The Makers of Modern Rome, in Four Books. Oliphant Margaret
the stern virtue which reproaches these two Roman ladies with the cruel desertion of their children, to find that both those children, grown men, permitted or encouraged the vocation of their daughters, and were proud of the saintly renown of the mothers who had left them to their fate. The consecrated daughters however leave only a faint trace as of two spotless catechumens in the story. Incidents of a more exciting character broke now and then the calm of life in the palace on the Aventine. M. Thierry in his life of Jerome gives us perhaps a sketch too entertaining of Fabiola, one of the ladies more or less associated with the house of Marcella, a constant visitor, a penitent by times, an enthusiast in charity, a woman bent on making, or so it seemed, the best of both worlds. She had made early what for want of a better expression we may call a love match, in which she had been bitterly disappointed. That a divorce should follow was both natural and lawful in the opinion of the time, and Fabiola had already formed a new attachment and made haste to marry again. But the second marriage was a disappointment even greater than the first, and this repeated failure seems to have confused and excited her mind to issues by no means clear at first, probably even to herself. She made in the distraction of her life a sudden and unannounced visit to Paula's convent at Bethlehem, where she was a welcome and delightful visitor, carrying with her all the personal news that cannot be put into writing, and the gracious ways of an accomplished woman of the world. She is supposed to have had a private object of her own under this visit of friendship, but the atmosphere and occupations of the place must have overawed Fabiola, and though her object was hidden in an artful web of fiction she was not bold enough to reveal it, either to the stern Jerome or the mild Paula. What she did was to make herself delightful to both in the little society upon which we have so many side-lights, and which doubtless, though so laborious and full of privations, was a very delightful society, none better, with such a man as Jerome, full of intellectual power, and human experience, at its head, and ladies of the highest breeding like Paula and her daughter to regulate its simple habits. We are told of one pretty scene where – amid the talk which no doubt ran upon the happiness of that peaceful life amid the pleasant fields where the favoured shepherds heard the angels' song – there suddenly rose the voice of the new-comer reciting with the most enchanting flattery a certain famous letter which Jerome long before had written to his friend Heliodorus and which had been read in all the convents and passed from hand to hand as a chef d'œuvre of literary beauty and sacred enthusiasm. Fabiola, quick and adroit and emotional, had learned it by heart, and Jerome would have been more than man had he not felt the charm of such flattery.
For a moment the susceptible Roman seems to have felt that she had attained the haven of peace after her disturbed and agitated life. Her hand was full and her heart generous: she spread her charities far and wide among poor pilgrims and poor residents with that undoubting liberality which considered almsgiving as one of the first of Christian duties. But whether the little busy society palled after a time, or whether it was the great scare of the rumour that the Huns were coming that frightened Fabiola, we cannot tell, nor precisely how long her stay was. Her coming and going were at least within the space of two years. She was not made to settle down to the revision of manuscripts like her friends, though she had dipped like them into Hebrew and had a pretty show of knowledge. She would seem to have evidenced this however more by curious and somewhat frivolous questions than by any assistance given in the work which was going on. Nothing could be more kind, more paternal, than Jerome to the little band of women round him. He complains, it is true, that Fabiola sometimes propounded problems and did not wait for an answer, and that occasionally he had to reply that he did not know, when she puzzled him with this rapid stream of inquiry. But it is evident also that he did his best sincerely to satisfy her curiosity as if it had been the sincerest thing in the world. For instance, she was seized with a desire to know the symbolical meaning of the costume of the high priest among the Jews: and to gratify this desire Jerome occupied a whole night in dictating to one of his scribes a little treatise on the subject, which probably the fine lady scarcely took time to read. Nothing can be more characteristic than the indications of this bright and charming visitor, throwing out reflections of all that was going on round her, so brilliant that they seemed better than the reality, fluttering upon the surface of their lives, bringing all under her spell.
There seems but little ground however for the supposition of M. Thierry that it was in the interest of Fabiola that Amandus, a priest in Rome, wrote a letter laying before Jerome a case of conscience, that of a woman who had divorced her husband and married again, and who now was troubled in her mind as to her duty; whether the second husband was wholly unlawful, and whether she could remain in full communion with the Church, having made this marriage? If she was the person referred to no one has been able to divulge what the question meant – whether she had a third marriage in her mind, or if a wholly unnecessary fit of compunction had seized her; for as a matter of fact she had never been subjected by the Church to any pains or penalties in consequence of her second marriage. Jerome however, as might have been expected of him, gave forth no uncertain sound in his reply. According to the Church, he said, there could be but one husband, the first. Whatever had been his unworthiness, to replace him by another was to live in sin. Whether it was this answer which decided her action, or whether she had been moved by the powerful fellowship of Bethlehem to renounce the more agitating course of worldly life, at least it is certain that Fabiola's career was changed from this time. Perhaps it was her desire to shake off the second husband which moved her. At all events on her return to Rome she announced to the bishop that she felt herself guilty of a great sin, and that she desired to make public penance for the same.
Accordingly on the eve of Easter, when the penitents assembled under the porch of the great Church of St. John Lateran, amid all the wild and haggard figures appearing there, murderers and criminals of all kinds, the delicate Fabiola, with her hair hanging about her shoulders, ashes on her head and on the dark robe that covered her, her face pale with fasting and tears, stood among them, a sight for the world. Under many aspects had all Rome seen this daughter of the great Fabian race, in the splendour of her worldly espousals, and at all the great spectacles and entertainments of a city given up to display and amusement. Her jewels, her splendid dresses, her fine equipages, were well known. With what curiosity would all her old admirers, her rivals in splendour, those who had envied her luxury and high place, gather to see her now in her voluntary humiliation, descending to the level of the very lowest as she had hitherto been on the very highest apex of society! All Rome we are told was there, gazing, wondering, tracing her movements under the portico, among these unaccustomed companions. Perhaps there might be a supreme fantastic satisfaction to the penitent – with that craving for sensation which the exhaustion of all kinds of triumphs and pleasures brings – in thus stepping from one extreme to the other, a gratification in the thought that Rome which had worshipped her beauty and splendour was now gazing aghast at her bare feet and dishevelled hair. One can have no doubt of the sensation experienced by the Tota urbe spectante Romana. It was worth while frequenting religious ceremonies when such a sight was possible! Fabiola, – once with mincing steps, and gorgeous liveried servants on either hand, descending languidly the great marble steps from her palace to the gilded carriage in which she sank fatigued when that brief course was over, the mitella blazing with gold upon her head, her robe woven with all the tints of the rainbow into metallic splendour of gold and silver threads. And now to see her amid that crowd of ruffians from the Campagna, and unhappy women from the purlieus of the city, her splendid head uncovered, her thin hands crossed in the rough sleeves of the penitent's gown! It might be to some perhaps a salutary sight – moving other great ladies with heavier sins on their heads than Fabiola's to feel the prickings of remorse; though no doubt it is equally possible that they might think they saw through her, and the new form of self-exhibition which attracted all the world to gaze. We are not told whether Fabiola found refuge in the house on the Aventine with Marcella, who had lit the fire of Christian faith in her heart as well as in that of Paula: or whether she remained, like Marcella, in her own house, making it another centre of good works. But at all events her life from this moment was entirely given up to charity and spiritual things. Her kinsfolk and noble neighbours still more or less Pagan, were filled with fury and indignation and that sharp disgust at the loss of so much good money to the world, which had so much to do in embittering opposition: but the Christians were deeply impressed, the homage of such a great lady to the faith, and her recantation of her errors affecting many as a true martyrdom.
If it was really compunction for