The Makers of Modern Rome, in Four Books. Oliphant Margaret
an orator, a traveller, an exile, with every kind of interest attaching to him, was such a visitor as seldom appeared in the city deserted by empire. Something like the man who nine centuries later went about the Italian streets with the signs upon him of one who had been through heaven and hell, the Eastern bishop must have appeared to the languid citizens, with the brown of the desert still on his cheeks, yet something of the air of a courtly prelate, a friend of princes; while his attendants, one with all the wildness of a hermit from the desert in his eyes and aspect, in the unfamiliar robe and cowl – and the other mild and young like the ideal youth, shy and simple as a girl – were wonderful apparitions in the fatigued and blasé society, which longed above everything for something new, something real, among all the mocks and shows of their impotent life.
One of the houses in which Athanasius and his monks were most welcome was the palace of a noble widow, Albina, who lived the large and luxurious life of her class in the perfect freedom of a Roman matron, Christian, yet with no idea in her mind of retirement from the world, or renunciation of its pleasures. A woman of a more or less instructive mind and lively intelligence, she received with the greatest interest and pleasure these strangers who had so much to tell, the great bishop flying from his enemies, the monks from the desert. That she and her circle gathered round him with that rapt and flattering attention which not the most abstracted saint any more than the sternest general can resist, is evident from the story, and it throws a gleam of softer light upon the impassioned theologian who stood fast, "I, Athanasius, against the world" for that mysterious splendour of the Trinity, against which the heretical East had risen. In the Roman lady's withdrawingroom, in his dark and flowing Eastern robes, we find him amid the eager questionings of the women, describing to them the strange life of the desert which it was such a wonder to hear of – the evensong that rose as from every crevice of the earth, while the Egyptian after-glow burned in one great circle of colour round the vast globe of sky, diffusing an illumination weird and mystic over the fantastic rocks and dark openings where the singers lived unseen. What a picture to be set before that soft, eager circle, half rising from silken couches, clothed with tissues of gold, blazing with jewels, their delicate cheeks glowing in artificial red and white, their crisped and curled tresses surmounted by the fantastic towering headdress which weighed them down!
Among the ladies was the child of the house, the little girl who was her mother's excuse for retaining the freedom of her widowhood, Marcella: a thoughtful and pensive child, devouring all these wonderful tales, listening to everything and laying up a store of silent resolutions and fancies in her heart. Her elder sister Asella would seem to have already secluded herself in precocious devotion from the family, or at least is not referred to. The story which touched the general mind of the time with so strange and strong an enthusiasm, fell into the virgin soil of this young spirit like the seed of a new life. But the little Roman maiden was no ascetic. She had evidently no impulse, as some young devotees have had, to set out barefoot in search of suffering. When Athanasius left Rome, he left in the house which had received him so kindly his life of St. Antony, the first copy which had been seen in the Western world. This manuscript, written perhaps by the hand of one of those wonderful monks, the strangest figures in her luxurious world whom Marcella knew, became the treasure of her youth. Such a present, at such a time, was enough to occupy the visionary silence of a girl's life, often so full of dreams unknown and unsearchable even to her nearest surroundings. She went through however the usual routine of a young lady's life in Rome. Madame Albina the mother, though full of interest and curiosity in respect to all things intellectual and Christian, held still more dearly a mother's natural desire to see her only remaining child nobly married and established in the splendour and eminence to which she was born. We are told that Marcella grew up to be one of the beauties of Rome, but as this is an inalienable qualification of all these beautiful souls, it is not necessary to believe that the "insignem decorem corporis" meant any extraordinary distinction. She carried out at all events her natural fate and married a rich and noble husband, of whom however we know no details, except that he died some months after, leaving her without child or tie to the ordinary life of the world, in all the freedom of widowhood, at a very early age.
Thus placed in full command of her fate, she never seems to have hesitated as to what she should do with herself. She was, as a matter of course, assailed by many new suitors, among whom her historian, who is no other than St. Jerome himself, makes special mention of the exceptionally wealthy Cerealis ("whose name is great among the consuls"), and who was so splendid a suitor that the fact that he was old scarcely seems to have told against him. Marcella's refusal of this great match and of all the others offered to her, offended and alienated her friends and even her mother, and there followed a moment of pain and perplexity in her life. She is said to have made a sacrifice of a part of her possessions to relatives to whom, failing herself, it fell to keep up the continuance of the family name, hoping thus to secure their tolerance. And she acquired the reputation of an eccentric, and probably of a poseuse, so general in all times when a young woman forsakes the beaten way, as she had done by giving up the ridiculous fashions and toilettes of the time, putting aside the rouge and antimony, the disabling splendour of cloth of gold, and assuming a simple dress of a dark colour, a thing which shocked her generation profoundly. The gossip rose and flew from mouth to mouth among the marble salons where the Roman ladies languished for a new subject, or in the ante-rooms, where young priests and deacons awaited or forestalled the awakening of their patronesses. It might be the Hôtel Rambouillet of which we are reading, and a fine lady taking refuge at Port Royal who was being discussed and torn to pieces in those antique palaces. What was the meaning that lay beneath that brown gown? Was it some unavowed disappointment, or, more exciting still, some secret intrigue, some low-placed love which she dared not acknowledge? Withdrawn into a villa had she, into the solitude of a suburban garden, hid from every eye? and who then was the companion of Marcella's solitude? The ladies who discussed her had small faith in austerities, nor in the desire of a young and attractive woman to live altogether alone.
It is very likely that Marcella herself, as well as her critics, soon began to feel that the mock desert into which she had made the gardens of her villa was indeed a fictitious way of living the holy life, and the calumny was more ready and likely to take hold of this artificial retirement, than of a course of existence led within sight of the world. She finally took a wiser and more reasonable way. Her natural home was a palace upon the Aventine to which she returned, consecrating a portion of it to pious uses, a chapel for common worship and much accommodation for the friends of similar views and purposes who immediately began to gather about her. It is evident that there were already many of these women in the best society of Rome. A lively sentiment of feminine society, of the multiplied and endless talks, consultations, speculations, of a community of women, open to every pleasant curiosity and quick to every new interest, rises immediately before us in that first settlement of monasticism – or, as the ecclesiastical historians call it, the first convent of Rome, before our eyes. It was not a convent after all so much as a large and hospitable feminine house, possessing the great luxury of beautiful rooms and furniture, and the liberal ways of a large and wealthy family, with everything that was most elegant, most cultured, most elevated, as well as most devout and pious. The "Souls," to use our own jargon of the moment, would seem indeed to have been more truly represented there than the Sisters of our modern understanding, though we may acknowledge that there are few communities of Sisters in which this element does not more or less flourish. Christian ladies who were touched like herself with the desire of a truer and purer life, gathered about her, as did the French ladies about Port Royal, and women of the same class everywhere, wherever a woman of influential character leads the way.
The character and position of these ladies was not perhaps so much different as we might suppose from those of the court of Louis XIV. or any other historical period in which great luxuries and much dissipation had sickened the heart of all that was good and noble. Yet there were very special characteristics in their lot. Some of them were the wives of pagan officials of the empire, holding a sometimes devious and always agitated course through the troubles of a divided household: and there were many young widows perplexed with projects of remarriage, of whom some would be tempted by the prospects of a triumphant re-entry into the full enjoyments of life, although a larger number were probably resistant and alarmed, anxious to retain their freedom, or to devote themselves as Marcella had done to a higher life. Women of fashion not unwilling to add a devotion à la mode to their other