The Marriage of Elinor. Oliphant Margaret
us more than anything else in the world!"
"That is true," said Mrs. Dennistoun, with a sigh. "Did you walk all the way, John? I meant to have sent the pony-cart for you, but the man was too late. It is a nice evening though, and coming out of town it is a good thing for you to have a good walk."
"Yes, I like it more than anything," said John, "but the evening is not so very fine. The wind is high, and I shouldn't wonder if we had rain."
"The wind is always high here," said Mrs. Dennistoun. "We don't have our view for nothing; but the sky is quite clear in the west, and all the clouds blowing away. I don't think we shall have more than a shower."
Elinor stood listening to this talk with restrained impatience, as if waiting for the moment when they should come to something worth talking about. Then she gave herself a sort of shake – half weary, half indignant – and left the room. There was a moment's silence, until her quick step was heard going to the other end of the house and up-stairs, and the shutting of a door.
"Oh, John, I am very uneasy, very uneasy," said Mrs. Dennistoun. "I scarcely thought she would have begun to you about it at once; but then I am doing the very same. We can't think of anything else. I am not going to worry you before dinner, for you must be tired with your walk, and want to refresh yourself before we enter upon that weary, weary business. But my heart misgives me dreadfully about it all. If I only had gone with her! It was not for want of an invitation, but just my laziness. I could not be troubled to leave my own house."
"I don't see what difference it would have made had you been with her, aunt."
"Oh, I should have seen the man: and been able to judge what he was and his motive, John."
"Elinor is not rich. He could scarcely have had an interested motive."
"There is some comfort in that. I have said that to myself again and again. He could not have an interested motive. But, oh! I am uneasy! There is the dressing-bell. I will not keep you any longer, John; but in the evening, or to-morrow, when we can get a quiet moment – "
The dusk, was now pervading all the house – that summer dusk which there is a natural prejudice everywhere against cutting short by lights. He could not see her face, nor she his, as they went out of the drawing-room together and along the long passage, which led by several arched doorways to the stairs. John had a room on the ground floor which was kept for gentlemen visitors, and in which the candles were twinkling on the dressing-table. He was more than ever thankful as he caught a glimpse of himself in the vague reflected world of the mirror, with its lights standing up reflected too, like inquisitors spying upon him, that there had not been light enough to show how he was looking: for though he was both a lawyer and a man of the world, John Tatham had not been able to keep the trouble which his interview with Elinor had caused him out of his face.
CHAPTER III
The drawing-room of the cottage was large and low, and had that faux air of being old-fashioned which is dear to the hearts of superior people generally. Mrs. Dennistoun and her daughter scarcely belonged to that class, yet they were, as ladies of leisure with a little taste for the arts are bound to be, touched by all the fancies of their time, which was just beginning to adore Queen Anne. There was still, however, a mixture of luxury with the square settees and spindle-legged cabinets which were "the fashion: " and partly because that was also "the fashion," and partly because on Windyhill even a July evening was sometimes a little chill, or looked so by reason of the great darkness of the silent, little-inhabited country outside – there was a log burning on the fire-dogs (the newest thing in furnishing in those days though now so common) on the hearth. The log burned as little as possible, being, perhaps, not quite so thoroughly dry and serviceable as it would have been in its proper period, and made a faint hissing sound in the silence as it burned, and diffused its pungent odour through the house. The bow window was open behind its white curtains, and it was there that the little party gathered out of reach of the unnecessary heat and the smoke. There was a low sofa on either side of this recess, and in the centre the French window opened into the garden, where all the scents were balmy in the stillness which had fallen upon the night.
Mrs. Dennistoun was tall and slim, a woman with a presence, and sat with a sort of dignity on her side of the window, with a little table beside her covered with her little requirements, the properties, so to speak, without which she was never known to be – a book for moments when there was nothing else to interest her, a case for work should there arise any necessity for putting in a stitch in time, a bottle of salts should she or any one else become suddenly faint, a paper cutter in cases of emergency, and finally, for mere ornament, two roses, a red and a white, in one of those tall old-fashioned glasses which are so pretty for flowers. I do wrong to dismiss the roses with such vulgar qualifications as white and red – the one was a Souvenir de Malmaison, the other a General – something or other. If you spoke to Mrs. Dennistoun about her flowers she said, "Oh, the Malmaison," or "Oh, the General So-and-so." Rose was only the family name, but happily, as we all know, under the other appellation they smelt just as sweet. Mrs. Dennistoun kept up all this little state because she had been used to do so; because it was part of a lady's accoutrements, so to speak. She had also a cushion, which was necessary, if not for comfort, yet for her sense of being fully equipped, placed behind her back when she sat down. But with all this she was not a formal or prim person. She was a woman who had not produced a great deal of effect in life; one of those who are not accustomed to have their advice taken, or to find that their opinion has much weight upon others. Perhaps it was because Elinor resembled her father that this peculiarity which had affected all Mrs. Dennistoun's married life should have continued into a sphere where she ought to have been paramount. But she was with her daughter as she had been with her husband, a person of an ineffective character, taking refuge from the sensation of being unable to influence those about her whose wills were stronger than her own, by relinquishing authority, and in her most decided moments offering an opinion only, no more. This was not because she was really undecided, for on the contrary she knew her own mind well enough; but it had become a matter of habit with her to insist upon no opinion, knowing, as she did, how little chance she had of imposing her opinion upon the stronger wills about her. She had two other children older than Elinor: one, the eldest of all, married in India, a woman with many children of her own, practically altogether severed from the maternal nest; the other an adventurous son, who was generally understood to be at the ends of the earth, but seldom or never had any more definite address. This lady had naturally gone through many pangs and anxieties on behalf of these children, who had dropped away from her side into the unknown; but it belonged to her character to have said very little about this, so that she was generally supposed to take things very easily, and other mothers were apt to admire the composure of Mrs. Dennistoun, whose son might be being murdered by savages at any moment, for anything she knew – or minded, apparently. "Now it would have driven me out of my senses!" the other ladies said. Mrs. Dennistoun perhaps did not feel the back so well fitted to the burden as appeared – but she kept her own sentiments on this subject entirely to herself.
(I may say too – but this, the young reader may skip without disadvantage – by way of explanation of a peculiarity which has lately been much remarked as characteristic of those records of human history contemptuously called fiction, i. e., the unimportance, or ill-report, or unjust disapproval of the mother in records of this description – that it is almost impossible to maintain her due rank and character in a piece of history, which has to be kept within certain limits – and where her daughter the heroine must have the first place. To lessen her pre-eminence by dwelling at length upon the mother, unless that mother is a fool, or a termagant, or something thoroughly contrasting with the beauty and virtues of the daughter – would in most cases be a mistake in art. For one thing the necessary incidents are wanting, for I strongly object, and so I think do most people, to mothers who fall in love, or think of marriage, or any such vanity in their own person, and unless she is to interfere mischievously with the young lady's prospects, or take more or less the part of the villain, how is she to be permitted any importance at all? For there cannot be two suns in one sphere, or two centres to one world. Thus the mother has to be sacrificed to the daughter: which is a parable; or else it is the other way, which is against all the principles and prepossessions of life.)
Elinor did not sit up like