Toto's Merry Winter. Richards Laura Elizabeth Howe

Toto's Merry Winter - Richards Laura Elizabeth Howe


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There! and there again! was that a whisper of prayer, or was it – could it be – the faintest suspicion of a snore? He lay still; waited and listened, listened and waited. After a little while there could be no doubt about it, – the four men were breathing heavily, slowly, regularly; and one of them rolled out a sonorous, a majestic snore, which resounded through the heavy perfumed air of the Temple, yet caused no movement among the other three. There could be no doubt about it, – the priests were asleep!

      Slowly, softly, the boy lifted his head; then he rose to his knees, and looked fearfully at the sleepers. There they lay, flat on their faces, their hands clasped over their heads. He touched one of them, – there was no answering movement. He shook another by the shoulders; he shook them all. They snored in concert, but gave no other sign of life. The drugged wine had done its work.

      Then, and not till then, did Chop-Chin venture to lift his eyes and look upon the awful mystery which was hidden by these golden walls. He trembled, he turned white as the tunic which covered his dusky limbs; but standing erect, he gazed firmly at the Golden Dragon. From the floor rose a splendid altar of gold, studded thick with precious gems. Rubies, sapphires, and emeralds, set in mystic lines and figures, formed the characters which told the thirty-two names of the world-renowned dragon; and on the top of this glittering pedestal, fifteen feet in the air, stood the idol itself.

      It was, indeed, a marvellous thing to look upon. Ten feet long, composed entirely of thin scales of the purest gold, laid over and over each other, and each scale tipped with a diamond. Two magnificent rubies glowed in the eye-sockets, and the head was surmounted by a crown of emeralds worth any ordinary kingdom. But the tail! the tail was the wonder of wonders. Millions of delicate gold wires as fine as silk waved gracefully from the scaly tip a length of three feet, and each one was tipped with a diamond, a ruby, or an emerald of surpassing beauty and lustre. So wonderful was the shimmering light of the stones that the whole tail seemed to sway and curl to and fro, as if some living creature were moving it, and rays of rainbow-colored light darted from it on every side, dazzling the eyes of the beholder.

      Chop-Chin gazed and gazed, and hid his eyes and trembled, and gazed again. At last he shook himself together, and whispered, "My father! my father!" Then softly, surely, he began to climb up the golden altar. Stepping carefully from glittering point to point, holding on here by a projecting ornament of carven amethyst, there by a block of jasper or onyx, he reached the top; then steadying himself, he leaned forward and lifted the Holy Dragon from its stand. To his amazement, instead of being barely able to move it, he found he could easily carry it, for the golden plates which formed it were so delicate that the weight of the whole great creature was incredibly small. Lightly the boy lifted it in his arms, and slowly, surely, noiselessly bore it to the ground. Here he paused, and looked keenly at the sleeping priests. Did that one's eyelids quiver; did his mouth twitch, as if he were waking from his sleep? Was that a movement of yon other man's arm, as if he were stealthily preparing to rise, to spring upon the sacrilegious robber? No! it was but the play of the colored light on the faces and raiment of the sleepers. The voice of their snoring still went up, calmly, evenly, regularly. The wine had done its work well.

      Then Chop-Chin took off the sash which bound his tunic at the waist, and shook out its folds. It was a web of crimson silk, so fine and soft that it could be drawn through a finger-ring, and yet, when spread out, so ample that the boy found no difficulty in completely covering with it his formidable prize. Thus enwrapped, he bore the Golden Dragon swiftly from the Temple, closing the doors of gold softly behind him. He crossed the ivory and silver pavement of the inner court, and came to the ivory gate. It was closed, and beside it lay the four white-clad warriors, sunk in profound slumber. Stepping lightly over their prostrate forms, Chop-Chin opened the gate softly, and found himself in the second court. This, also, he traversed safely, finding the armed guardians of the steel gate also sleeping soundly, with their mouths wide open, and their shining spears pointing valiantly at nothing. A touch upon the glittering gate, – it opened, and Chop-Chin began to breathe more freely when he saw the bronze gates of the outer court-yard, and knew that in another minute, if all went well, he would be in the open street. But, alas! the four guards clad in black armor, who kept watch by the outer gate, had been the first to drink the drugged wine, and already the effect of the powerful narcotic which it contained had begun to wear off. As Chop-Chin, bearing in his arms the shrouded figure of the mighty idol, approached the gate, one of the four sleepers stirred, yawned, rubbed his eyes, and looked about him. It was quite dark, but his eye caught the faint glimmer of the boy's white robe, and seizing his pike, he exclaimed, —

      "Who goes there?"

