The Village Rector. Honore de Balzac
express themselves freely on politics without fear of having their words taken down and repeated; where all could satirize that which provoked satire, and where each individual abandoned his professional trammels and yielded himself up to his natural self.
So, after being the most obscure young girl in all Limoges, considered ugly, dull, and vacant, Madame Graslin, at the beginning of the year 1828, was regarded as one of the leading personages in the town, and the most noted woman in society. No one went to see her in the mornings, for all knew her habits of benevolence and the regularity of her religious observances. She always went to early mass so as not to delay her husband’s breakfast, for which, however, there was no fixed hour, though she never failed to be present and to serve it herself. Graslin had trained his wife to this little ceremony. He continued to praise her on all occasions; he thought her perfect; she never asked him for anything; he could pile up louis upon louis, and spread his investments over a wide field of enterprise through his relations with the Brezacs; he sailed with a fair wind and well freighted over the ocean of commerce, – his intense business interest keeping him in the still, though half-intoxicated, frenzy of gamblers watching events on the green table of speculation.
During this happy period, and until the beginning of the year 1829, Madame Graslin attained, in the eyes of her friends, to a degree of beauty that was really extraordinary, the reasons of which they were unable to explain. The blue of the iris expanded like a flower, diminishing the dark circle of the pupil, and seeming to float in a liquid and languishing light that was full of love. Her forehead, illumined by thoughts and memories of happiness, was seen to whiten like the zenith before the dawn, and its lines were purified by an inward fire. Her face lost those heated brown tones which betoken a disturbance of the liver, – that malady of vigorous constitutions, or of persons whose soul is distressed and whose affections are thwarted. Her temples became adorably fresh and pure; gleams of the celestial face of a Raffaelle showed themselves now and then in hers, – a face hitherto obscured by the malady of grief, as the canvas of the great master is encrusted by time. Her hands seemed whiter; her shoulders took on an exquisite fulness; her graceful, animated movements gave to her supple figure its utmost charm.
The Limoges women accused her of being in love with Monsieur de Grandville, who certainly paid her assiduous attention, to which Veronique opposed all the barriers of a conscientious resistance. The viscount professed for her one of those respectful attachments which did not blind the habitual visitors of her salon. The priests and men of sense saw plainly that this affection, which was love on the part of the young man, did not go beyond the permissible line in Madame Graslin. Weary at last of a resistance based on religious principle, the Vicomte de Grandville consoled himself (to the knowledge of his intimates) with other and easier friendships; which did not, however, lessen his constant admiration and worship of the beautiful Madame Graslin, – such was the term by which she was designated in 1829.
The most clear-sighted among those who surrounded her attributed the change which rendered Veronique increasingly charming to her friends to the secret delight which all women, even the most religious, feel when they see themselves courted; and to the satisfaction of living at last in a circle congenial to her mind, where the pleasure of exchanging ideas and the happiness of being surrounded by intelligent and well-informed men and true friends, whose attachment deepened day by day, had dispersed forever the weary dulness of her life.
Perhaps, however, closer, more perceptive or sceptical observers were needed than those who frequented the hotel Graslin, to detect the barbaric grandeur, the plebeian force of the People which lay deep-hidden in her soul. If sometimes her friends surprised her in a torpor of meditation either gloomy or merely pensive, they knew she bore upon her heart the miseries of others, and had doubtless that morning been initiated in some fresh sorrow, or had penetrated to some haunt where vices terrify the soul with their candor.
The viscount, now promoted to be procureur-general, would occasionally blame her for certain unintelligent acts of charity by which, as he knew from his secret police-reports, she had given encouragement to criminal schemes.
“If you ever want money for any of your paupers, let me be a sharer in your good deeds,” said old Grossetete, taking Veronique’s hand.
“Ah!” she replied with a sigh, “it is impossible to make everybody rich.”
At the beginning of this year an event occurred which was destined to change the whole interior life of this woman and to transform the splendid expression of her countenance into something far more interesting in the eyes of painters.
Becoming uneasy about his health, Graslin, to his wife’s despair, no longer desired to live on the ground-floor. He returned to the conjugal chamber and allowed himself to be nursed. The news soon spread throughout Limoges that Madame Graslin was pregnant. Her sadness, mingled with joy, struck the minds of her friends, who then for the first time perceived that in spite of her virtues she had been happy in the fact of living separate from her husband. Perhaps she had hoped for some better fate ever since the time when, as it was known, the attorney-general had declined to marry the richest heiress in the place, in order to keep his loyalty to her.
From this suggestion there grew up in the minds of the profound politicians who played their whist at the hotel Graslin a belief that the viscount and the young wife had based certain hopes on the ill-health of the banker which were now frustrated. The great agitations which marked this period of Veronique’s life, the anxieties which a first childbirth causes in every woman, and which, it is said, threatens special danger when she is past her first youth, made her friends more attentive than ever to her; they vied with each other in showing her those little kindnesses which proved how warm and solid their affection really was.
V. TASCHERON
It was in this year that Limoges witnessed a terrible event and the singular drama of the Tascheron trial, in which the young Vicomte de Grandville displayed the talents which afterwards made him procureur-general.
An old man living in a lonely house in the suburb of Saint-Etienne was murdered. A large fruit-garden lay between the road and the house, which was also separated from the adjoining fields by a pleasure-garden, at the farther end of which were several old and disused greenhouses. In front of the house a rapid slope to the river bank gave a view of the Vienne. The courtyard, which also sloped downward, ended at a little wall, from which small columns rose at equal distances united by a railing, more, however, for ornament than protection, for the bars of the railing were of painted wood.
The old man, named Pingret, noted for his avarice, lived with a single woman-servant, a country-girl who did all the work of the house. He himself took care of his espaliers, trimmed his trees, gathered his fruit, and sent it to Limoges for sale, together with early vegetables, in the raising of which he excelled.
The niece of this old man, and his sole heiress, married to a gentleman of small means living in Limoges, a Madame des Vanneaulx, had again and again urged her uncle to hire a man to protect the house, pointing out to him that he would thus obtain the profits of certain uncultivated ground where he now grew nothing but clover. But the old man steadily refused. More than once a discussion on the subject had cut into the whist-playing of Limoges. A few shrewd heads declared that the old miser buried his gold in that clover-field.
“If I were Madame des Vanneaulx,” said a wit, “I shouldn’t torment my uncle about it; if somebody murders him, why, let him be murdered! I should inherit the money.”
Madame des Vanneaulx, however, wanted to keep her uncle, after the manner of the managers of the Italian Opera, who entreat their popular tenor to wrap up his throat, and give him their cloak if he happens to have forgotten his own. She had sent old Pingret a fine English mastiff, which Jeanne Malassis, the servant-woman brought back the next day saying: —
“Your uncle doesn’t want another mouth to feed.”
The result proved how well-founded were the niece’s fears. Pingret was murdered on a dark night, in the middle of his clover-field, where he may have been adding a few coins to a buried pot of gold. The servant-woman, awakened by the struggle, had the courage to go to the assistance of the old miser, and the murderer was under the necessity of killing her to suppress her testimony. This necessity, which frequently causes murderers to increase the