An Historical Mystery (The Gondreville Mystery). Honore de Balzac
said the peasant, opening wide his avaricious eyes.
“I’ll sell you my property cheap.”
“Nothing is cheap when we have to pay,” said Violette, sententiously.
“I want to leave the neighborhood, and I’ll let you have my farm of Mousseau, the buildings, granary, and cattle for fifty thousand francs.”
“Really?”
“Does that suit you?”
“Hang it! I must think – ”
“We’ll talk about it – I shall want earnest money.”
“I have no money.”
“Well, a note.”
“Can’t give it.”
“Tell me who sent you here to-day.”
“I am on my way back from where I spent this afternoon, and I only stopped in to say good-evening.”
“Back without your horse? What a fool you must take me for! You are lying, and you shall not have my farm.”
“Well, to tell you the truth, it was monsieur Grevin who sent me. He said ‘Violette, we want Michu; do you go and get him; if he isn’t at home, wait for him.’ I saw I should have to stay here all this evening.”
“Are those sharks from Paris still at the chateau?”
“Ah! that I don’t know; but there were people in the salon.”
“You shall have my farm; we’ll settle the terms now. Wife, go and get some wine to wash down the contract. Take the best Roussillon, the wine of the ex-marquis, – we are not babes. You’ll find a couple of bottles on the empty cask near the door, and a bottle of white wine.”
“Very good,” said Violette, who never got drunk. “Let us drink.”
“You have fifty thousand francs beneath the floor of your bedroom under your bed, pere Violette; you will give them to me two weeks after we sign the deed of sale before Grevin – ” Violette stared at Michu and grew livid. “Ah! you came here to spy upon a Jacobin who had the honor to be president of the club at Arcis, and you imagine he will let you get the better of him! I have eyes, I saw where your tiles have been freshly cemented, and I concluded that you did not pry them up to plant wheat there. Come, drink.”
Violette, much troubled, drank a large glass of wine without noticing the quality; terror had put a hot iron in his stomach, the brandy was not hotter than his cupidity. He would have given many things to be safely home and able to change the hiding-place of his treasure. The three women smiled.
“Do you like that wine?” said Michu, refilling his glass.
“Yes, I do.”
After a good half-hour’s decision on the time when the buyer might take possession, and on the various punctilios which the peasantry bring forward when concluding a bargain, – in the midst of assertions and counter-assertions, the filling and emptying of glasses, the giving of promises and denials, Violette suddenly fell forward with his head on the table, not tipsy, but dead-drunk. The instant that Michu saw his eyes blur he opened the window.
“Where’s that scamp, Gaucher?” he said to his wife.
“In bed.”
“You, Marianne,” said the bailiff to his faithful servant, “stand in front of his door and watch him. You, mother, stay down here, and keep an eye on this spy; keep your eyes and ears open and don’t unfasten the door to any one but Francois. It is a question of life or death,” he added, in a deep voice. “Every creature beneath my roof must remember that I have not quitted it this night; all of you must assert that – even though your heads were on the block. Come,” he said to Marthe, “come, wife, put on your shoes, take your coat, and let us be off! No questions – I go with you.”
For the last three quarters of an hour the man’s demeanor and glance were of despotic authority, all-powerful, irresistible, drawn from the same mysterious source from which great generals on fields of battle who inflame an army, great orators inspiring vast audiences, and (it must be said) great criminals perpetrating bold crimes derive their inspiration. At such times invincible influence seems to exhale from the head and issue from the tongue; the gesture even can inject the will of the one man into others. The three women knew that some dreadful crisis was at hand; without warning of its nature they felt it in the rapid actions of the man, whose countenance shone, whose forehead spoke, whose brilliant eyes glittered like stars; they saw it in the sweat that covered his brow to the roots of his hair, while more than once his voice vibrated with impatience and fury. Marthe obeyed passively. Armed to the teeth and with his gun over his shoulder Michu dashed into the avenue, followed by his wife. They soon reached the cross-roads where Francois was in waiting hidden among the bushes.
“The boy is intelligent,” said Michu, when he caught sight of him.
These were his first words. His wife had rushed after him, unable to speak.
“Go back to the house, hide in a thick tree, and watch the country and the park,” he said to his son. “We have all gone to bed, no one is stirring. Your grandmother will not open the door until you ask her to let you in. Remember every word I say to you. The life of your father and mother depends on it. No one must know we did not sleep at home.”
After whispering these words to the boy, who instantly disappeared in the forest like an eel in the mud, Michu turned to his wife.
“Mount behind me,” he said, “and pray that God be with us. Sit firm, the beast may die of it.” So saying he kicked the horse with both heels, pressing him with his powerful knees, and the animal sprang forward with the rapidity of a hunter, seeming to understand what his master wanted of him, and crossed the forest in fifteen minutes. Then Michu, who had not swerved from the shortest way, pulled up, found a spot at the edge of the woods from which he could see the roofs of the chateau of Cinq-Cygne lighted by the moon, tied his horse to a tree, and followed by his wife, gained a little eminence which overlooked the valley.
The chateau, which Marthe and Michu looked at together for a moment, makes a charming effect in the landscape. Though it has little extent and is of no importance whatever as architecture, yet archaeologically it is not without a certain interest. This old edifice of the fifteenth century, placed on an eminence, surrounded on all sides by a moat, or rather by deep, wide ditches always full of water, is built in cobble-stones buried in cement, the walls being seven feet thick. Its simplicity recalls the rough and warlike life of feudal days. The chateau, plain and unadorned, has two large reddish towers at either end, connected by a long main building with casement windows, the stone mullions of which, being roughly carved, bear some resemblance to vine-shoots. The stairway is outside the house, at the middle, in a sort of pentagonal tower entered through a small arched door. The interior of the ground-floor together with the rooms on the first storey were modernized in the time of Louis XIV., and the whole building is surmounted by an immense roof broken by casement windows with carved triangular pediments. Before the castle lies a vast green sward the trees of which had recently been cut down. On either side of the entrance bridge are two small dwellings where the gardeners live, connected across the road by a paltry iron railing without character, evidently modern. To right and left of the lawn, which is divided in two by a paved road-way, are the stables, cow-sheds, barns, wood-house, bakery, poultry-yard, and the offices, placed in what were doubtless the remains of two wings of the old building similar to those that were still standing. The two large towers, with their pepper-pot roofs which had not been rased, and the belfry of the middle tower, gave an air of distinction to the village. The church, also very old, showed near by its pointed steeple, which harmonized well with the solid masses of the castle. The moon brought out in full relief the various roofs and towers on which it played and sparkled.
Michu gazed at this baronial structure in a manner that upset all his wife’s ideas about him; his face, now calm, wore a look of hope and also a sort of pride. His eyes scanned the horizon with a glance of defiance; he listened for sounds in the air. It was now nine o’clock; the moon was beginning to cast its light upon the margin of the forest and to illumine