An Eye for an Eye. Le Queux William

An Eye for an Eye - Le Queux William


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uniform, we walked straight to the area door, and gaining the kitchen, at once lit the gas. As he had said, there was every sign that the place had been recently occupied, but with only a cursory examination of the basement we passed upstairs to the dining-room. Here we also lit the gas and saw that the table had been laid for three persons in a manner quite luxurious, with real silver, cut glass and tiny vases of fresh flowers arranged artistically. Beside each plate were blue glass finger-bowls filled with water which gave out a strong perfume of roses. The chairs had been placed, and the hors d’oeuvres, olives, anchovies and caviare were already on the table, showing that all preparations for dinner had been made. Yet strangely enough, in the kitchen the greater part of the meat and vegetables remained uncooked.

      From this room we passed into the smaller one adjoining, lighting the gas as we went, but this seemed to have been used as a smoking-room, and contained nothing of note.

      It was, however, in the drawing-room above where we made the most astounding discoveries. The apartment was spacious for the size of the house, upholstered in pale-blue with furniture of expensive character, and large growing palms placed on stands. In the centre was a great circular settee, and in the corners wide soft divans of pale-blue velvet with golden fringe. Comfort and luxury had been studied by whoever had furnished the place, for as we lit one of the side gas-brackets we saw that it was really a very artistic room, the floor covered with a real Turkey carpet of softest hues, while the few paintings on the walls were choice examples of well-known artists. At the end opposite the grate was suspended from the ceiling by three gilt chains the mysterious little red lamp, burning steadily without a flicker, and beneath it, fallen back in a large armchair, was a woman, whose face, although waxen white, was eminently beautiful. The paleness of death was upon her, yet her handsome head with its wealth of gold brown hair was pillowed upon the cushion of yellow silk, and upon the cold, slightly-parted lips there played a strange, bitter smile. She was young, twenty or so, dressed in an artistically-made gown of pale mauve, trimmed with lace. Her teeth were even and perfect; her cheeks round and well-rnoulded; her chin slightly protruding, and a piquant little nose; but that smile in death seemed revolting in its hideousness. Her eyes large, of a deep blue, once luminous as stars no doubt, but now dull and filmy, were wide open, as though gazing out upon us in an endeavour to speak and tell us the truth of the strange and tragic occurrence. I looked upon her bewildered, dumbfounded.

      Not three yards away, stretched at her feet, was a man of about thirty-five, well-dressed in frock coat and light-coloured trousers, with collar and cravat of the latest mode, and wearing on his cold, stiff hand a ring set with a single diamond of unusual lustre. His face was towards the carpet, and while I held the lamp, Patterson bent and turned him over. We then saw that he was dark and good-looking, a gentleman evidently, although from the upward curl of his moustache and his smartness of attire he appeared to be something of a fop.

      “It looks a good deal like murder and suicide,” Patterson exclaimed, still bending over him. “I wonder who he is?”

      “There’s initials on his sleeve-links,” I said, for I had detected an engraved cipher upon the plain gold buttons at his wrists.

      “They’re two ‘K’s’ intertwined, surmounted by a crest,” my companion said in a strange voice. “I wonder what’s on him?” and he proceeded to search the breast-pocket of the dead man’s coat. The contents, which we afterwards examined together, consisted only of two prospectuses of new companies, an amber cigar-tube mounted in gold, and the envelope of a letter addressed in a woman’s hand to “George Grove, Poste Restante, Charing Cross,” and bearing the Manchester post-mark of three days before. The letter had unfortunately been destroyed; only the envelope remained. But we both recollected that persons who have letters addressed to the Poste Restante do not usually give their correct names.

      In one of the vest pockets were three ten-pound notes folded carelessly together, while in the trousers pockets was a quantity of loose silver. Beyond that there was nothing else upon him. Contrary to the effect of death upon his unfortunate companion, his face was slightly distorted, the tip of the tongue protruding, and both hands clenched, showing that he had endured a momentary spasm of agony as the last spark of life died out, while from the fact that a small tripod table with painted plate-glass top had been overturned and broken it seemed apparent that he had staggered and clutched wildly at the first object within his reach.

      But on neither could we detect any wound, nor was there anything to show the cause of death. I examined the hand of the woman, a tiny, slim, cold hand, the contact of which thrilled me by its chilliness, and saw that her rings, set with emeralds, rubies and diamonds, were of the finest quality.

      “She’s beautiful,” Patterson observed, gazing down upon her. “Perhaps she was his wife.”

      “Perhaps,” I said. “Curious that they should have both died together in this manner.”

      “They were evidently sitting here chatting before dinner, when both were either murdered, or died suddenly before assistance could reach them. She died before he did.”

      “What makes you think that?” I asked quickly, my eyes wandering around the large, comfortable room, the atmosphere of which was heavy with fragrant odours.

      “Because he placed that cushion beneath her head,” answered the shrewd, observant police-officer. “He had kissed her, and she was in the act of smiling at his last act of love when her heart suddenly failed, and soul and body parted.”

      “And he died immediately afterwards, you think?”

      “Yes, that’s what I surmise. What’s your opinion?”

      “I can form no theory at present,” I answered, bewildered. In the course of years spent in the investigation of crime for journalistic purposes I had had my wits sharpened, and rather prided myself upon the soundness of the theories I propounded in the articles I wrote. Patterson knew this, and probably for that reason had invoked my companionship in this curious affair.

      Together we made a searching examination of the whole room, but there was absolutely nothing to show the motive, or even the mode, of the tragedy. The absence of servants was of course extremely suspicious, but neither of us attached much importance to that. A close examination of the scene was our present object, experience having taught that upon the scene of most crimes there remains some trace of the assassin. The old saying that “Murder will out” is truer than the majority of people believe, for even that night we had had a striking illustration in Patterson’s’ attention being attracted by the snake in the gateway.

      Beside the dead woman’s chair was lying a handkerchief, a tiny square of lawn and lace, which I picked up. It emitted an odour very sweet and subtle, such as I had never before smelt.

      Patterson sniffed it, but placed it down.

      “Some new scent,” he said. “Women are always going in for the latest inventions in perfumes.”

      “But this is an extraordinary one,” I said, again smelling it. “Terribly strong, too,” I added, for the odour had a strange, half-intoxicating effect upon me. The small red light steadily burning, the fragrance of the incense, the two dead forms lying there, still and cold, and the single gas-burner, hissing as it flared, combined to present a weird, lurid picture, each detail of which has ever since been indelibly photographed upon my memory.

      The smile of death upon that woman’s lips was horrible. That look of hers has ever since haunted me, for now that I know the truth and have realised all that had taken place in that room prior to the tragedy, that laugh of derision has a significance which renders its recollection bitter, gruesome, hideous.

      I know not what prompted me at that moment, but bending again beside the prostrate man I placed my hand inside his vest, recollecting that sometimes tailors, adopting the French mode, made pockets there, and that therein many men carried articles of value in secrecy and safety.

      As I did so, I felt that there was a pocket in the lining, that it was buttoned, and that there was something within. Quickly I unbuttoned it and drew forth a small packet wrapped in glazed writing-paper, dirty and worn through being carried for a long time. With care I opened it, and inside found an object which caused us both to give vent to an ejaculation of wonder.

      It


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