The New Jerusalem. Gilbert Keith Chesterton
uttered by Englishmen. We do indeed hear a number of false English claims, and other English claims that are rather irrelevant than false. We hear pompous and hypocritical suggestions, full of that which so often accompanies the sin of pride, the weakness of provinciality. We hear suggestions that the English alone can establish anywhere a reign of law, justice, mercy, purity and all the rest of it. We also hear franker and fairer suggestions that the English have after all (as indeed they have) embarked on a spirited and stirring adventure; and that there has been a real romance in the extending of the British Empire in strange lands. But the real case for these semi-eastern occupations is not that of extending the British Empire in strange lands. Rather it is restoring the Roman Empire in familiar lands. It is not merely breaking out of Europe in the search for something non-European. It would be much truer to call it putting Europe together again after it had been broken. It may almost be said of the Britons, considered as the most western of Europeans, that they have so completely forgotten their own history that they have forgotten even their own rights. At any rate they have forgotten the claims that could reasonably be made for them, but which they never think of making for themselves. They have not the faintest notion, for instance, of why hundreds of years ago an English saint was taken from Egypt, or why an English king was fighting in Palestine. They merely have a vague idea that George of Cappadocia was naturalised much in the same way as George of Hanover. They almost certainly suppose that Coeur de Lion in his wanderings happened to meet the King of Egypt, as Captain Cook might happen to meet the King of the Cannibal Islands. To understand the past connection of England with the near East, it is necessary to understand something that lies behind Europe and even behind the Roman Empire; something that can only be conveyed by the name of the Mediterranean. When people talk, for instance, as if the Crusades were nothing more than an aggressive raid against Islam, they seem to forget in the strangest way that Islam itself was only an aggressive raid against the old and ordered civilisation in these parts. I do not say it in mere hostility to the religion of Mahomet; as will be apparent later, I am fully conscious of many values and virtues in it; but certainly it was Islam that was the invasion and Christendom that was the thing invaded. An Arabian gentleman found riding on the road to Paris or hammering on the gates of Vienna can hardly complain that we have sought him out in his simple tent in the desert. The conqueror of Sicily and Spain cannot reasonably express surprise at being an object of morbid curiosity to the people of Italy and France. In the city of Cairo the stranger feels many of the Moslem merits, but he certainly feels the militaristic character of the Moslem glories. The crown of the city is the citadel, built by the great Saladin but of the spoils of ancient Egyptian architecture; and that fact is in its turn very symbolical. The man was a great conqueror, but he certainly behaved like an invader; he spoiled the Egyptians. He broke the old temples and tombs and built his own out of fragments. Nor is this the only respect in which the citadel of Cairo is set high like a sign in heaven. The sign is also significant because from this superb height the traveller first beholds the desert, out of which the great conquest came.
Every one has heard the great story of the Greeks who cried aloud in triumph when they saw the sea afar off; but it is a stranger experience to see the earth afar off. And few of us, strictly speaking, have ever seen the earth at all. In cultivated countries it is always clad, as it were, in green garments. The first sight of the desert is like the sight of a naked giant in the distance. The image is all the more natural because of the particular formation which it takes, at least as it borders upon the fields of Egypt, and as it is seen from the high places of Cairo. Those who have seen the desert only in pictures generally think of it as entirely flat. But this edge of it at least stands up on the horizon, as a line of wrinkled and hollow hills like the scalps of bald men; or worse, of bald women. For it is impossible not to think of such repulsive images, in spite of real sublimity of the call to the imagination. There is something curiously hostile and inhuman about the first appearance of the motionless surges of that dry and dreadful sea. Afterwards, if the traveller has happened to linger here and there in the outposts of the desert, has seen the British camp at Kantara or the graceful French garden town of Ismalia, he comes to take the desert as a background, and sometimes a beautiful background; a mirror of mighty reflections and changing colours almost as strange as the colours of the sea. But when it is first seen abutting, and as it were, advancing, upon the fields and gardens of humanity, then it looks indeed like an enemy, or a long line of enemies; like a line of tawny wild beasts thus halted with their heads lifted. It is the feeling that such vain and sterile sand can yet make itself into something like a mountain range; and the traveller remembers all the tragedies of the desert, when he lifts up his eyes to those accursed hills, from whence no help can come.
But this is only a first glimpse from a city set among green fields; and is concerned rather with what the desert has been in its relation to men than with what the desert is in itself. When the mind has grown used to its monotony, a curious change takes place which I have never seen noted or explained by the students of mental science. It may sound strange to say that monotony of its nature becomes novelty. But if any one will try the common experiment of saying some ordinary word such as "moon" or "man" about fifty times, he will find that the expression has become extraordinary by sheer repetition. A man has become a strange animal with a name as queer as that of the gnu; and the moon something monstrous like the moon-calf. Something of this magic of monotony is effected by the monotony of deserts; and the traveller feels as if he had entered into a secret, and was looking at everything from another side. Something of this simplification appears, I think, in the religions of the desert, especially in the religion of Islam. It explains something of the super-human hopes that fill the desert prophets concerning the future; it explains something also about their barbarous indifference to the past.
We think of the desert and its stones as old; but in one sense they are unnaturally new. They are unused, and perhaps unusable. They might be the raw material of a world; only they are so raw as to be rejected. It is not easy to define this quality of something primitive, something not mature enough to be fruitful. Indeed there is a hard simplicity about many Eastern things that is as much crude as archaic. A palm-tree is very like a tree drawn by a child – or by a very futurist artist. Even a pyramid is like a mathematical figure drawn by a schoolmaster teaching children; and its very impressiveness is that of an ultimate Platonic abstraction. There is something curiously simple about the shape in which these colossal crystals of the ancient sands have been cast. It is only when we have felt something of this element, not only of simplicity, but of crudity, and even in a sense of novelty, that we can begin to understand both the immensity and the insufficiency of that power that came out of the desert, the great religion of Mahomet.
In the red circle of the desert, in the dark and secret place, the prophet discovers the obvious things. I do not say it merely as a sneer, for obvious things are very easily forgotten; and indeed every high civilisation decays by forgetting obvious things. But it is true that in such a solitude men tend to take very simple ideas as if they were entirely new ideas. There is a love of concentration which comes from the lack of comparison. The lonely man looking at the lonely palm-tree does see the elementary truths about the palm-tree; and the elementary truths are very essential. Thus he does see that though the palm-tree may be a very simple design, it was not he who designed it. It may look like a tree drawn by a child, but he is not the child who could draw it. He has not command of that magic slate on which the pictures can come to life, or of that magic green chalk of which the green lines can grow. He sees at once that a power is at work in whose presence he and the palm-tree are alike little children. In other words, he is intelligent enough to believe in God; and the Moslem, the man of the desert, is intelligent enough to believe in God. But his belief is lacking in that humane complexity that comes from comparison. The man looking at the palm-tree does realise the simple fact that God made it; while the man looking at the lamp-post in a large modern city can be persuaded by a hundred sophistical circumlocutions that he made it himself. But the man in the desert cannot compare the palm-tree with the lamp-post, or even with all the other trees which may be better worth looking at than the lamp-post. Hence his religion, though true as far as it goes, has not the variety and vitality of the churches that were designed by men walking in the woods and orchards. I speak here of the Moslem type of religion and not of the oriental type of ornament, which is much older than the Moslem type of religion. But even the oriental type of ornament, admirable as it often is, is to the ornament of a gothic cathedral what a fossil forest is to a forest full of birds. In short, the man of the desert tends