John Marchmont's Legacy. Volume 2 of 3. Braddon Mary Elizabeth
in that first moment, the stern demands of pride. She stood still; revealing, by her look, her attitude, her silence, her abstraction, a whole history to the watchful eyes that were looking at her.
Mrs. Weston lingered on the threshold of the chamber in a pretty half-fluttering manner; which was charmingly expressive of a struggle between a modest poor-relation-like diffidence and an earnest desire to rush into Olivia's arms. The surgeon's wife was a delicate-looking little woman, with features that seemed a miniature and feminine reproduction of her brother Paul's, and with very light hair, – hair so light and pale that, had it turned as white as the artist's in a single night, very few people would have been likely to take heed of the change. Lavinia Weston was eminently what is generally called alady-like woman. She always conducted herself in that especial and particular manner which was exactly fitted to the occasion. She adjusted her behaviour by the nicest shades of colour and hair-breadth scale of measurement. She had, as it were, made for herself a homoeopathic system of good manners, and could mete out politeness and courtesy in the veriest globules, never administering either too much or too little. To her husband she was a treasure beyond all price; and if the Lincolnshire surgeon, who was a fat, solemn-faced man, with a character as level and monotonous as the flats and fens of his native county, was henpecked, the feminine autocrat held the reins of government so lightly, that her obedient subject was scarcely aware how very irresponsible his wife's authority had become.
As Olivia Marchmont stood confronting the timid hesitating figure of the intruder, with the width of the chamber between them, Lavinia Weston, in her crisp muslin-dress and scarf, her neat bonnet and bright ribbons and primly-adjusted gloves, looked something like an adventurous canary who had a mind to intrude upon the den of a hungry lioness. The difference, physical and moral, between the timid bird and the savage forest-queen could be scarcely wider than that between the two women.
But Olivia did not stand for ever embarrassed and silent in her visitor's presence. Her pride came to her rescue. She turned sternly upon the polite intruder.
"Walk in, if you please, Mrs. Weston," she said, "and sit down. I was denied to you just now because I have been ill, and have ordered my servants to deny me to every one."
"But, my dear Mrs. Marchmont," murmured Lavinia Weston in soft, almost dove-like accents, "if you have been ill, is not your illness another reason for seeing us, rather than for keeping us away from you? I would not, of course, say a word which could in any way be calculated to give offence to your regular medical attendant, – you have a regular medical attendant, no doubt; from Swampington, I dare say, – but a doctor's wife may often be useful when a doctor is himself out of place. There are little nervous ailments – depression of spirits, mental uneasiness – from which women, and sensitive women, suffer acutely, and which perhaps a woman's more refined nature alone can thoroughly comprehend. You are not looking well, my dear Mrs. Marchmont. I left my husband in the drawing-room, for I was so anxious that our first meeting should take place without witnesses. Men think women sentimental when they are only impulsive. Weston is a good simple-hearted creature, but he knows as much about a woman's mind as he does of an Æolian harp. When the strings vibrate, he hears the low plaintive notes, but he has no idea whence the melody comes. It is thus with us, Mrs. Marchmont. These medical men watch us in the agonies of hysteria; they hear our sighs, they see our tears, and in their awkwardness and ignorance they prescribe commonplace remedies out of the pharmacopoeia. No, dear Mrs. Marchmont, you do not look well. I fear it is the mind, the mind, which has been over-strained. Is it not so?"
Mrs. Weston put her head on one side as she asked this question, and smiled at Olivia with an air of gentle insinuation. If the doctor's wife wished to plumb the depths of the widow's gloomy soul, she had an advantage here; for Mrs. Marchmont was thrown off her guard by the question, which had been perhaps asked hap-hazard, or it may be with a deeply considered design. Olivia turned fiercely upon the polite questioner.
"I have been suffering from nothing but a cold which I caught the other day," she said; "I am not subject to any fine-ladylike hysteria, I can assure you, Mrs. Weston."
The doctor's wife pursed up her lips into a sympathetic smile, not at all abashed by this rebuff. She had seated herself in one of the high-backed chairs, with her muslin skirt spread out about her. She looked a living exemplification of all that is neat and prim and commonplace, in contrast with the pale, stern-faced woman, standing rigid and defiant in her long black robes.
"How very chy-arming!" exclaimed Mrs. Weston. "You are really notnervous. Dee-ar me; and from what my brother Paul said, I should have imagined that any one so highly organised must be rather nervous. But I really fear I am impertinent, and that I presume upon our very slight relationship. It is a relationship, is it not, although such a very slight one?"
"I have never thought of the subject," Mrs. Marchmont replied coldly.
"I suppose, however, that my marriage with your brother's cousin – "
"And my cousin – "
"Made a kind of connexion between us. But Mr. Marchmont gave me to understand that you lived at Stanfield, Mrs. Weston."
"Until last week, positively until last week," answered the surgeon's wife. "I see you take very little interest in village gossip, Mrs. Marchmont, or you would have heard of the change at Kemberling."
"What change?"
"My husband's purchase of poor old Mr. Dawnfield's practice. The dear old man died a month ago, – you heard of his death, of course, – and Mr. Weston negotiated the purchase with Mrs. Dawnfield in less than a fortnight. We came here early last week, and already we are making friends in the neighbourhood. How strange that you should not have heard of our coming!"
"I do not see much society," Olivia answered indifferently, "and I hear nothing of the Kemberling people."
"Indeed!" cried Mrs. Weston; "and we hear so much of Marchmont Towers at Kemberling."
She looked full in the widow's face as she spoke, her stereotyped smile subsiding into a look of greedy curiosity; a look whose intense eagerness could not be concealed.
That look, and the tone in which her last sentence had been spoken, said as plainly as the plainest words could have done, "I have heard of Mary Marchmont's flight."
Olivia understood this; but in the passionate depth of her own madness she had no power to fathom the meanings or the motives of other people. She revolted against this Mrs. Weston, and disliked her because the woman intruded upon her in her desolation; but she never once thought of Lavinia Weston's interest in Mary's movements; she never once remembered that the frail life of that orphan girl only stood between this woman's brother and the rich heritage of Marchmont Towers.
Blind and forgetful of everything in the hideous egotism of her despair, what was Olivia Marchmont but a fitting tool, a plastic and easily-moulded instrument, in the hands of unscrupulous people, whose hard intellects had never been beaten into confused shapelessness in the fiery furnace of passion?
Mrs. Weston had heard of Mary Marchmont's flight; but she had heard half a dozen different reports of that event, as widely diversified in their details as if half a dozen heiresses had fled from Marchmont Towers. Every gossip in the place had a separate story as to the circumstances which had led to the girl's running away from her home. The accounts vied with each other in graphic force and minute elaboration; the conversations that had taken place between Mary and her stepmother, between Edward Arundel and Mrs. Marchmont, between the Rector of Swampington and nobody in particular, would have filled a volume, as related by the gossips of Kemberling; but as everybody assigned a different cause for the terrible misunderstanding at the Towers, and a different direction for Mary's flight, – and as the railway official at the station, who could have thrown some light on the subject, was a stern and moody man, who had little sympathy with his kind, and held his tongue persistently, – it was not easy to get very near the truth. Under these circumstances, then, Mrs. Weston determined upon seeking information at the fountain-head, and approaching the cruel stepmother, who, according to some of the reports, had starved and beaten her dead husband's child.
"Yes, dear Mrs. Marchmont," said Lavinia Weston, seeing that it was necessary to come direct to the point if she wished to wring the truth from Olivia; "yes, we hear