Devil's Dice. Le Queux William
am I?” I asked.
“Well, no,” she answered. Then looking round the little book-lined room rather timidly, she said, “I don’t know that I ought to have come here, but I wanted to see Jack. I’m supposed to be at Mabel’s, dining. I drove there in the brougham, and then came along here in a cab.”
“Won’t you sit down?” her lover asked. “Now you are here we must try and make you as cosy as possible, providing you’ll excuse the Bohemianism of my quarters.”
“Why apologise, Jack?” she asked, as he unclasped her cape, revealing her handsome dinner-dress cut a trifle décolleté. “If Ma will not let us meet openly, then we must see each other surreptitiously.”
“Well spoken,” I exclaimed, laughing, and when she had seated herself in Jack’s armchair, with her little satin shoes placed coquettishly upon the fender, she told us how she had ingeniously arranged with her sister to return to Eaton Square in a cab, and then drive home in the carriage, as if she had been spending the whole evening with Mabel.
We laughed, and as I sat gazing at her, memories of Sybil, the woman I had loved and lost, crowded upon me. Even though Lady Stretton’s consent was withheld, they were nevertheless happy in each other’s love. The love-look upon their faces told me how intense was the passion between them, and I envied my friend his happiness. Dora was indeed as charming to the sight as eyes could desire. Her bare shoulders, well set-off by her black bespangled dress trimmed with pale-green chiffon, were a trifle narrow, but that lent her a childish grace, and it was the one fault that could be found with her; all the rest was perfect, and the greatest charm of all that, unlike her sister, she was totally unconscious of her loveliness.
In the warm atmosphere of their love and confidence their characters had unfolded, and they had learned to know one another perfectly. Jack, although he held a world-wide reputation for keen analysis of character on paper, had been amazed at all the delicate susceptibilities cherished in Dora’s heart, at the freshness and innocent pleasures of which it was capable, and not a little at the vein of malicious fun he had wholly unsuspected.
I sat silent while they chatted, reflecting upon the strange discovery of the photograph of my lost love, and the more remarkable encounter that afternoon, I had called on Jack for the purpose of making a clean breast of the whole affair, but Dora’s arrival precluded me from so doing. My sorrow, however, lost none of its bitterness by keeping, and I resolved to return to him on the morrow, show him the portraits, and ask his advice.
Jack had been admiring her gown, and the conversation had turned upon the evergreen topic of dress. But she spoke with the air of a philosopher rather than of a Society girl.
“Everyday life needs all the romance that can be crowded into it,” she said. “Dress, in my opinion, is a duty to ourselves and to others – is a piece of altruism unsoured by sacrifice, a joy so long as it may last to wearer and beholder, doing good openly nor blushing to find itself famous.”
“Your view is certainly correct,” I said, smiling at her sedate little speech. “You are a pretty woman, and without committing yourself to affectation or eccentricity, you may choose the mode that shall best become you, whether born of Worth’s imagination or founded on some picturesque tradition. You may be severe or splendid, avenante or rococo, with equal impunity.”
“Really you are awfully complimentary, Mr Ridgeway,” she answered, with just the faintest blush of modesty. “You are such a flatterer that one never knows whether you are in earnest.”
“I’m quite in earnest, I assure you,” I said. “Your dresses always suit you admirably. On any other woman they would look dowdy.”
“I quite endorse Stuart’s opinion,” said Jack with enthusiasm. “In writing it is often my misfortune to be compelled to describe feminine habiliments, therefore I’ve tried to study them a little. It seems to me that the ball-dress may be festal, the dinner-dress majestic, and the outdoor frock combine the virtues of both; but romance must always centre in the tea-gown. Before the advent of the tea-gown, the indoor state of woman was innocent of comfort and beggared of poetry.”
“Yes,” she replied, clasping her hands behind her head and looking up at him with her soft brown eyes, “the tea-gown is always ingenuous in sentiment and not wanting in charm, even though its hues may be odious or sickly. Once it was looked upon with disfavour as a garment too graceful to be respectable, and stern parents, I believe, forbade its use. But time, taste, and the sense of fitness have put Puritanism to shame, and the useful tea-gown; bears witness now to our proficiency in the long-lost art of living.”
Her reference to stern parents caused me to refer to what Mabel had told me regarding the attitude of her mother.
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