The Lady of the Forest: A Story for Girls. Meade L. T.
doesn’t want to as badly as me, but she always does what I tell her. We are going straight on into the next room, for we want to find grandfather. I’m Rachel Lovel and this is Kitty Lovel. Our papa used to live here when he was a little boy, and we want to find grandfather, please. Oh, what a cross old man that is sitting in the chair!”
While Rachel was making her innocent and confident speech, Miss Katharine’s face turned deadly pale; she was afraid even to glance at her father and sister. The poor lady felt nearly paralyzed, and was dimly wondering how she could get such audacious intruders out of the room.
Rachel having finished her speech remained silent for a quarter of a minute; then taking Kitty’s hand she said:
“Come along, Kit, we may find grandfather in the other room. We’ll go through the door at that end, and perhaps we’ll come to grandfather at last.”
Kitty heaved a little sigh of relief, and the two were preparing to scamper past the deep embrasure of the mullioned window, when a stern voice startled the little adventurers, and arresting them in their flight, caused them to wheel swiftly round.
“Come here,” said Squire Lovel.
He had never spoken more sternly; but the mites had not a bit of fear. They marched up to him boldly, and Kitty laid her dimpled baby finger, with a look of inquiry, on his swollen old hand:
“What a funny fat hand!”
“What did you say you called yourself?” said the squire, lifting Rachel’s chin and peering into her dark face. “Griselda and Katharine, I’ll thank you not to stand staring and gaping. What did you call yourself? What name did you say belonged to you, child? I’m hard of hearing; tell me again.”
“I’m Rachel Valentine Lovel,” repeated the child in a confident tone. “I was called after my mamma and after father – father’s in heaven, and it makes my mother cry to say Valentine, so I’m Rachel; and this is Kitty – her real name is Katharine – Katharine Lovel. We have come in a dog-cart, and mother is downstairs, and we want to see all the house, and particularly the tower, and we want to see grandfather, and we want a bunch of grapes each.”
All the time Rachel was speaking the squire kept regarding her more and more fiercely. When she said “My mother is downstairs,” he even gave her a little push away. Rachel was not at all appalled; she knit her own black brows and tried to imitate him.
“I never saw such a cross old man; did you, Kitty? Please, old man, let us go now. We want to find grandfather.”
“Perhaps it’s a pain him got,” said Kitty, stroking the swollen hand tenderly. “Mother says when I’s got a pain I can’t help looking cross.”
The fierce old eyes turned slowly from one lovely little speaker to the other; then the squire raised his head and spoke abruptly.
“Griselda and Katharine, come here. Have the goodness to tell me who this child resembles,” pointing as he spoke to Rachel. “Look at her well, study her attentively, and don’t both answer at once.”
There was not the slightest fear of Miss Katharine interrupting Miss Griselda on this occasion. She only favored dark-eyed little Rachel with a passing glance; but her eyes, full of tears, rested long on the fair little baby face of Kitty.
“This child in all particulars resembles the portrait of our great-uncle Rupert,” said Miss Griselda, nodding at Rachel as she did so. “The same eyes, the same lift of the eyebrows, and the same mouth.”
“And this one,” continued the squire, turning his head and pointing to Kitty – “this one, Griselda? Katharine, you need not speak.”
“This one,” continued Miss Griselda, “has the weakness and effeminate beauty of my dead brother Valentine.”
“Kitty isn’t weak,” interrupted Rachel; “she’s as strong as possible. She only had croup once, and she never takes cold, and she only was ill for a little because she was very hungry. Please, old man, stop staring so hard and let us go now. We want to find our grandfather.”
But instead of letting Rachel go Squire Lovel stretched out his hand and drew her close to him.
“Sturdy limbs, dark face, breadth of figure,” he muttered, “and you are my grandchild – the image of Rupert; yes, the image of Rupert Lovel. I wish to God, child, you were a boy!”
“Your grandchild!” repeated Rachel. “Are you my grandfather? Kitty, Kitty, is this our grandfather?”
“Him’s pain is better,” said Kitty. “I see a little laugh ’ginning to come round his mouth. Him’s not cross. Let us kiss our grandfader, Rachel.”
Up went two rosy, dimpled pairs of lips to the withered old cheeks, and two lovely little pairs of arms were twined round Squire Lovel’s neck.
“We have found our grandfather,” said Rachel. “Now let’s go downstairs at once and bring mother up to see him.”
“No, no, stop that!” said the squire, suddenly disentangling himself from the pretty embrace. “Griselda and Katharine, this scene is too much for me. I should not be agitated – those children should not intrude on me. Take care of them – take particular care of the one who is like Rupert. Take her away now; take them both away; and, hark you, do not let the mother near me. I’ll have nothing to say to the mother; she is nothing to me. Take the children out of the room and come back to me presently, both of you.”
CHAPTER II. – MAKING TERMS
The moment the two little girls found themselves outside their grandfather’s door they wrenched their little hands away from Miss Griselda’s and Miss Katharine’s, and with a gay laugh like two wild, untamed birds flew down the wide oak staircase and across the hall to a room where a woman, dressed very soberly, waited for them. She was sitting on the edge of a hard cane-bottomed chair, her veil was down, and her whole attitude was one of tense and nervous watchfulness. The children ran to her with little cries of rapture, climbed together on her knee, pulled up her veil, and nearly smothered her pale dark face with kisses.
“Mother, mother, mother, he was so cross!”
“He had pain, mother, and him’s eyes was wrinkled up so.”
“But, mother, we gave him a kiss, and he said I was strong and Kitty was weak. We have not seen the tower yet, and we haven’t got our grapes, and there are two old ladies, and we don’t like them much, and we ran away from them – and – oh, here they are!”
The children clung tightly to their mother, who struggled to her feet, pushed them aside with a gesture almost of despair, and came up at once to the two Miss Lovels.
“I know this visit is unwarranted; I know it is considered an intrusion. The children’s father was born here, but there is no welcome for them; nevertheless I have brought them. They are beautiful children – look at them. No fairer daughters of your house ever were born than these two. Look at Rachel; look at Kitty. Is it right they should be brought up with no comforts in a poor London lodging? Rachel, kiss your aunts. Kitty, little one, kiss your aunts and love them.”
Rachel skipped up gayly to the two stiff old ladies, but Kitty began at last to be influenced by the frowns which met her on all sides; she pouted, turned her baby face away, and buried it in her mother’s lap.
“Look at them – are they not beautiful?” continued the mother. “Is it fair that they should be cooped up in a London lodging when their father belonged to this place? I ask you both – you who are my husband’s sisters; you who were children when he was a child, who used to play with him and kiss him, and learn your lessons out of the same book, and to sleep in the same nursery – is it fair?”
“It is not fair,” said Miss Katharine suddenly. She seemed carried quite out of herself; her eyes shone, and the pink of a long-gone beauty returned with a transient gleam to her faded cheek. “It is not fair,” she repeated. “No, Griselda, I am not afraid of you. I will say what is in my mind. Valentine’s face speaks to me again out of the baby face of that dear little child. What was Rupert Lovel to us that we should place a