Bureaucracy. Honore de Balzac
afternoon des Lupeaulx was always to be seen in open-worked silk stockings, low shoes, black trousers, cashmere waistcoat, cambric handkerchief (without perfume), gold chain, blue coat of the shade called “king’s blue,” with brass buttons and a string of orders. In the morning he wore creaking boots and gray trousers, and the short close surtout coat of the politician. His general appearance early in the day was that of a sharp lawyer rather than that of a ministerial officer. Eyes glazed by the constant use of spectacles made him plainer than he really was, if by chance he took those appendages off. To real judges of character, as well as to upright men who are at ease only with honest natures, des Lupeaulx was intolerable. To them, his gracious manners only draped his lies; his amiable protestations and hackneyed courtesies, new to the foolish and ignorant, too plainly showed their texture to an observing mind. Such minds considered him a rotten plank, on which no foot should trust itself.
No sooner had the beautiful Madame Rabourdin decided to interfere in her husband’s administrative advancement than she fathomed Clement des Lupeaulx’s true character, and studied him thoughtfully to discover whether in this thin strip of deal there were ligneous fibres strong enough to let her lightly trip across it from the bureau to the department, from a salary of eight thousand a year to twelve thousand. The clever woman believed she could play her own game with this political roue; and Monsieur des Lupeaulx was partly the cause of the unusual expenditures which now began and were continued in the Rabourdin household.
The rue Duphot, built up under the Empire, is remarkable for several houses with handsome exteriors, the apartments of which are skilfully laid out. That of the Rabourdins was particularly well arranged, – a domestic advantage which has much to do with the nobleness of private lives. A pretty and rather wide antechamber, lighted from the courtyard, led to the grand salon, the windows of which looked on the street. To the right of the salon were Rabourdin’s study and bedroom, and behind them the dining-room, which was entered from the antechamber; to the left was Madame’s bedroom and dressing-room, and behind them her daughter’s little bedroom. On reception days the door of Rabourdin’s study and that of his wife’s bedroom were thrown open. The rooms were thus spacious enough to contain a select company, without the absurdity which attends many middle-class entertainments, where unusual preparations are made at the expense of the daily comfort, and consequently give the effect of exceptional effort. The salon had lately been rehung in gold-colored silk with carmelite touches. Madame’s bedroom was draped in a fabric of true blue and furnished in a rococo manner. Rabourdin’s study had inherited the late hangings of the salon, carefully cleaned, and was adorned by the fine pictures once belonging to Monsieur Leprince. The daughter of the late auctioneer had utilized in her dining-room certain exquisite Turkish rugs which her father had bought at a bargain; panelling them on the walls in ebony, the cost of which has since become exorbitant. Elegant buffets made by Boulle, also purchased by the auctioneer, furnished the sides of the room, at the end of which sparkled the brass arabesques inlaid in tortoise-shell of the first tall clock that reappeared in the nineteenth century to claim honor for the masterpieces of the seventeenth. Flowers perfumed these rooms so full of good taste and of exquisite things, where each detail was a work of art well placed and well surrounded, and where Madame Rabourdin, dressed with that natural simplicity which artists alone attain, gave the impression of a woman accustomed to such elegancies, though she never spoke of them, but allowed the charms of her mind to complete the effect produced upon her guests by these delightful surroundings. Thanks to her father, Celestine was able to make society talk of her as soon as the rococo became fashionable.
Accustomed as des Lupeaulx was to false as well as real magnificence in all their stages, he was, nevertheless, surprised at Madame Rabourdin’s home. The charm it exercised over this Parisian Asmodeus can be explained by a comparison. A traveller wearied with the rich aspects of Italy, Brazil, or India, returns to his own land and finds on his way a delightful little lake, like the Lac d’Orta at the foot of Monte Rosa, with an island resting on the calm waters, bewitchingly simple; a scene of nature and yet adorned; solitary, but well surrounded with choice plantations and foliage and statues of fine effect. Beyond lies a vista of shores both wild and cultivated; tumultuous grandeur towers above, but in itself all proportions are human. The world that the traveller has lately viewed is here in miniature, modest and pure; his soul, refreshed, bids him remain where a charm of melody and poesy surrounds him with harmony and awakens ideas within his mind. Such a scene represents both life and a monastery.
A few days earlier the beautiful Madame Firmiani, one of the charming women of the faubourg Saint-Germain who visited and liked Madame Rabourdin, had said to des Lupeaulx (invited expressly to hear this remark), “Why do you not call on Madame – ?” with a motion towards Celestine; “she gives delightful parties, and her dinners, above all, are – better than mine.”
Des Lupeaulx allowed himself to be drawn into an engagement by the handsome Madame Rabourdin, who, for the first time, turned her eyes on him as she spoke. He had, accordingly, gone to the rue Duphot, and that tells the tale. Woman has but one trick, cries Figaro, but that’s infallible. After dining once at the house of this unimportant official, des Lupeaulx made up his mind to dine there often. Thanks to the perfectly proper and becoming advances of the beautiful woman, whom her rival, Madame Colleville, called the Celimene of the rue Duphot, he had dined there every Friday for the last month, and returned of his own accord for a cup of tea on Wednesdays.
Within a few days Madame Rabourdin, having watched him narrowly and knowingly, believed she had found on the secretarial plank a spot where she might safely set her foot. She was no longer doubtful of success. Her inward joy can be realized only in the families of government officials where for three or four years prosperity has been counted on through some appointment, long expected and long sought. How many troubles are to be allayed! how many entreaties and pledges given to the ministerial divinities! how many visits of self-interest paid! At last, thanks to her boldness, Madame Rabourdin heard the hour strike when she was to have twenty thousand francs a year instead of eight thousand.
“And I shall have managed well,” she said to herself. “I have had to make a little outlay; but these are times when hidden merit is overlooked, whereas if a man keeps himself well in sight before the world, cultivates social relations and extends them, he succeeds. After all, ministers and their friends interest themselves only in the people they see; but Rabourdin knows nothing of the world! If I had not cajoled those three deputies they might have wanted La Billardiere’s place themselves; whereas, now that I have invited them here, they will be ashamed to do so and will become our supporters instead of rivals. I have rather played the coquette, but – it is delightful that the first nonsense with which one fools a man sufficed.”
The day on which a serious and unlooked-for struggle about this appointment began, after a ministerial dinner which preceded one of those receptions which ministers regard as public, des Lupeaulx was standing beside the fireplace near the minister’s wife. While taking his coffee he once more included Madame Rabourdin among the seven or eight really superior women in Paris. Several times already he had staked Madame Rabourdin very much as Corporal Trim staked his cap.
“Don’t say that too often, my dear friend, or you will injure her,” said the minister’s wife, half-laughing.
Women never like to hear the praise of other women; they keep silence themselves to lessen its effect.
“Poor La Billardiere is dying,” remarked his Excellency the minister; “that place falls to Rabourdin, one of our most able men, and to whom our predecessors did not behave well, though one of them actually owed his position in the prefecture of police under the Empire to a certain great personage who was interested in Rabourdin. But, my dear friend, you are still young enough to be loved by a pretty woman for yourself – ”
“If La Billardiere’s place is given to Rabourdin I may be believed when I praise the superiority of his wife,” replied des Lupeaulx, piqued by the minister’s sarcasm; “but if Madame la Comtesse would be willing to judge for herself – ”
“You want me to invite her to my next ball, don’t you? Your clever woman will meet a knot of other women who only come here to laugh at us, and when they hear ‘Madame Rabourdin’ announced – ”
“But Madame Firmiani is announced at the Foreign Office parties?”
“Ah,