The Coward Behind the Curtain. Marsh Richard

The Coward Behind the Curtain - Marsh Richard


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standing perfectly still, he never took his glance from off the man in front of him-although she might not have been able to put the thing into words, everything about him spoke to the sensitive imagination of the girl of one who, for a very little, would throw everything aside in the fullness of his desire to gratify the lust of his rage.

      The man in front of him was angry too; but with him anger took a different form: his was rather bad temper than genuine passion. It had about it a suggestion of bluster, of effort; as if he would have liked to be more angry than he actually was. Beyond doubt he was sufficiently annoyed with the stranger; so annoyed that he was quite willing to do him a mischief; to knock him down, for instance; even to throw him from the room. Yet, disposed as he evidently was to be as disagreeable as he could be, his rage altogether lacked that quality of intensity, of white heat, which marked the other; the something which caused the girl, when she appreciated, though only vaguely, the scene which was being enacted before her, to feel that it would be well that, at the earliest possible moment, she should make her presence known, for Mr Emmett's protection.

      There, in those last four words, was the barrier which held her back. Had it been borne in upon her, in even the faintest degree, that, for the stranger's sake, it would be well that she should step out from behind that screen, she might have done it on the instant. But for Mr Emmett-no! In some odd way the stranger's rage communicated itself to her. The terror with which her guardian had imbued her began to change into resentment. As she observed the stranger his fury fired hers. As surely as she believed herself to have a just cause for anger, so surely was she persuaded of the justice of the stranger's anger also. She was convinced that Emmett was in the wrong. That she arrived at this conclusion from very inadequate premises was nothing; from what she had seen of Mr Emmett she was prepared to assert, offhand, without knowing anything of the facts, that in nine disputes out of ten he was in the wrong-that this was one of those nine she did not for an instant doubt.

      What they were talking about she did not understand. When she began really to listen there was nothing in their conversation to give her a definite clue; they had reached that stage when, like two dogs, they were disposed to do little but bark at each other. The stranger informed Mr Emmett, after a brief pause, as if for reflection, that he was a thief. Mr Emmett paused, in his turn; then assailed the stranger with a flood of vituperation which was characteristic of the man-there was such a redundance of offensive suggestions. Dorothy felt as if each one of them had been aimed at her; with each her choler rose; just, as she was sure, the stranger's rose also. An uncanny desire came to the tips of her fingers to grip the speaker by the throat and choke an apology out of him. She would have liked to see the stranger do it; with all her might she longed to inspire him with her feeling. Presently she realised that he had it on his own account, without any urging from her. When Emmett had finished he remained still, motionless; never once removing his eyes from the other's inflamed features. Then he said, more quietly than he had spoken before-there was something in his lowered tone which pleased the girl behind the curtain-

      "Would you mind repeating those observations? – or, if that is not convenient, the substance of them?"

      Dorothy heard the threat which the words conveyed more clearly than if he had yelled it out. It is possible, since he was not dull-witted, that Mr Emmett heard it too. If such was the case then it seemed that, at least, he was no coward; for, with complete sincerity, he treated the other with contempt which was even more galling than his words. Thrusting his hands into his trouser pockets; holding his great head a little on one side; looking at the other as if he were something altogether beneath his notice; laughing that brutal laugh of his, which had hurt the girl more than speech could do; he began at him again. He poured forth on him a stream of abusive epithets, with a lavish copiousness which showed how truly great was the wealth of his resources; he surpassed himself. There was not a vice which he did not attribute both to him and to his progenitors; if the tenth of what he said was true then this man was a wretch indeed. When he had finished, at least for the moment, he laughed-a second time. The laugh did what his insults had failed to do-it moved the other to action. He remained quiescent before the opprobrious torrent; but that laughter surpassed the limit of his endurance. Still with his eyes fixed on the other's face he reached out towards the champagne bottle which stood beside him on the table. Mr Emmett, perceiving his intention, made haste to intercept it. He too moved towards the table.

      "No, you don't!" he cried. But already the other's fingers were round the bottle's neck. "By-, you'll be sorry if you try that, you-!"

      While he still was vomiting adjectives the bottle swung into the air; Dorothy saw that as it was turned upside down some of its contents went down the stranger's sleeve. Mr Emmett tried to stop it, and did, with his head. As he endeavoured to grab the other's arm, the stranger, swerving, brought the heavy bottle down upon his unprotected head with murderous force. The head and the bottle were smashed together; even then Dorothy was struck by the difference there was between the two sounds, the breaking of the bottle, and the breaking of the head. Mr Emmett and the bottle vanished together, with something of the effect of a conjuring trick. Mr Emmett disappeared behind the table; all that was left of the bottle was an inch or two of splintered glass, which the stranger still gripped. The result appeared to surprise him. He looked down at the floor on the side of the table which was hidden from Dorothy, and continued to look, as if he saw something there which was beyond his comprehension. Then he looked at the splinter of glass, which was all that was left of the bottle; approaching it to his face, as if to enable him to see it better. As he looked at it he smiled; and he said, as if he were speaking to himself, though his words were distinctly audible to Dorothy:

      "My word! if it hadn't smashed!" His glance returned to the floor. He spoke again. "Emmett!" None replied. Something in the silence seemed to tickle him, because he both smiled and spoke again. "It seems it held out long enough." He observed the broken splinter with what appeared to be amused curiosity. After seeming to hesitate what to do with it he placed it carefully on the table, splintered end upwards. Then again he spoke. "Emmett!" When there was still no answer he bent over what he saw lying on the floor. Presently he kneeled. Dorothy could not see what he was doing with his hands; she did not need to see; she knew. When he rose it was with difficulty; his arms were about Mr Emmett; he raised him with them. As Mr Emmett did nothing to raise himself, since he was such a heavy man, the stranger had not an easy task. When he had regained his own feet he was holding his burden closer to him than could have been quite convenient. It was with curious sensations that the unseen witness observed how limp her guardian was; his head waggled with the stranger's every movement, as if the muscles of the neck refused to hold it up. Staggering forward, the stranger deposited Mr Emmett on the chair on which he had been seated at dinner. The effect was singular. It was an old wooden arm-chair, with a capacious seat, and a high back. Mr Emmett could not be induced to sit up straight. The stranger made one or two well-meaning efforts; but the results were not so satisfactory as his labours deserved. Mr Emmett would persist in assuming a lop-sided attitude: his chin on his chest, his body in a variety of curves, his arms hanging anyhow. Realising that it was futile to try to induce him to take up a more dignified position, apparently the stranger decided to let him stop as he was. He drew back a little, as if the better to observe the effect. The spectacle he offered seemed to move him to reflection, and reflection to speech. He said, out loud: "If ever there was a scoundrel-" and then stopped, leaving the sentence unfinished; possibly recalling the old school tag, which recommends us to say objectionable things of our friends only while they are living. A cloth cap, a cane, and a pair of gloves were lying on a side table. Turning away, taking up these three articles, the stranger moved briskly towards the door, and out of the room, never once looking back at what was on the chair.

      And Dorothy was left alone with her guardian.

      CHAPTER IV

      THE MAN IN THE CHAIR

      It was only then that the full meaning of what had taken place began to dawn upon Dorothy. It was only when the door had been opened and shut, and the stranger was gone, that she commenced to realise what kind of a drama this was which had been enacted before her eyes; that it was not a comedy, but a tragedy; in which the most tragic part was probably still to come. It was odd how silent it was when the stranger had gone. Unconsciously she had found comfort in his neighbourhood, his presence. When that was withdrawn, only the unspeakable remained.

      Not


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