Dwellers in Arcady: The Story of an Abandoned Farm. Paine Albert Bigelow

Dwellers in Arcady: The Story of an Abandoned Farm - Paine Albert Bigelow


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but if at times he drew on his imagination he tapped a noble source, for his narrative flowed clear, limpid, refreshing, and inexhaustible. When the days grew cooler and a fire was going in the big chimney, Westbury would drop in and, pulling up a big chair, would take out his knife and, selecting a soft, straight-grained piece of pine kindling, would whittle and look into the fire while he unwound the skein that threaded through the years from Azariah Meeker, or Ahab Todd, down to the few and scattering remnants that still flecked the huckleberry hills.

      But I run ahead of my story – it is a habit. It was Westbury's practical knowledge that first claimed our gratitude. It was complete and infallible. He knew every horse and horned beast and vehicle in the township, and had owned most of them, for he was an inveterate trader. He knew their exact condition and capabilities, and those of their owners – where we could get just the right man and team to do our fall plowing; where we could hire a yoke of oxen if needed; where, in the proper season, we could buy a cow. He introduced me to a man whose specialty was cutting brush, because he had heavy, stooped shoulders and preternaturally long, powerful arms – a sort of anthropoid specimen who wielded a keen one-handed ax that cut a sizable sapling clean through at one stroke. He produced a carpenter properly qualified for repairs on an old house, because he had always lived in one and had been repairing it most of the time since childhood. He found us the right men to clean our well, to do our painting, to trim and rehabilitate our frowsy door-yard. He took me in his buggy to see some of these men; the rest he sent for. If you have ever undertaken a job like ours you have a pretty good idea of our debt to William C. Westbury.

      And this was not all – oh, by no means! Westbury kept cows, in those days, and made an almost daily trip with milk to the nearest sizable town, by virtue of which he became the natural purchasing agent of the thousand and one things we needed in that day of our beginning, and the most reliable and efficient I have ever known. Nothing was too small or too big for Westbury to remember, and I can see him now swing his team up to the front step and hear him call out, "Hey, there!" as a preparation to unloading crockery and tinware, dry-goods and notions, garden tools and food-stuff, his wagon full, his pockets full, without ever an oversight or a poor selection. If you have ever lived in the country you know what a thing like that is worth. It was my opinion that Westbury was a genius, and he has since proved it.

      But I am still going too fast. The family did not immediately come to Brook Ridge, and perhaps I should say here that the "family," besides Elizabeth, consisted of three hardy daughters, whom I shall name as the Pride, the Hope, and the Joy, aged twelve, seven, and two, respectively. They were boarding at a pleasant farm some twenty miles away, and it was thought advisable for them to remain there with Elizabeth a week or such a matter while I came over and stopped with Westbury and his capable wife, to get things started.

      IV

      Those were lovely days

      My impression is that our carpenter came first, though the exact sequence is unimportant. He was not exclusively a carpenter, being also a farmer during a considerable portion of the year. He would have to knock off, now and then, he said, to look after his corn and potatoes, while his assistant, it appeared, served in the double capacity of helper and hired man.

      But they were a suitable team for the work in hand – reconstruction on an old house that had been put up mainly with an ax and a trowel, by thumb measure, having probably never known anything so prosaic as a spirit-level and a square. We began on the large room – that is to say, the old kitchen, which was to be the new living-room, and in a very little while had the prehistoric pantry and sink ripped out and the big hole patched in the plaster, for our boss carpenter was a gifted man, qualified for general repairs.

      No, on second thought, we did not rip out quite all the old pantry. There were some whitewood shelves that had been put there to stay, and in the century or so of their occupancy appeared to have grown to the other woodwork. Considering them a little, and the fact that it would require an ax and perhaps dynamite to dislodge them, I had an inspiration. Modified a little, they would make excellent bric-à-brac and book shelves and serve a new and beautiful use through all the centuries we expected to live there. I feverishly began drawing designs, and the chief carpenter and I undertook this fine-art and literary corner at once, so that it might be finished and a surprise for Elizabeth and the others when they came. It was well that we did so, for it was no light matter to reduce the width of those shelves. Whitewood is not hard when fresh, but this had seasoned with the generations until it was as easy to saw as dried horn – just about – and we took turns at it, and the sweat got in my eyes, and I would have sent for the ax and the dynamite if I hadn't passed my word.

      Meantime, the helper, whose name was Henry Jones, was hewing an oaken cross-beam which supported the ceiling, and which I could not pass under without violently knocking my head. I am satisfied that the original builders of that house were short people, or they would have planned the old kitchen a few inches higher. But then I am always knocking my head nearly off against something. I have left gleanings from it on the sharp edges of a thousand swinging signs and on the cruel filigree of as many low-hung chandeliers. My slightly bald spot, due to severe mental effort, or something, if examined closely would be found to resemble an old battlefield in France. But this is digression. As I was saying, Henry Jones was hewing at the big old cross-beam, trying to raise its lower sky-line a couple of inches with a foot-adz. I had not supposed that the job would be especially difficult. I did not realize that the old white-oak beam in a century and a half had petrified. We were having a pretty toilsome time with our shelves, but I never saw a man sweat and carry on like Henry Jones. He had to work straight up, with his head tipped back, and his neck was rather short, with no proper hinge in it. Besides, it was August, and pretty still and intense, and then some bees that had taken up residence between the floors did not like the noise he made, and occasionally came down to see about it. At such times he made what was in the nature of a spring for the door, explaining later that he had been to sharpen his adz. During quieter moments I went over, at his suggestion, to measure up and see if the beam wasn t high enough. It was on the afternoon of the second day that I told him that if he would now trim up and round off the corners a little I thought I might be able to pass under it without butting my remaining brains out. You never saw a man so relieved. I think he considered me over-particular about a small matter. As a reward I set him to elevating the beam across the top of the door leading to the kitchen – quite an easy job. He only had to put in a few hours of patient overhead sawing and split out the chunks with wedges and a maul.

      Observing Henry Jones though fully, I became convinced that the oaken frame of our house was nearly indestructible. When I found time I examined its timbers rather carefully. They were massive as to size, hand hewn, and held together with big wooden pins. No worm had been indiscreet enough to tackle those timbers. The entire structure was anchored in the masonry of the huge chimney, and as a whole was about as solid as the foundations of the world. There were builders in those days.

      I have mentioned the "ancient mariner" who appeared in the dusk of the evening to warn me against over-payment for the place – old Nat. It turned out that he was a farmer, but with artistic leanings in the direction of whitewash. He appeared one morning in a more substantial form, and was presently making alabaster of our up-stairs ceilings, for if ever there was an old master in whitewash it was Nat. Never a streak or a patchy place, and he knew the secret of somehow making the second coat gleam like frosting on a wedding-cake.

      Things were happening all about. Old Pop, the brush-cutter, had arrived, with his deadly one-handed ax, and was busy in the lower brook lot – a desperate place of briers and brush and poison ivy. He was a savage worker. The thorns stung him to a pitch of fighting madness, and he went after them, careless of mishap. Each evening he came up out of that vicious swamp, bleeding at every pore, his massive shoulders hunched forward, his super-normal arms hanging until his huge hands nearly swept the ground.

      Pop in action was a fascinating sight. Few things could be finer than to see him snatch away a barbed-wire entanglement of blackberry-bushes, clutch a three-inch thorn sapling with his hairy left, and with one swing of his terrible right cut the taproot through. I had figured that it would take a month to clear away that mess along the brook, but on the evening of the fifth day Pop had the last bit of its tangle cut and piled. Of such stuff were warriors of the olden time. Given armor and a battle-ax, and nothing


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