The Girl Philippa. Chambers Robert William

The Girl Philippa - Chambers Robert William


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drive my neighbor, Madame de Moidrey, sometimes; and in summer it is often dark before we return. It's a lovely country; also, the quarrymen at the cement works are a rough lot. So I let my pretty neighbor take no chances with me."

      "Quite right," nodded Halkett. "When quarrymen get drunk it's no joke. What quarry is it?"

      "The Esser Company. It's a German cement concern, I believe."

      "German?"

      "I believe so."

      "Where is this quarry?"

      "In the hills back of the Récollette. They run barges to Ausone. Just below their canal the Récollette becomes unnavigable, and the shallows and rapids continue for several miles below Saïs. That is the reason, I suppose, that the country around Saïs remains primitive and undeveloped, lacking as it does railroad and water transportation."

      "I wonder," said Halkett thoughtfully, "whether I might see the quarry and cement works. It must be interesting."

      Warner shrugged:

      "If that sort of thing interests you, I'll take you over. It's a messy place full of stone crushers and derricks and broken rock and pits full of green water. Still, if you want to see it – "

      "Thanks, I should like to."

      Warner glanced at him; a slight grin touched his lips.

      "You seem to be interested in a great many kinds of business," he said, " – literature, military science, cement works, cabaret life – "

      Halkett laughed outright; but the next moment he turned like a flash in his seat, and Warner also cast a quick glance behind him.

      "A car coming!" he said, driving to the right. "What's the matter, Halkett? You don't think it's after us?"

      "I think it is."

      "What?"

      "I know damned well it is!" said Halkett between his teeth. "Shall I jump and swim for it? Pull in a moment, Warner – "

      "Wait! Do you see that gate in the hedge? Get out and open it. Quick, Halkett! I know what to do – "

      Halkett leaped, dragged open the gate; Warner swung his horse and drove through and out into a swampy meadow set with wild flowers and bushes and slender saplings.

      The wheels of the cart cut through the spongy sod and sank almost to the hubs, but Warner used his whip and Halkett, taking the horse by the head, ran forward beside the swaying cart. Right across their path flowed a deep, narrow stream, partly invisible between reeds and tufts of swamp weed; Warner turned the vehicle with difficulty, urged his nervous horse across a cattle bridge which had been fashioned out of a few loose planks, and drove up on firmer ground among tall ferns and willow bushes.

      "Pull up those planks!" he shouted back to Halkett, guiding his horse with difficulty; and Halkett ran back, lifted the mossy, half rotted planks, and threw them up among the bushes.

      A grey touring car which had halted on the highway outside the hedge had now turned after them through the gate; and already the driver was having a bad time of it in the swampy meadow.

      As Halkett lifted the last plank that spanned the brook, one of three men in the tonneau of the car stood up and fired a revolver at him; and another of the men, seated beside him, also fired deliberately, resting his elbow on the side of the stalled car to steady his aim, and supporting the revolver with his left hand under the barrel.

      Halkett ran back to where the cart stood, partly concealed among the ferns and bushes; Warner, holding whip and reins in one hand, passed him an automatic revolver and drew out the other weapon for his own use.

      "This is rottenly ungrateful of me," said the Englishman. "I've certainly involved you now!"

      "It's all right; I'm enjoying it! Now, Halkett, their car is badly mired. There is another gate to that hedge a few hundred yards below. If you'll just lay those planks in the cart, we'll drive along the hard ground here and make another bridge below."

      Halkett picked up the wet and muddy planks, one by one, and placed them crossways in the cart. Then, at a nod from Warner, he climbed up and the cart started slowly south, winding cautiously in and out among the bushes.

      When they had driven a little distance, the men in the car across the brook caught sight of them; the driver left his wheel and sprang out; and from either door of the tonneau the three other men followed, revolvers lifted. There was no shouting; not a word spoken; not a sound except the hard, dry crack of the pistols.

      "I don't know," said Warner coolly, "whether this horse will stand our fire, but if they cross the stream we'll have to begin shooting… We'd better begin now anyway, I think." He drew rein, turned in his seat, and fired two shots in quick succession. The horse started, and, instantly checked, stood trembling but behaving well enough.

      Another shot from Halkett brought the running men to a halt. Warner drove on immediately; three of the men started to follow on a run, but half a dozen rapid shots brought them to a dead stop again. And again the dogcart jolted slowly forward.

      One of the men made a furious gesture, turned, and ran back to the mud-stalled car; two of the others followed to aid him to extricate the machine; the fourth man, skulking along the stream, continued to advance as the dogcart drove on.

      Warner, driving carefully, shoved with his foot a box of clips toward the dashboard; Halkett reloaded both automatics. Presently the cart turned east, descending the hard slope toward the stream again; and the man who had followed them along the swampy brook immediately opened fire.

      Halkett and Warner sprang out; the former shouldered the planks and ran forward; the latter, holding his nervous horse by the head, fired at the man among the reeds as he advanced toward the stream.

      It seemed odd that so many bullets could fly and hit nothing; Halkett heard them whining over his head; the horse heard them too and threatened to become unmanageable. Far up the stream the three other men were laboring frantically to disengage the grey automobile; the man across the creek, routed out of the reeds by the stream of bullets directed at him, was running now to get out of range. Evidently his automatic was empty, for it merely swung in his hand as he ran.

      But what occupied Warner was the course the man was taking, straight for the lower gate in the hedge.

      "Jump in!" he called to Halkett. "We can't wait for the other planks!" The Englishman swung up beside him; the whip whistled and the horse, now thoroughly frightened, bounded forward down the slope and took the improvised bridge at a single leap. For one moment it looked like a general smash, but the cart stood it, and, after a perilous second, righted itself.

      Straight at the closed gate drove Warner, whipping his horse into a dead run; crashed through the flimsy pickets, slashed mercilessly with his whip at the man who pluckily stripped off his coat and strove to make the horse swerve into the hedge, as a toreador waves his cloak at a charging bull.

      Halkett could have shot the man; but he merely turned his weapon on him as they dashed out into the highroad once more, and tore away due south through the rose and golden glory of the sunset.

      The horse ran a flat mile before Warner chose to ease him down; the summer wind whistled in their ears; the last glow faded from the purpling zenith; the crimson streak on the river surface, which had run parallel on their left like level and jagged lightning, glimmered to a pallid ochre tint; and the flying mist of trees and bushes which had fled past like an endless rush of phantoms now took shape and substance once more above the rising veil of river mist.

      Warner's tense features were flushed with excitement. As he gradually eased in his horse he was smiling.

      "Well, what do you know about this performance of ours, Halkett?" he inquired rather breathlessly. "Can you beat it in the movies?"

      "I'm wondering what I've let you in for," said the Englishman very seriously.

      "I'll tell you," laughed Warner; "you've let me in for a last glimpse of my youth – the days when everything went and every chance for mischief was gratefully seized – the days when I was a subject of the only real democracy on earth – the Latin Quarter – the days that dawn


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