pass near each of them, with now a touch of the hand and now a pat on a shoulder, and all the while she talked briskly of ways and means and recipes, and should there be onions in the dressing or should there not be? We took a vote on this and were about to chop the onions in when Mis' Holcomb's little maid arrived at my kitchen door with a bowl of oysters which Mis' Holcomb had had left from the 'scallop, an' wouldn't we like 'em in the stuffin'? Roast turkey stuffed with oysters! I saw Libbie Liberty's eyes brighten so delightedly that I brought out a jar of seedless raisins and another of preserved cherries to add to the custard, and then a bag of sweet almonds to be blanched and split for the cake o' sunshine. Surely, one of us said, the seven guests could be preparing for their Thanksgiving dinner with no more zest than we were putting into that dinner for their sakes.
"Seven guests!" we said over and again. "Calliope, how did you do it? When everybody says there's nobody in Friendship that's either sick or poor?"
"Nobody sick, nobody poor!" Calliope exclaimed, piling a dish with watermelon pickles. "Land, you might think that was the town motto. Well, the town don't know everything. Don't you ask me so many questions."
Before eleven o'clock Mis' Mayor Uppers tapped at my back door, with two deep-dish cherry pies in a basket, and a row of her delicate, feathery sponge cakes and a jar of pineapple and pie-plant preserves "to chink in." She drew a deep breath and stood looking about the kitchen.
"Throw off your things an' help, Mis' Uppers," Calliope admonished her, one hand on the cellar door. "I'm just goin' down for some sweet potatoes Mis' Holcomb sent over this morning, an' you might get 'em ready, if you will. We ain't goin' to let you off now, spite of what you've done for us."
So Mis' Mayor Uppers hung up her shawl and washed the sweet potatoes. And my kitchen was fragrant with spices and flavourings and an odorous oven, and there was no end of savoury business to be at. I found myself glad of the interest of these others in the day and glad of the stirring in my lonely house. Even if their bustle could not lessen my own loneliness, it was pleasant, I said to myself, to see them quicken with interest; and the whole affair entertained my infinite leisure. After all, I was not required to be thankful. I merely loaned my house, cosey in its glittering drifts of turkey feathers, and the day was no more and no less to me than before, though I own that I did feel more than an amused interest in Calliope's guests. Whom, in Friendship, had she found "to do for," I detected myself speculating with real interest as in the dining room, with one and another to help me, I made ready my table. My prettiest dishes and silver, the Cloth-o'-Gold rose, and my yellow-shaded candles made little auxiliary welcomes. Whoever Calliope's guests were, we would do them honour and give them the best we had. And in the midst of all came from the City the box with my gift of hothouse fruit and a rosebud for every plate.
"Calliope!" I cried, as I went back to the kitchen, "Calliope, it's nearly twelve now. Tell us who the guests are, or we won't finish dinner!"
Calliope laughed and shook her head and opened the door for Mis' Holcomb-that-was-Mame-Bliss, who entered, followed by her little maid, both laden with good things.
"I prepared for seven," Mis' Holcomb said. "That was the word you sent me – but where you got your seven sick an' poor in Friendship beats me. I'll stay an' help for a while – but to me it all seems like so much monkey work."
We worked with a will that last half-hour, and the spirit of the kitchen came upon them all. I watched them, amused and pleased at Mis' Mayor Uppers's flushed anxiety over the sweet potatoes, at Libbie Liberty furiously basting the turkey, and at Miss Lucy exclaiming with delight as she unwrapped the rosebuds from their moss. But I think that Mis' Holcomb pleased me most, for with the utensils of housewifery in her hands she seemed utterly to have forgotten that there is no use in anything at all. This was not wonderful in the presence of such a feathery cream of mashed potatoes and such aromatic coffee as she made. There was something to tie to. Those were real, at any rate, and beyond all seeming.
Just before twelve Calliope caught off her apron and pulled down her sleeves.
"Now," she said, "I'm going to welcome the guests. I can – can't I?" she begged me. "Everything's all ready but putting on. I won't need to come out here again; when I ring the bell on the sideboard, dish it up an' bring it in, all together – turkey ahead an' vegetables followin'. Mis' Holcomb, you help 'em, won't you? An' then you can leave if you want. Talk about an old-fashion' Thanksgivin'. My!"
"Who has she got?" Libbie Liberty burst out, basting the turkey. "I declare, I'm nervous as a witch, I'm so curious!"
And then the clock struck twelve, and a minute after we heard Calliope tinkle a silvery summons on the call-bell.
I remember that it was Mis' Holcomb herself – to whom nothing mattered – who rather lost her head as we served our feast, and who was about putting in dishes both her oysters and her macaroni instead of carrying in the fair, brown, smoking bake pans. But at last we were ready – Mis' Holcomb at our head with the turkey, the others following with both hands filled, and I with the coffee-pot. As they gave the signal to start, something – it may have been the mystery before us, or the good things about us, or the mere look of the Thanksgiving snow on the window-sills – seemed to catch at the hearts of them all, and they laughed a little, almost joyously, those five for whom joy had seemed done, and I found myself laughing too.
So we six filed into the dining room to serve whomever Calliope had found "to do for." I wonder that I had not guessed before. There stood Calliope at the foot of the table, with its lighted candles and its Cloth-o'-Gold rose, and the other six chairs were quite vacant.
"Sit down!" Calliope cried to us, with tears and laughter in her voice. "Sit down, all six of you. Don't you see? Didn't you know? Ain't we soul-sick an' soul-hungry, all of us? An' I tell you, this is goin' to do our souls good – an' our stomachs too!"
Nobody dropped anything, even in the flood of our amazement. We managed to get our savoury burden on the table, and some way we found ourselves in the chairs – I at the head of my table where Calliope led me. And we all talked at once, exclaiming and questioning, with sudden thanksgiving in our hearts that in the world such things may be.
"I was hungry an' sick," Calliope was telling, "for an old-fashion' Thanksgivin' – or anything that'd smooth life out some. But I says to myself, 'It looks like God had afflicted us by not givin' us anybody to do for.' An' then I started out to find some poor an' some sick – an' each one o' you knows what I found. An' I ask' myself before I got home that day, 'Why not them an' me?' There's lots o' kinds o' things to do on Thanksgivin' Day. Are you ever goin' to forgive me?"
I think that we all answered at once. But what we all meant was what Mis' Holcomb-that-was-Mame-Bliss said, as she sat flushed and smiling behind the coffee-cups: —
"I declare, I feel something like I ain't felt since I don't know when!"
And Calliope nodded at her.
"I guess that's your soul, Mame Bliss," she said. "You can always feel it if you go to work an' act as if you got one. I'll take my coffee clear."
V
THE SHADOW OF GOOD THINGS TO COME
The Friendship accommodation reaches the village from the City at six o'clock at night, and we call the train the Dick Dasher, because Dick Dasher is its engineer. We "come out on the Dick Dasher" and we "go in on the Through"; but the Through is a kind of institution, like marriage, while the Dick Dasher is a thing more intimate, like one's wedding. It was one winter night on the latter that I hardly heeded what I overheard.
"The Lord will provide, Delia," Doctor June was saying.
"I ain't sure," came a piping answer, "as they is any Lord. An' don't