The Belovéd Vagabond. Locke William John
like me, there is nothing more to be said."
Blanquette humbly repudiated the charge of pride. Her soul was set on her ten francs and she didn't care how she got them. She accepted Monsieur's generous offer out of a full heart.
"That's sense," said my master. "We shall rehearse at daybreak."
CHAPTER VI
Dawn found us all in a field some distance from the café – Paragot, Blanquette, Narcisse, the zither, the fiddle and I, and while the two musicians rehearsed the jingly waltzes and polkas that made up the old man's répertoire, I tried to explain the situation to Narcisse who sat with his ears cocked wondering what the deuce all the noise was about.
"Ah, Monsieur," said Blanquette, during a pause, "you play like a great artist."
"Didn't I tell you so?" he cried triumphantly.
"You must have studied much."
"Prodigiously," said he.
"Père Paragot had played the violin for sixty years, but he could not make it sing like that."
"You would not compare Père Paragot with my master?" I exclaimed by way of rebuke.
Blanquette acquiesced humbly.
"When one hears Monsieur, one has the devil in one's body."
"Listen to this," said the delighted Paragot jumping on to his feet and tucking the fiddle beneath his chin.
And there in the pure dawn with nothing but God's sky and green fields around us, he played Gounod's "Ave Maria," putting into his execution all his imaginative fervour, and accentuating the tremolo passages in a vibrating ecstasy which to Blanquette's uncultured soul was the very passion of music. I have since learned that the greatest violinists do not overemphasise the tremolo.
"Ah Dieu! it is beautiful," she murmured.
"Isn't it?" cried Paragot. "And it touches your heart, my little Blanquette, eh? We are all artists together."
"I, Monsieur?"
She laughed and ran her hands over the zither strings.
"I ought to be at work in the fields. So Père Paragot used to say. I make no progress – I am as stupid as a goose."
Two hours afterwards we started for Chambéry, as odd a procession as ever gave food for a high-road's gaiety. From the old grey valise carried the previous day by Blanquette she had produced much property finery. A black velveteen jacket resplendent with pearl-buttons, velveteen knee-breeches tied with ribbons at the knees, and a rakish Alpine hat with a feather adorned my master's person. His own disreputable heavy boots and a pair of grey worsted stockings may not have formed a fastidious finish to the costume; but in my eyes he looked magnificent. Towards the transfiguration of Blanquette a Pandora box could not have effected more. She was attired in a short skirt, a white fichu moderately fresh, a kind of Italian head-dress and scarlet stockings. Enormous gilt ear-rings swung from her ears; a cable of blue beads encircled her neck; her lips were dyed pomegranate, her eyes darkened and her cheeks touched with rouge. A pair of substantial gilt shoes slung over her shoulders clinked their heels together as she walked. Narcisse barked his ecstatic admiration around this beauteous creature, and had I been a dog I should have barked mine too. My dignity as a man only allowed me to cast sidelong glances at her and hope that she would soon put on the gilt shoes. As for my master, on beholding her, he doffed his hat and saluted her with a fantastic compliment, whereat the girl blushed brick-red and turned her head away.
"Motley's the only wear, my son," he cried gaily. "In this cap and bells, I see life under a different aspect. Never has it appeared to me sweeter and more irresponsible. Don't you feel it? But I forgot. You haven't any motley. I apologise for my want of tact. Blanquette," he added in French, "why haven't you found a costume for Asticot?"
Blanquette replied in her matter-of-fact way that she hadn't any. They walked on together, and I dropped behind suddenly realising my pariahdom. I wondered whether these magnificent beings would be ashamed of my company when we arrived at Chambéry. I pictured myself sitting lonesome with Narcisse in the market-place while they revelled in their splendour, and the self-pity of the child overcame me.
"Master," said I dismally, "what shall Narcisse and I do while you are at the wedding?"
He wheeled round and regarded me, and I knew by the light in his eyes that an inspiration was taking shape behind them.
"I'll buy you a red shirt and pomade your hair, and you shall be one of us, my son, and go round with the hat."
I exulted obviously.
"Now the dog will feel out of it," said he, perplexed. "I will consult Blanquette. Do you think we could shave Narcisse and make him think he's a poodle?"
"That would be impossible, Monsieur," replied Blanquette gravely.
As Narcisse was enjoying himself to his heart's content, darting from side to side of the road and sniffing for the smells his soul delighted in, I did not concern myself about his feelings.
For Paragot's suggestion which I knew was ironically directed against myself, I did not care. So long as I was to be with my companions and of them, irony did not matter. I caught the twinkle in his eye and laughed. He was as joyous as Narcisse. The gladness of the July morning danced in his veins. He pulled the violin and bow out of the old baize bag and fiddled as we walked. It must have been an amazing procession.
And the old man whose clothes and functions we had assumed lay cold and stiff in the little lonely room with candles at his head and his feet. During our railway journey to Chambéry Blanquette told us in her artless way what she knew of his history. In the flesh he had been a crabbed and crotchety ancient addicted to drink. He had passed some years of his middle life in prison for petty thefts. In his youth – Blanquette's mind could not grasp the idea of Père Paragot having once been young – he must have been an astonishing blackguard. He had been wont to beat Blanquette, until one day realising her young strength she held him firm in her grip and threatened to throw him into a pond if he persisted in his attempted chastisement. Since then he had respected her person, but to the day of his death he had cursed her for anserine stupidity. An unlovely, loveless and unloved old man. Why should Blanquette have wept over him? She had not the Parisian's highly strung temperament and capacity for facile emotion. She was peasant to the core, slow to rejoice, and slow to grieve, and she had the peasant's remorseless logic in envisaging the elemental facts of existence. Père Paragot was wicked. He was dead. Tant mieux.
Blanquette had not the divine sense of humour which rainbows the tears of the world. That was my dear master's possession. But at the obvious she could laugh like any child of unsophistication. In the long shaded avenue of Chambéry, with its crowded market-stalls on either side – stalls where you saw displayed for sale rolls of calico and boots and gauffrettes and rusty locks and melons and rosaries and flyblown books – Paragot bought me my red shirt (which —mirabile dictu!– had tasselled cords to tie the collar) and pomade for my hair. He also purchased a yard of blue chiffon which he tied in an artistic bow round Narcisse's neck, whereat Blanquette laughed heartily; and when Narcisse bolted beneath a flower-stall and growling dispossessed himself of the adornment, and set to with tooth and claw to rend it into fragments, she threw herself on a bench convulsed with mirth. As Paragot had spent fifty centimes on the chiffon I thought this hilarity exceedingly ill-natured; but when another and a larger dog came up to see what Narcisse was doing and in half a minute was whirling about with Narcisse in a death grapple, and Blanquette sprang forward, separated the two dogs at some risk and took our bleeding mongrel to her bosom, consoling him with womanly words of pity, I saw there was something tender in Blanquette which mitigated my resentment.
The Restaurant du Soleil, where the marriage feast was held, was an earwiggy hostelry on the outskirts of the town, sheltered from the prying roadway by a screen of green lattice and a series of tonnelles, the dusty arbours, each furnished with table and chairs, beloved of French revellers. Above the entrance gate stretched the semi-circular sign-board bearing in addition to the name, the legend "Jardin. Noces. Fêtes." Within, a few lime-trees closely planted threw deep shadow over the grassless garden; shrubs and flowers wilted in a neglected bed.
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