Tales of Mean Streets. Morrison Arthur
is compatible with self-respect. The general servant may be caught young among the turnings at the end where mangling is done; and the factory girls live still further off, in places skirting slums.
Every morning at half-past five there is a curious demonstration. The street resounds with thunderous knockings, repeated upon door after door, and acknowledged ever by a muffled shout from within. These signals are the work of the night-watchman or the early policeman, or both, and they summon the sleepers to go forth to the docks, the gasworks, and the ship-yards. To be awakened in this wise costs fourpence a week, and for this fourpence a fierce rivalry rages between night-watchmen and policemen. The night-watchman – a sort of by-blow of the ancient "Charley," and himself a fast vanishing quantity – is the real professional performer; but he goes to the wall, because a large connection must be worked if the pursuit is to pay at fourpence a knocker. Now, it is not easy to bang at two knockers three-quarters of a mile apart, and a hundred others lying between, all punctually at half-past five. Wherefore the policeman, to whom the fourpence is but a perquisite, and who is content with a smaller round, is rapidly supplanting the night-watchman, whose cry of "Past nine o'clock," as he collects orders in the evening, is now seldom heard.
The knocking and the shouting pass, and there comes the noise of opening and shutting of doors, and a clattering away to the docks, the gasworks and the ship-yards. Later more door-shutting is heard, and then the trotting of sorrow-laden little feet along the grim street to the grim Board School three grim streets off. Then silence, save for a subdued sound of scrubbing here and there, and the puny squall of croupy infants. After this, a new trotting of little feet to docks, gasworks, and ship-yards with father's dinner in a basin and a red handkerchief, and so to the Board School again. More muffled scrubbing and more squalling, and perhaps a feeble attempt or two at decorating the blankness of a square hole here and there by pouring water into a grimy flower-pot full of dirt. Then comes the trot of little feet toward the oblong holes, heralding the slower tread of sooty artisans; a smell of bloater up and down; nightfall; the fighting of boys in the street, perhaps of men at the corner near the beer-shop; sleep. And this is the record of a day in this street; and every day is hopelessly the same.
Every day, that is, but Sunday. On Sunday morning a smell of cooking floats round the corner from the half-shut baker's, and the little feet trot down the street under steaming burdens of beef, potatoes, and batter pudding – the lucky little feet these, with Sunday boots on them, when father is in good work and has brought home all his money; not the poor little feet in worn shoes, carrying little bodies in the threadbare clothes of all the week, when father is out of work, or ill, or drunk, and the Sunday cooking may very easily be done at home, – if any there be to do.
On Sunday morning one or two heads of families appear in wonderful black suits, with unnumbered creases and wrinklings at the seams. At their sides and about their heels trot the unresting little feet, and from under painful little velvet caps and straw hats stare solemn little faces towelled to a polish. Thus disposed and arrayed, they fare gravely through the grim little streets to a grim Little Bethel where are gathered together others in like garb and attendance; and for two hours they endure the frantic menace of hell-fire.
Most of the men, however, lie in shirt and trousers on their beds and read the Sunday paper; while some are driven forth – for they hinder the housework – to loaf, and await the opening of the beer-shop round the corner. Thus goes Sunday in this street, and every Sunday is the same as every other Sunday, so that one monotony is broken with another. For the women, however, Sunday is much as other days, except that there is rather more work for them. The break in their round of the week is washing day.
No event in the outer world makes any impression in this street. Nations may rise, or may totter in ruin; but here the colorless day will work through its twenty-four hours just as it did yesterday, and just as it will to-morrow. Without there may be party strife, wars and rumors of wars, public rejoicings; but the trotting of the little feet will be neither quickened nor stayed. Those quaint little women, the girl-children of this street, who use a motherly management toward all girl-things younger than themselves, and toward all boys as old or older, with "Bless the child!" or "Drat the children!" – those quaint little women will still go marketing with big baskets, and will regard the price of bacon as chief among human considerations. Nothing disturbs this street – nothing but a strike.
Nobody laughs here – life is too serious a thing; nobody sings. There was once a woman who sang – a young wife from the country. But she bore children, and her voice cracked. Then her man died, and she sang no more. They took away her home, and with her children about her skirts she left this street forever. The other women did not think much of her. She was "helpless."
One of the square holes in this street – one of the single, ground-floor holes – is found, on individual examination, to differ from the others. There has been an attempt to make it into a shop-window. Half a dozen candles, a few sickly sugar-sticks, certain shrivelled bloaters, some bootlaces, and a bundle or two of firewood compose a stock which at night is sometimes lighted by a little paraffine lamp in a tin sconce, and sometimes by a candle. A widow lives here – a gaunt, bony widow, with sunken, red eyes. She has other sources of income than the candles and the bootlaces: she washes and chars all day, and she sews cheap shirts at night. Two "young men lodgers," moreover, sleep upstairs, and the children sleep in the back room; she herself is supposed not to sleep at all. The policeman does not knock here in the morning – the widow wakes the lodgers herself; and nobody in the street behind ever looks out of window before going to bed, no matter how late, without seeing a light in the widow's room where she plies her needle. She is a quiet woman, who speaks little with her neighbors, having other things to do: a woman of pronounced character, to whom it would be unadvisable – even dangerous – to offer coals or blankets. Hers was the strongest contempt for the helpless woman who sang: a contempt whose added bitterness might be traced to its source. For when the singing woman was marketing, from which door of the pawnshop had she twice met the widow coming forth?
This is not a dirty street, taken as a whole. The widow's house is one of the cleanest, and the widow's children match the house. The one house cleaner than the widow's is ruled by a despotic Scotchwoman, who drives every hawker off her whitened step, and rubs her door handle if a hand have rested on it. The Scotchwoman has made several attempts to accommodate "young men lodgers," but they have ended in shrill rows.
There is no house without children in this street, and the number of them grows ever and ever greater. Nine-tenths of the doctor's visits are on this account alone, and his appearances are the chief matter of such conversation as the women make across the fences. One after another the little strangers come, to live through lives as flat and colorless as the day's life in this street. Existence dawns, and the doctor-watchman's door knock resounds along the row of rectangular holes. Then a muffled cry announces that a small new being has come to trudge and sweat its way in the appointed groove. Later, the trotting of little feet and the school; the midday play hour, when love peeps even into this street; after that more trotting of little feet – strange little feet, new little feet – and the scrubbing, and the squalling, and the barren flower-pot; the end of the sooty day's work; the last home-coming; nightfall; sleep.
When love's light falls into some corner of the street, it falls at an early hour of this mean life, and is itself but a dusty ray. It falls early, because it is the sole bright thing which the street sees, and is watched for and counted on. Lads and lasses, awkwardly arm in arm, go pacing up and down this street, before the natural interest in marbles and doll's houses would have left them in a brighter place. They are "keeping company"; the manner of which proceeding is indigenous – is a custom native to the place. The young people first "walk out" in pairs. There is no exchange of promises, no troth-plight, no engagement, no love-talk. They patrol the street side by side, usually in silence, sometimes with fatuous chatter. There are no dances, no tennis, no water-parties, no picnics to bring them together: so they must walk out, or be unacquainted. If two of them grow dissatisfied with each other's company, nothing is easier than to separate and walk out with somebody else. When by these means each has found a fit mate (or thinks so), a ring is bought, and the odd association becomes a regular engagement; but this is not until the walking out has endured for many months. The two stages of courtship are spoken of indiscriminately as "keeping company," but a very careful distinction is drawn between them by the parties