The House of the White Shadows. Farjeon Benjamin Leopold
I should not like everyone to know my thoughts. What a quiet life you must live here, Dionetta!"
"Yes, my lady, it is quiet."
"Would you not prefer to live in a city?"
"I should be frightened, my lady. I have been only twice to Geneva, and there was no room in the streets to move about. I was glad to get back."
"No room to move about, simplicity! That is the delight of it. There are theatres, and music, and light, and life. You would not be frightened if you were with me?"
"Oh, no, my lady; that would be happiness."
"Are you not happy here?"
"Oh, yes, very happy."
"But you wish for something?"
"No, my lady; I have everything I want."
"Everything-positively everything?"
"Yes, my lady."
"There is one thing you must want, Dionetta, if you have it not already."
"May I know what it is?"
"Yes, child. Love."
Dionetta blushed crimson from forehead to throat, and the Advocate's wife laughed, and tapped her cheek.
"You are very pretty, Dionetta; it is right you should have a pretty name. Do you mean to tell me you have not a lover?"
"I have been asked, my lady," said the girl, in a tone so low that it could only just be heard.
"And you said 'yes'? Little one, I have caught you."
"My lady, I did not say 'yes.'"
"And the men were contented? They must be dolts. Really and truly, you have not a lover?"
"What can I say, my lady?" murmured Dionetta, her head bent down. "There are some who say they-love me."
"But you do not love them?"
"No, my lady."
"You would like to have one you could love?"
"One day, my lady, if I am so fortunate."
"I promise you," said the Advocate's wife with a blithe laugh, "that one day you will be so fortunate. Women were made for love-and men, too, or where would be the use? It is the only thing in life worth living for. Blushing again! I would give my jewel-case to be able to blush like you."
"I cannot help it, my lady. My face often grows red when I am quite alone."
"And thinking of love," added the Advocate's wife; "for what else should make it red? So you do think of things! I can see, Dionetta, that you and I are going to be great friends."
"You are very good, my lady, but I am only a poor peasant. I will serve you as well as I can."
"You knew, before I came, that you were to be my maid?"
"Yes, my lady. Master Lamont said it was likely. Grandmother did not seem to care that it should be so, but I wished for it, and now that she has seen you she must be glad for me to serve you."
"Why should she be glad, Dionetta?"
"My lady, it could not be otherwise," said Dionetta very earnestly; "you are so good and beautiful."
"Flatterer! Master Lamont-he is an old man?"
"Yes, my lady."
"There are some old men who are very handsome."
"He is not. He is small, and thin, and shrivelled up."
"Those are not the men for us, are they, little one?"
"But he has a voice like honey. I have heard many say so."
"That is something in his favour-or would be, if women were blind. So from this day you are my maid. You will be faithful, I am sure, and will keep my secrets. Mind that, Dionetta. You must keep my secrets."
"Have you any?" said Dionetta, "and shall you tell them to me?"
"Every woman in the world has secrets, and every woman in the world must have someone to whom she can whisper them. You will find that out for yourself in time. Yes, child, I have secrets-one, a very precious one. If ever you guess it without my telling you, keep it buried in your heart, and do not speak of it to a living soul."
"I would not dare, my lady."
They walked a little apart from the others during this dialogue. The concluding words brought them to the steps of the House of White Shadows.
"Edward," said the Advocate's wife to him, as they entered the house, "I have found a treasure. My new maid is charming."
"I am pleased to hear it. She has an ingenuous face, but you will be able to judge better when you know more of her."
"You do not trust many persons, Edward."
"Not many, Adelaide."
"Me?" she asked archly.
"Implicitly."
"And another, I think."
"Certainly, one other."
"I should not be far out if I were to name Christian Almer."
"It is to him I refer."
"I have sometimes wondered," she said, with an artless look, "why you should be so partial to him. He is so unlike you."
"We are frequently drawn to our unlikes; but Almer and I have one quality in common with each other."
"What quality, Edward?"
"The quality of the dog-faithfulness. Almer's friendship is precious to me, and mine to him, because we are each to the other faithful."
"The quality of the dog! How odd that sounds! Though when one thinks of it there is really something noble in it. And friendship-it is almost as if you placed it higher than love."
"It is far higher. Love too frequently changes, as the seasons change. Friendship is, of the two, the more likely to endure, being less liable to storms. But even a faithful friendship is rare."
"And faithful love much rarer, according to your ideas. Yet, Mr. Almer, having this quality of the dog, would be certain, you believe, to be faithful both in love and friendship."
"To the death."
"You are thorough in your opinions, Edward."
"I do not believe in half-heartedness, Adelaide."
The arrangements within the house were complete and admirable. For the Advocate's wife, a boudoir and reception-rooms into which new fashions had been introduced with judgment so good as not to jar with the old furnishings which had adorned them for many generations. For the Advocate a study, with a library which won from him cordial approval; a spacious and commodious apartment, neither overloaded with furniture nor oppressive with bare spaces; with an outlook from one window to the snow regions of Mont Blanc, from another to the city of Geneva, which was now bathed in a soft, mellow light. This tender evidence of departing day was creeping slowly downwards into the valleys from mount and city, a moving picture of infinite beauty.
They visited the study last; Adelaide had been loud in her praises of the house and its arrangement, commending this and that, and declaring that everything was perfect. While she was examining the furniture in the study the Advocate turned to the principal writing-table, upon which lay a pile of newspapers. He took up the first of these, and instinctively searched for the subject which had not left his mind since his visit to the banker, Jacob Hartrich-the murder of Madeline the flower-girl. He was deep in the perusal of fresh details, confirmatory of Gautran's guilt, when he was aroused by a stifled cry of alarm from Adelaide. With the newspaper still in his hand, he looked up and asked what had alarmed her. She laughed nervously, and pointed to an old sideboard upon which a number of hideous faces were carved. To some of the faces bodies were attached, and the whole of this ancient work of art was extravagant enough to have had for its inspiration the imaginings of a madman's brain.
"I thought I saw them moving," said Adelaide. The Advocate smiled, and said:
"It is the play of light over the figures that created the delusion; they are harmless, Adelaide."
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