The Collected Works in Verse and Prose of William Butler Yeats. Volume 2 of 8. William Butler Yeats
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The moon’s poor daughter, that most whey-faced metal,
Precious; and cry out that none alive
Would ride among the arrows with high heart,
Or scatter with an open hand, had not
Our heady craft commended wasteful virtues.
And when that story’s finished, shake your coat
Where little jewels gleam on it, and say,
A herdsman, sitting where the pigs had trampled,
Made up a song about enchanted kings,
Who were so finely dressed, one fancied them
All fiery, and women by the churn
And children by the hearth caught up the song
And murmured it, until the tailors heard it.
If you would but eat something you’d find out
That you have had these thoughts from lack of food,
For hunger makes us feverish.
Cry aloud,
That when we are driven out we come again
Like a great wind that runs out of the waste
To blow the tables flat; and thereupon
Lie down upon the threshold till the King
Restore to us the ancient right of the poets.
You cannot shake him. I will to the King,
And offer him consolation in his trouble,
For that man there has set his teeth to die.
And being one that hates obedience,
Discipline, and orderliness of life,
I cannot mourn him.
’Twas you that stirred it up.
You stirred it up that you might spoil our dancing.
Why shouldn’t we have dancing? We’re not in Lent.
Yet nobody will pipe or play to us;
And they will never do it if he die.
And that is why you are going.
What folly’s this?
Well, if you did not do it, speak to him —
Use your authority; make him obey you.
What harm is there in dancing?
Hush! begone!
Go to the fields and watch the hurley players,
Or any other place you have a mind to.
This is not woman’s work.
Come! let’s away!
We can do nothing here.
The pride of the poets!
Dancing, hurling, the country full of noise,
And King and Church neglected. Seanchan,
I’ll take my leave, for you are perishing
Like all that let the wanton imagination
Carry them where it will, and it’s not likely
I’ll look upon your living face again.
Come nearer, nearer!
Have you some last wish?
Stoop down, for I would whisper it in your ear.
Has that wild God of yours, that was so wild
When you’d but lately taken the King’s pay,
Grown any tamer? He gave you all much trouble.
Let go my habit!
Have you persuaded him
To chirp between two dishes when the King
Sits down to table?
Let go my habit, sir!
And maybe he has learnt to sing quite softly
Because loud singing would disturb the King,
Who is sitting drowsily among his friends
After the table has been cleared. Not yet!
You did not think that hands so full of hunger
Could hold you tightly. They are not civil yet.
I’d know if you have taught him to eat bread
From the King’s hand, and perch upon his finger.
I think he perches on the King’s strong hand.
But it may be that he is still too wild.
You must not weary in your work; a king
Is often weary, and he needs a God
To be a comfort to him.
A little God,
With comfortable feathers, and bright eyes.
There will be no more dancing in our time,
For nobody will play the harp or the fiddle.
Let us away, for we cannot amend it,
And watch the hurley.
Hush! he is looking at us.
Yes, yes, go to the hurley, go to the hurley,
Go to the hurley! Gather up your skirts —
Run quickly! You can remember many love songs;
I know it by the light that’s in your eyes —
But you’ll forget them. You’re fair to look upon.
Your feet delight in dancing, and your mouths
In the slow smiling that awakens love.
The mothers that have borne you mated rightly.
They’d little ears as thirsty as your ears
For many love songs. Go to the young men.
Are not the ruddy flesh and the thin flanks
And the broad shoulders worthy of desire?
Go from me! Here is nothing for your eyes.
But it is I that am singing you away —
Singing you to the young men.
Be quiet!
Look who it is has come out of the house.
Princesses, we are for the hurling field.
Will you go there?
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