Out of the Hurly-Burly: or, Life in an Odd Corner. Clark Charles Heber
VI
The editor of our daily paper, The Morning Argus, is Col. Bangs – Colonel Mortimer J. Bangs. The colonel is an exceedingly important personage in the village, and he bears about him the air of a man who is acutely conscious of the fact. The gait of the colonel, the peculiar way in which he carries his head, the manner in which he swings his cane, and the art he has of impressing any one he happens to address with a feeling that he is performing an act of sublime condescension in permitting himself to hold communication with an inferior being, combine to excite in the vulgar mind a sentiment of awe. The eminent journalist manifests in his entire bearing his confidence in the theory that upon him devolves the responsibility of forming the public opinion of the place; and there is a certain grandeur in the manner in which he conveys to the public mind, through the public eye, the fact that while he appreciates the difficulties of what seemed to be an almost superhuman task, which would surely overwhelm men of smaller intellectual calibre, the work presents itself to his mind as something not much more formidable than pastime.
The appearance of Colonel Bangs is not only imposing, but sometimes it inclines to be almost ferocious. The form in which he wears his whiskers, added to the military nature of his title, would be likely to give to timid strangers an idea not only that the colonel has a raging and insatiable thirst for blood and an almost irresistible appetite for the horrors of war, but that upon very slight provocation he would suddenly grasp his sword, fling away the scabbard, and then proceed to wade through slaughter to a throne and shut the gates of mercy on mankind. But I rejoice to say that the colonel has not really such murderous and revolutionary inclinations. His title was obtained in those early years of peace when he led the inoffensive forces of the militia upon parade, and marshaled them as they braved the perils of the target-shooting excursion.
I think I am warranted in saying that Colonel Bangs would never voluntarily stand in the imminent deadly breach if there happened to be a man there with a gun who wanted him to leave, and that he will never seek the bubble reputation at the cannon's mouth unless the cannon happens to be unloaded. Place Colonel Bangs in front of an empty cannon, and for a proper consideration he would remain there for years without the quiver of a muscle. Charge that piece of ordnance with powder and ball, and not all the wealth of the world would induce him to stand anywhere but in the rear of the artillery.
The Argus has never appeared to me to be an especially brilliant journal. To the intelligent and critical reader, indeed, the controlling purpose of the colonel seems to be to endeavor to ascertain how near he can bring the paper to imbecility without actually reaching that condition; and it is surprising how close a shave he makes of it. When we first came to the village, a gleam of intelligence now and then appeared in the editorial columns of the Argus, and this phenomenon was generally attributed to the circumstance that Colonel Bangs had permitted his assistant editor to spread his views before the public. On such occasions it was entertaining to observe in what manner the colonel would assume the honors of the authorship of his assistant's articles. Cooley, for instance, meeting him upon the street would observe:
"That was an uncommonly good thing, colonel, which appeared in the Argus this morning on The Impending Struggle; whose was it?"
Colonel Bangs (with an air of mingled surprise and indignation). "Whose was it? Whose was that article? I suppose you are aware, sir, that I am the editor of The Morning Argus!"
Cooley. "Yes; but I thought perhaps – "
Colonel (with grandeur). "No matter, sir, what you thought. When an article appears in my own paper, Mr. Cooley, there is but a single inference to be drawn. When I find myself unable to edit the Argus, I will sell out, sir – I will sell out!"
Cooley (calmly). "Well, but Murphy, your assistant, told me distinctly that he wrote that editorial himself."
Colonel (coming down). "Ah! yes, yes! that is partly true, now I remember. I believe Murphy did scratch off the body of the article, but I overhauled it; it was necessary for me to revise it, to touch it up, to throw it into shape, as it were, before it went into type. Murphy means well, and with a little guidance – just a l-e-e-t-l-e careful training – he will do."
But Murphy did not remain long. One of the colonel's little nephews died, and a man who kept a marble-yard in Wilmington thought he might obtain a gratuitous advertisement by giving to the afflicted uncle a substantial expression of his sympathy. So he got up a gravestone for the departed child. The design, cut upon the stone in bas-relief, represented an angel carrying the little one in his arms and flying away with it, while a woman sat weeping upon the ground. It was executed in a most dreadful manner. The tombstone was sent to the colonel, with a simple request that he would accept it. As he was absent, Mr. Murphy determined to acknowledge the gift, although he had not the slightest idea what it meant. So the next morning he burst out in the Argus with the following remarks:
"We have received from the eminent sculptor, Mr. Felix Mullins of Wilmington, a comic bas-relief designed for an ornamental fireboard. It represents an Irishman in his night-shirt running away with the little god Cupid, while the Irishman's sweetheart demurely hangs her head in the corner. Every true work of art tells its own story; and we understand, as soon as we glance at this, that our Irish friend has been coqueted with by the fair one, and is pretending to transfer his love to other quarters. There is a lurking smile on the Irishman's lips which expresses his mischievous intentions perfectly. We think it would have been better, however, to have clothed him in something else than a night-shirt, and to have smoothed down his hair. We have placed this chef d'œuvre upon a shelf in our office, where it will undoubtedly be admired by our friends when they call. We are glad to encourage such progress in Delaware art."
This was painful. When the colonel returned next day, Mr. Mullins called on him and explained the tombstone to him, and that very night Mr. Murphy retired from the Morning Argus, and began to seek fresh fields for the exercise of his talents.
Colonel Bangs affords me most entertainment in the Argus when an election is approaching.
Your city editor often displays a certain amount of vehemence at such times, but his wildest frenzy is calmness, is absolute slumberous repose itself, when compared with the frantic enthusiasm manifested by Colonel Bangs. The latter succeeds in getting up as much fury over a candidate for constable as a city editor does over an aspirant for the Presidency. He will turn out column after column of double-leaded type, in which he will demonstrate with a marvelous profusion of adjectives that if you should roll all the prophets, saints and martyrs into one, you would have a much smaller amount of virtue than can be found in that one humble man who wants to be constable. He will prove to you that unless that particular person is elected, the entire fabric of American institutions will totter to its base and become a bewildering and hopeless ruin, while the merciless despots who grind enslaved millions beneath their iron heels will greet the hideous and irreclaimable chaos with fiendish laughter, and amid the remnants of a once proud republic they will erect bastiles in which they will forge chains to fetter the wrists of dismayed and heart-broken patriots. He will ask you to take your choice between electing that man constable and witnessing the annihilation of the proud work for which the Revolutionary patriots bled and died.
The man who runs against the candidate of the Argus will be proved to be a moral and intellectual wreck, and it will be shown that all the vices which have corrupted the race since the fall of man are concentrated in that one individual. The day after election, if his man wins, Colonel Bangs will decorate his paper with a whole array of roosters and a menagerie of 'coons, and inform a breathless world that the nation is once more saved. If he loses, he will omit any reference to the frightful prophecies uttered during the campaign, keep his roosters in the closet, and mildly assert that the opposition man is not so bad, after all, and that the right party must triumph next time for certain. Then Colonel Bangs will keep his enthusiasm cool for a year, and during that period will rest his overwrought brain, while he edits his paper with a pair of predatory shears and a dishonest paste-pot.
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