      Chop-Chin instantly stepped to his side, and said in a low whisper, —

      "It is I, Nai-Ping, second priest of the Saki-Pan, bound on business of the Temple. Let me pass, and quickly, for the chief priest waits my return."

      The sentinel bowed low, and undid the fastenings of the huge bronze gates. They swung open silently, and the boy passed through with his awful burden.

      "Strange!" soliloquized the guard, as he drew the massive bolts again. "I never knew one of the priests to go out at this time of night. But I dared not say anything, lest he should find out that I was asleep at my post. And now that he is gone," he added, "I may as well just take forty winks, as he may be away some time."

      So saying, he curled himself up on the marble pavement, and fell this time into a natural slumber.

      Ten o'clock of a dark night. The outer gates of the royal palace were closed, though lights still shone in many of the windows. Outside the gate a sentinel was pacing up and down, armed with pike and broadsword. Every time he turned on his beat, he looked up and down the narrow street to see if anything or anybody were approaching. Suddenly, as he wheeled about, he saw before him a figure which seemed to have sprung all in a moment out of the blackness of the night. It was the figure of a boy, carrying a burden considerably larger than himself, – a dark and shapeless mass, which yet seemed not to be heavy in proportion to its size.

      "What is this?" cried the astonished sentinel. "Who art thou, and what monstrous burden is this thou carriest so lightly?"

      "Hist!" said the boy, speaking in an awestruck whisper, "speak not so loud, friend! This is the Celestial Footstool!"

      The sentinel recoiled, and stared in dismay at the dark bundle.

      "May the Holy Dragon preserve me!" he said. "What has happened?"

      "His Celestial Majesty," replied Chop-Chin, "threw it in anger at his Putter-on-of-Slippers yesterday, and broke one of its legs. All day my master, the Chief Cabinet-maker, has been at work on it, and now he has sent me with it by nightfall, that no profane eye may see clearly even the outer covering of the sacred object."

      "Pass in," said the sentinel, opening the gate. "But tell me, knowest thou how it will fare with the Putter-on-of-Slippers? He is cousin to my stepfather's aunt by marriage, and I would not that aught of ill should befall so near a relative."

      "Alas! I know not," said the boy, hastening forward. "I fear it may go hard with him."

      The sentinel shook his head sadly, and resumed his walk; while Chop-Chin crept softly through the court-yard, keeping close to the wall, and feeling as he went along for a certain little door he knew of, which led by a staircase cut in the thickness of the wall to a certain unused closet, near the Celestial Bed-chamber.

      While all this was going on, the Emperor of China, the great and mighty Wah-Song, was going to bed. He had sipped his night-draught of hot wine mingled with honey and spices, sitting on the edge of the Celestial Bed, with the Celestial Nightcap of cloth-of-silver tied comfortably under his chin, and the Celestial Dressing-gown wrapped around him. He had scolded the Chief Pillow-thumper because the pillows were not fat enough, and because there were only ten of them instead of twelve. He had boxed the ears of the Tyer-of-the-Strings-of-the-Nightcap, and had thrown his golden goblet at the Principal Pourer, who brought him the wine. And when all these things were done, his Celestial Majesty Wah-Song got into bed, and was tucked in by the Finishing Toucher, who got his nose well tweaked by way of thanks. Then the taper of perfumed wax was lighted, and the shade of alabaster put over it, and then the other lights were extinguished; and then the attendants all crawled out backwards on their hands and knees, and shut the door after them; and then His Celestial


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