Amethyst: The Story of a Beauty. Coleridge Christabel Rose
life for Amethyst rolled on fast and full.
But all along, and at first especially, there were many intervals filled up with teaching her sisters the delights of country walks and primrose-pickings; with reading her favourite books to them, stirring them up about their lessons, and, all unintentionally, in giving them something else to think of than the vagaries of their elders’ life.
A “school-room” had really been provided for them, high up in one of the corners of the house, with a window in its angle which caught the sun all day, and looked over the pretty, rough open country in which Cleverley lay. Here, with flowers and books and girlish rummage, was the most home-like spot the Haredale girls had ever known; and here late one sunny afternoon lounged Una, curled up in the corner of an old sofa – doing, as was still too often the case, absolutely nothing.
Suddenly a light step came flying up the stairs, and Amethyst ran into the room, and stood before her in the full glory of the early evening sunlight, saying in her fresh girlish voice —
“Look, Una – look!”
Amethyst was already in her white dinner-dress, and round her neck was clasped a broad band of glowing purple jewels. Stars of deep lustrous colour gleamed in her hair and on her bosom, her eyes shone in the sunshine, which poured its full glory on her innocent eager face, which in that clear and searching light seemed to share with the jewels a sort of heavenly radiance, a splendour of light and colour from a fairer and purer world.
“Amethyst,” exclaimed Una, starting up, “you look like an angel.”
Amethyst laughed, and stepping out of the sunlight, came and knelt down by Una’s side; no longer a heavenly vision of light and colour, but a happy-faced girl, decorated with quaint and splendid ornaments of amethysts set with small diamonds.
“Mamma says that she has given me my own jewels. She says she was so fond of these beautiful stones that she made up her mind to call me after them, and I am to wear them whenever I can. Aren’t they lovely?”
“Yes,” said Una; “I didn’t know my lady had them still. They’re just fit for you.”
Amethyst took off the splendid necklet, and held it in her hands.
“They’re too beautiful to be vain of,” she said, dreamily. “It’s rather nice to have a stone and colour of one’s own. I used to think amethysts and purple rather dull when we chose favourites at school. Amethyst means temperance, you know. It’s a dull meaning, but I expect it’s a very useful one for me now.”
“Why, what do you mean?” said Una.
“Well!” said Amethyst, “I do enjoy everything so very much. I feel as if music, and dancing, and going out with mother, and having pretty things to wear, would be so very delightful. So if the most delightful things of all remind me that I mustn’t let myself go, but be temperate in all things, it ought to be getting some good out of the beauty, oughtn’t it?”
Amethyst spoke quite simply, as one to whom various little methods of self-discipline were as natural a subject of discussion as various methods of study.
“I hope you’ll never look different from what you did just now,” said Una, in a curious strained voice, and laying her head on her sister’s shoulder; “but it’s all going to begin.”
“Why, Una, what is it?” as the words ended in a stifled sob. “Headache again? You naughty child, I’m sure you want tonics, or sea air, or something. And I wish you would let me plait all this hair into a tail, it is much too hot and heavy for you.”
“Oh no, no! not now,” said Una, now fairly crying, “not just now – let it alone. I don’t want to be grown-up!”
“A tail doesn’t look grown-up,” said Amethyst in a matter-of-fact voice. “Any way there’s nothing to cry about. If you want to come down and see the people after dinner, you must lie still now and rest. But you ought to go to bed early, and get a good-night. When people cry for nothing, it shows they’re ill.”
“I dare say it does, but I’m not ill,” said Una.
“Then you’re silly,” said Amethyst, with cheerful briskness; but Una did not resent the tone. She gave Amethyst a long clinging kiss, and then lay back on the sofa; while her sister went off to arrange the jewels to her satisfaction, in preparation for the first state dinner-party at which she was to make her appearance.
Chapter Six
Historical Types
“Well, father – how goes the world in Cleverley? How are you getting on with the charming but undesirable family at the Hall, of whom Aunt Meg writes to me?”
Sylvester Riddell and his father were walking up and down the centre path of the Rectory kitchen-garden, smoking an after-breakfast pipe together, between borders filled with tulips, daffodils, polyanthuses, and other spring flowers, behind which espaliers were coming into blossom, and early cabbages and young peas sprouting up in fresh and orderly rows. The red tower of the church looked over a tall hedge of lilac trees, and beyond was the little street, soon leading into fields and open, prettily-wooded country, rising into low hills in the distance.
Sylvester had just arrived for a few days’ visit from Oxbridge, where he had recently obtained a first-class, a fellowship, and an appointment as tutor of his college. His father and grandfather had both been scholars, and such honours seemed to them almost the hereditary right of their family.
Sylvester inherited from his father long angular limbs, rugged but well-formed features, and brown skin. But the dreamy look, latent in the father’s fine grey eyes, was habitual in the son’s; while a certain humorous twinkle in their corners had had less time to develop itself, and was much less apparent in the younger man’s face.
The old Rector had shaggy grey hair, eyebrows, and whiskers; he had grown stout, and his everyday clothes were somewhat loose and shabby. Sylvester had brown hair, cut short, and was close shaved, and his dress was neat, and did his tailor credit. Still, the father’s youth was closely recalled by this son of his old age, and the two found each other congenial spirits.
The fox-terrier that barked in front of them, and the old collie that paced soberly behind, turned eyes of kindness alike on both, the great grey cat rubbed against both pairs of trousers, and the old gardener lay in wait to show Sylvester his side of a dispute with “master” as to the clipping of the lilac hedges.
Fifty years or so ago the Rector of Cleverley had been a young undergraduate, remarkable for the fine scholarship and elegant verse-making of his day, but with a touch of genius that made him differ from his fellows; careless, simple, and untidy, yet fond of society and good fellowship, full of the romance and sentiment of his day, – a man who admired pretty women, but had only one lasting love, from whom circumstances had divided him till he married her late in life, and lost her soon after Sylvester’s birth.
When, on his marriage, he took the living of Cleverley, he became an excellent parish priest, the personal friend of all his flock, and deeply beloved by them; a little shy of modern organisation, and more hard on his curates for mispronouncing Greek names than on many worse offenders. He was a gentleman, and a man of the world who had other experiences than those of parochial life, and belonged to a race of clergy more common in the last generation than in this one.
Sylvester was meant to be much the same sort of person as his father; but he was born in a grave and more self-conscious age. He had all the Rector’s cordial kindliness, and much of his keen insight; but the romantic, dreamy side of the character was both more carefully hidden and stronger in the younger man. The sentiment of the eighth decade of the nineteenth century was less cheerful and light-hearted than that of the third or fourth. The Rector had been among those who still laughed and sighed with Moore, and smiled with Praed (he had not been the sort of man to give himself over to Byron). He had fallen in love with the miller’s and the gardener’s fair daughters in the early days of Tennyson. Sylvester dived into Browning, and dreamed with Rossetti. He was haunted by ideals which he did not hope to realise; and, moreover, felt himself compelled frequently to pretend that he had no ideals at all.
And although he had worked