Miss Santa Claus of the Pullman. Johnston Annie Fellows
this from Miss Sally because Mrs. Neal had just told her that the children were to be sent to their father the day before Christmas, and that they were to go on a Pullman car, because the ordinary coaches did not go straight through. The children were too small to risk changing cars, and he was too busy to come for them.
Will'm stayed in the shop the rest of the morning, for Miss Sally echoing the sentiment of everybody at the Junction, felt sorry for the poor little fellow who was soon to be sent away to a stepmother, and felt that it was her duty to do what she could toward making his world as pleasant as possible for him, while she had the opportunity.
Together they ate the lunch which had been left on the pantry shelves for them. Will'm helped set it out on the table. Then he went back into the shop with Miss Sally. But his endless questions "got on her nerves" after awhile, she said, and she suddenly ceased to be the good company that she had been all morning. She mended the fire in the sitting-room and told Will'm he'd better play in there till Libby came home. It was an endless afternoon, so long that after he had done everything that he could think of to pass the time, he decided he'd write his own letter and send it up the chimney himself. He couldn't possibly wait for Libby to come home and do it. He'd write a picture letter. It was easier to read pictures than print, anyhow. At least for him. He slipped back into the shop long enough to get paper and a pencil from the old secretary in the corner, and then lying on his stomach on the hearth-rug with his heels in the air, he began drawing his favorite sketch, a train of cars.
All that can be said of the picture is that one could recognize what it was meant for. The wheels were wobbly and no two of the same size, the windows zigzagged in uneven lines and were of varied shapes. The cow-catcher looked as if it could toss anything it might pick up high enough to join the cow that jumped over the moon. But it was unmistakably a train, and the long line of smoke pouring back over it from the tipsy smoke-stack showed that it was going at the top of its speed. Despite the straggling scratchy lines any art critic must acknowledge that it had in it that intangible quality known as life and "go."
It puzzled Will'm at first to know how to introduce himself into the picture so as to show that he was the one wanting a ride. Finally on top of one of the cars he drew a figure supposed to represent a boy, and after long thought, drew one just like it, except that the second figure wore a skirt. He didn't want to take the ride alone. He'd be almost afraid to go without Libby, and he knew very well that she'd like to go. She'd often played "S'posen" they were riding away off to the other side of the world on one of those trains which they watched nightly pass the sitting-room window.
He wished he could spell his name and hers. He knew only the letters with which each began, and he wasn't sure of either unless he could see the picture on the other side of the building block on which it was printed. The box of blocks was in the sitting-room closet. He brought it out, emptied it on the rug and searched until he found the block bearing the picture of a lion. That was the king of beasts, and the L on the other side which stood for Lion, stood also for Libby. Very slowly and painstakingly he copied the letter on his drawing, placing it directly across the girl's skirt so that there could be no mistake. Then he pawed over the blocks till he found the one with the picture of a whale. That was the king of fishes, and the W on the other side which stood for Whale, stood also for William. He tried putting the W across the boy, but as each leg was represented by one straight line only, bent at right angles at the bottom to make a foot, the result was confusing. He rubbed out the legs, made them anew, and put the W over the boy's head, drawing a thin line from the end of the W to the crossed scratches representing fingers. That plainly showed that the Boy and the W were one and the same, although it gave to the unenlightened the idea that the picture had something to do with flying a kite. Then he rubbed out the L on Libby's skirt and placed it over her head, likewise connecting her letter with her fingers.
The rubbing-out process gave a smudgy effect. Will'm was not satisfied with the result, and like a true artist who counts all labor as naught, which helps him towards that perfection which is his ideal, he laid aside the drawing as unworthy and began another.
The second was better. He accomplished it with a more certain touch and with no smudges, and filled with the joy of a creator, sat and looked at it a few minutes before starting it on its flight up the flue towards the Sky Road.
The great moment was over. He had just drawn back from watching it start when Libby came in. She came primly and quietly this time. She had waited to leave her overshoes on the porch, her lunch basket in the kitchen, her wraps in the entry. The white ruffled apron which she had worn all day was scarcely mussed. The bows on her narrow braids stuck out stiffly and properly. Her shoes were tied and the laces tucked in. She walked on tiptoe, and every movement showed that she was keeping up the reputation she had earned of being "so good that nobody could be any better, no matter how hard he tried." She had been that good for over a week.
Will'm ran to get the orange which had been given him that morning. He had been saving it for this moment of division. He had already opened the pop-corn box and found the prize, a little china cup no larger than a thimble, and had used it at lunch, dipping a sip at a time from his glass of milk.
The interest with which she listened to his account of finding the locket and being taken aboard the train made him feel like a hero. He hastened to increase her respect.
"Nen the man said that I was about the nicest little boy he ever saw and he would tell Santa Claus so. An' I knew everything was all right so I've just sended a letter up to tell him to please give me a ride on the Pullman train."
Libby smiled in an amused, big-sister sort of way, asking how Will'm supposed anybody could read his letters. He couldn't write anything but scratches.
"But it was a picture letter!" Will'm explained triumphantly. "Anybody can read picture letters." Then he proceeded to tell what he had made and how he had marked it with the initials of the Lion and the Whale.
To his intense surprise Libby looked first startled, then troubled, then despairing. His heart seemed to drop down into his shoes when she exclaimed in a tragic tone:
"Well, Will'm Branfield! If you haven't gone and done it! I don't know what ever is going to happen to us now!"
Then she explained. She had already written a letter for him, with Susie Peters's help, asking in writing what she had asked before by word of mouth, that he be forgiven, and requesting that he might not find his stocking empty on Christmas morning. As to what should be in it, she had left that to Santa's generosity, because Will'm had never said what he wanted.
"And now," she added reproachfully, "I've told you that we oughtn't to ask for more than one thing apiece, 'cause this is the first time he's ever been to this house, and it doesn't seem polite to ask for so much from a stranger."
Will'm defended himself, his chin tilted at an angle that should have been a warning to one who could read such danger signals.
"I only asked for one thing for me and one for you."
"Yes, but don't you see, I had already asked for something for each of us, so that makes two things apiece," was the almost tearful answer.
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