The Flaming Jewel. Chambers Robert William
the room from which they had been borne so recently, feet first.
"Now, boys," said Clinch kindly, "act up like swell gents and behave friendly. And if any ladies come in for the chicken supper, why, gol dang it, we'll have a dance!"
Toward sundown the first woodland nymph appeared – a half-shy, half-bold, willowy thing in the rosy light of the clearing.
Hal Smith, washing glasses and dishes on the back porch for Eve Strayer to dry, asked who the rustic beauty might be.
"Harvey Chase's sister," said Eve. "She shouldn't come here, but I can't keep her away and her brother doesn't care. She's only a child, too."
"Is there any harm in a chicken supper and a dance?"
Eve looked gravely at young Smith without replying.
Other girlish shapes loomed in the evening light. Some were met by gallants, some arrived at the veranda unescorted.
"Where do they all come from? Do they live in trees like dryads?" asked Smith.
"There are always squatters in the woods," she replied indifferently.
"Some of these girls come from Ghost Lake, I suppose."
"Yes; waitresses at the Inn."
"What music is there?"
"Jim Hastings plays a fiddle. I play the melodeon if they need me."
"What do you do when there's a fight?" he asked, with a side glance at her pure profile.
"What do you suppose I do? Fight, too?"
He laughed – mirthlessly – conscious always of his secret pity for this girl.
"Well," he said, "when your father makes enough to quit, he'll take you out of this. It's a vile hole for a young girl – "
"See here," she said, flushing; "you're rather particular for a young man who stuck up a tourist and robbed him of four thousand dollars."
"I'm not complaining on my own account," returned Smith, laughing; "Clinch's suits me."
"Well, don't concern yourself on my account, Hal Smith. And you'd better keep out of the dance, too, if there are any strangers there."
"You think a State Trooper may happen in?"
"It's likely. A lot of people come and go. We don't always know them." She opened a sliding wooden shutter and looked into the bar room. After a moment she beckoned him to her side.
"There are strangers there now," she said, " – that thin, dark man who looks like a Kanuk. And those two men shaking dice. I don't know who they are. I never before saw them."
But Smith had seen them at Ghost Lake Inn. One of them was Sard. Quintana's gang had arrived at Clinch's dump.
A moment later Clinch came through the pantry and kitchen and out onto the rear porch where Smith was washing glasses in a tub filled from an ever-flowing spring.
"I'm a-going to get supper," he said to Eve. "There'll be twenty-three plates." And to Smith: "Hal – you help Eve wait on the table. And if anybody acts up rough you slam him on the jaw – don't argue, don't wait – just slam him good, and I'll come on the hop."
"Who are the strangers, dad?" asked Eve.
"Don't nobody know 'em none, girlie. But they ain't State Troopers. They talk like they was foreign. One of 'em's English – the big, bony one with yellow hair and mustache."
"Did they give any names?" asked Smith.
"You bet. The stout, dark man calls himself Hongri Picket. French, I guess. The fat beak is a fella named Sard. Sanchez is the guy with a face like a Canada priest – José Sanchez – or something on that style. And then the yellow skinned young man is Nicole Salzar; the Britisher, Harry Beck; and that good lookin' dark gent with a little black Charlie Chaplin, he's Victor Georgiades."
"What are those foreigners doing in the North Woods, Clinch?" enquired Smith.
"Oh, they all give the same spiel – hire out in a lumber camp. But they ain't no lumberjacks," added Clinch contemptuously. "I don't know what they be – hootch runners maybe – or booze bandits – or they done something crooked som'ers r'other. It's safe to serve 'em drinks."
Clinch himself had been drinking. He always drank when preparing to cook.
He turned and went into the kitchen now, rolling up his shirt sleeves and relighting his clay pipe.
By nine o'clock the noisy chicken supper had ended; the table had been cleared; Jim Hastings was tuning his fiddle in the big room; Eve had seated herself before the battered melodeon.
"Ladies and gents," said Clinch in his clear, pleasant voice, which carried through the hubbub, "we're a-going to have a dance – thanks and beholden to Jim Hastings and my daughter Eve. Eve, she don't drink and she don't dance, so no use askin' and no hard feelin' toward nobody.
"So act up pleasant to one and all and have a good time and no rough stuff in no form, shape or manner, but behave like gents all and swell dames, like you was to a swarry on Fifth Avenue. Let's go!"
He went back to the pantry, taking no notice of the cheering. The fiddler scraped a fox trot, and Eve's melodeon joined in. A vast scuffling of heavily shod feet filled the momentary silence, accented by the shrill giggle of young girls.
"They're off," remarked Clinch to Smith, who stood at the pantry shelf prepared to serve whiskey or beer upon previous receipt of payment.
In the event of a sudden raid, the arrangements at Clinch's were quite simple. Two large drain pipes emerged from the kitchen floor beside Smith, and ended in Star Pond. In case of alarm the tub of beer was poured down one pipe; the whiskey down the other.
Only the trout in Star Pond would ever sample that hootch again.
Clinch, now slightly intoxicated, leaned heavily on the pantry shelf beside Smith, adjusting his pistol under his suspenders.
"Young fella," he said in his agreeable voice, "you're dead right. You sure said a face-full when you says to me, 'Eve's a lady, by God!' You oughta know. You was a gentleman yourself once. Even if you take to stickin' up tourists you know a lady when you see one. And you called the turn. She is a lady. All I'm livin' for is to get her down to the city and give her money to live like a lady. I'll do it yet… Soon!.. I'd do it to-morrow – to-night – if I dared… If I thought it sure fire… If I was dead certain I could get away with it… I've got the money. Now! … Only it ain't in money… Smith?"
"Yes, Mike."
"You know me?"
"Sure."
"You size me up?"
"I do."
"All right. If you ever tell anyone I got money that ain't money I'll shoot you through the head."
"Don't worry, Clinch."
"I ain't. You're a crook; you won't talk. You're a gentleman, too. They don't sell out a pal. Say, Hal, there's only one fella I don't want to meet."
"Who's that, Mike?"
"Lemme tell you," continued Clinch, resting more heavily on the shelf while Smith, looking out through the pantry shutter at the dancing, listened intently.
"When I was in France in a Forestry Rig'ment," went on Clinch, lowering his always pleasant voice, "I was to Paris on leave a few days before they sent us home.
"I was in the washroom of a caffy – a-cleanin' up for supper, when dod-bang! into the place comes a-tumblin' a man with two cops pushing and kickin' him.
"They didn't see me in there for they locked the door on the man. He was a swell gent, too, in full dress and silk hat and all like that, and a opry cloak and white kid gloves, and mustache and French beard.
"When they locked him up he stood stock still and lit a cigarette, as cool as ice. Then he begun walkin' around looking for a way to get out; but there wasn't no way.
"Then he seen me and over he comes and talks English right