Agnes of Sorrento. Stowe Harriet Beecher
from the profanation of lawless violence, from the brute grasp of an inappreciative peasant, but Father Francesco cannot"? There was a moment when his whole being vibrated with a perception of what a marriage bond might have been that was indeed a sacrament, and that bound together two pure and loyal souls who gave life and courage to each other in all holy purposes and heroic deeds; and he almost feared that he had cursed his vows, – those awful vows, at whose remembrance his inmost soul shivered through every nerve.
But after hours of prayer and struggle, and wave after wave of agonizing convulsion, he gained one of those high points in human possibility where souls can stand a little while at a time, and where all things seem so transfigured and pure that they fancy themselves thenceforward forever victorious over evil.
As he walks up and down in the gold-and-purple evening twilight, his mind seems to him calm as that glowing sea that reflects the purple shores of Ischia, and the quaint, fantastic grottoes and cliffs of Capri. All is golden and glowing; he sees all clear; he is delivered from his spiritual enemies; he treads them under his feet.
Yes, he says to himself, he loves Agnes, – loves her all-sacredly as her guardian angel does, who ever beholdeth the face of her Father in Heaven. Why, then, does he shrink from her marriage? Is it not evident? Has that tender soul, that poetic nature, that aspiring genius, anything in common with the vulgar coarse details of a peasant's life? Will not her beauty always draw the eye of the licentious, expose her artless innocence to solicitation which will annoy her and bring upon her head the inconsiderate jealousy of her husband? Think of Agnes made subject to the rude authority, to the stripes and correction, which men of the lower class, under the promptings of jealousy, do not scruple to inflict on their wives! What career did society, as then organized, present to such a nature, so perilously gifted in body and mind? He has the answer. The Church has opened a career to woman which all the world denies her.
He remembers the story of the dyer's daughter of Siena, the fair Saint Catharine. In his youth he had often visited the convent where one of the first artists of Italy has immortalized her conflicts and her victories, and knelt with his mother at the altar where she now communes with the faithful. He remembered how, by her sanctity, her humility, and her holy inspirations of soul, she had risen to the courts of princes, whither she had been sent as ambassadress to arrange for the interests of the Church; and then rose before his mind's eye the gorgeous picture of Pinturicchio, where, borne in celestial repose and purity amid all the powers and dignitaries of the Church, she is canonized as one of those that shall reign and intercede with Christ in heaven.
Was it wrong, therefore, in him, though severed from all womankind by a gulf of irrevocable vows, that he should feel a kind of jealous property in this gifted and beautiful creature? and though he might not, even in thought, dream of possessing her himself, was there sin in the vehement energy with which his whole nature rose up in him to say that no other man should, – that she should be the bride of Heaven alone?
Certainly, if there were, it lurked far out of sight, and the priest had a case that might have satisfied a conscience even more fastidious; and he felt a sort of triumph in the results of his mental scrutiny.
Yes, she should ascend from glory to glory, – but his should be the hand that should lead her upward. He would lead her within the consecrated grate, – he would pronounce the awful words that should make it sacrilege for all other men to approach her; and yet through life he should be the guardian and director of her soul, the one being to whom she should render an obedience as unlimited as that which belongs to Christ alone.
Such were the thoughts of this victorious hour, which, alas! were destined to fade as those purple skies and golden fires gradually went out, leaving, in place of their light and glory, only the lurid glow of Vesuvius.
CHAPTER VI
THE WALK TO THE CONVENT
Elsie returned from the confessional a little after sunrise, much relieved and satisfied. Padre Francesco had shown such a deep interest in her narrative that she was highly gratified. Then he had given her advice which exactly accorded with her own views; and such advice is always regarded as an eminent proof of sagacity in the giver.
On the point of the marriage he had recommended delay, – a course quite in accordance with Elsie's desire, who, curiously enough, ever since her treaty of marriage with Antonio had been commenced, had cherished the most whimsical, jealous dislike of him, as if he were about to get away her grandchild from her; and this rose at times so high that she could scarcely speak peaceably to him, – a course of things which caused Antonio to open wide his great soft ox-eyes, and wonder at the ways of womankind; but he waited the event in philosophic tranquillity.
The morning sunbeams were shooting many a golden shaft among the orange-trees when Elsie returned and found Agnes yet kneeling at her prayers.
"Now, my little heart," said the old woman, when their morning meal was done, "I am going to give you a holiday to-day. I will go with you to the Convent, and you shall spend the day with the sisters, and so carry Saint Agnes her ring."
"Oh, thank you, grandmamma! how good you are! May I stop a little on the way, and pick some cyclamen and myrtles and daisies for her shrine?"
"Just as you like, child; but if you are going to do that, we must be off soon, for I must be at my stand betimes to sell oranges: I had them all picked this morning while my little darling was asleep."
"You always do everything, grandmamma, and leave me nothing to do: it is not fair. But, grandmamma, if we are going to get flowers by the way, let us follow down the stream, through the gorge, out upon the sea-beach, and so walk along the sands, and go by the back path up the rocks to the Convent: that walk is so shady and lovely at this time in the morning, and it is so fresh along by the seaside!"
"As you please, dearie; but first fill a little basket with our best oranges for the sisters."
"Trust me for that!" And the girl ran eagerly to the house, and drew from her treasures a little white wicker basket, which she proceeded to line curiously with orange-leaves, sticking sprays of blossoms in a wreath round the border.
"Now for some of our best blood-oranges!" she said; "old Jocunda says they put her in mind of pomegranates. And here are some of these little ones, – see here, grandmamma!" she exclaimed as she turned and held up a branch just broken, where five small golden balls grew together with a pearly spray of white buds just beyond them.
The exercise of springing up for the branch had sent a vivid glow into her clear brown cheek, and her eyes were dilated with excitement and pleasure; and as she stood joyously holding the branch, while the flickering shadows fell on her beautiful face, she seemed more like a painter's dream than a reality.
Her grandmother stood a moment admiring her.
"She's too good and too pretty for Antonio or any other man: she ought to be kept to look at," she said to herself. "If I could keep her always, no man should have her; but death will come, and youth and beauty go, and so somebody must care for her."
When the basket was filled and trimmed, Agnes took it on her arm. Elsie raised and poised on her head the great square basket that contained her merchandise, and began walking erect and straight down the narrow rocky stairs that led into the gorge, holding her distaff with its white flax in her hands, and stepping as easily as if she bore no burden.
Agnes followed her with light, irregular movements, glancing aside from time to time, as a tuft of flowers or a feathery spray of leaves attracted her fancy. In a few moments her hands were too full, and her woolen apron of many-colored stripes was raised over one arm to hold her treasures, while a hymn to Saint Agnes, which she constantly murmured to herself, came in little ripples of sound, now from behind a rock, and now out of a tuft of bushes, to show where the wanderer was hid. The song, like many Italian ones, would be nothing in English, – only a musical repetition of sweet words to a very simple and childlike idea, the bella, bella, bella ringing out in every verse with a tender joyousness that seemed in harmony with the waving ferns and pendent flowers and long ivy-wreaths from among which its notes issued. "Beautiful and sweet Agnes," it said, in a thousand tender repetitions, "make me like thy little white lamb! Beautiful Agnes, take me to the green fields where Christ's lambs