The Golden Bough. Gibbs George
events of the evening.
Out of the train of vague occurrences stood clearly the wholesome friendly figure of this girl, Tanya Korasov. Her robes, her cowl, the vestments of her strange association with the fanatic Kirylo Ivanitch, seemed only to bring her sanity, youth and kindliness into stronger relief. That she was a member of some secret association of which her compatriot was the head seemed more or less obvious, but what was the personal relationship between them? The man had intellectual power and doubtless held his sway as the official director of some sort of propaganda for the freedom of Russia, but his deference to the wishes of the girl made it also evident that she too was high in his councils. His niece? His cousin? Or was their relation something nearer, something-? Impossible. The man was fifty, the girl young enough to be his daughter. A relationship purely intellectual, more deeply welded by the bonds of a cognate purpose. But what of the robes, the vigils, the daïs in the garden, the strange dialogue about the escaping slave which seemed to have so large a part in determining his own status as a guest in this house of mystery? What was IT? And what the danger suggested by the final injunction of the girl to bolt the door of his bedroom? From whom? Ivanitch? From the shock-headed youth in the kitchen who had stared at him so curiously? Or from others whom he had not seen?
He gave up the problem and slowly removed his boots and tattered clothing which he tossed with some disgust into a corner. The order of the room reproached him, and tired as he was, he cleansed himself to be worthy of the immaculate linen, then blew out the light and with a sigh of delight at the luxury of sheets, he crawled into bed and tried to relax. He had thought of this moment for weeks, and how he would sleep if he was ever again offered a bed, but now strangely enough, his muscles twitched and his eyes remained open, staring into the obscurity.
Tanya! That was a pretty name-Tatyana probably. There was a fairy princess of that name who came to him suddenly from out of the mists of childhood-a princess with a filmy veil, a diadem upon her forehead and a magic white wand which accomplished the impossible. She was pure, she was beautiful and had happened long ago, before-before his rather variegated career across two continents. This new Tanya was a part of the night, a gracious kindly shade with a ruddy diadem and a roguish smile, which set aside the symbols of her strange servitude. He smiled as he thought of her and closed his lids again, but they flew open as though actuated by hidden springs.
He was aware of some movement in the house about him, the soft pad of footsteps in the corridor outside which went along a few paces and then seemed to pause just at his door. Then a murmur as though of voices in a low tone. Once he fancied the knob of his door was tried by a stealthy hand. So sure was he of this that he got out of bed and without striking a light, examined the bolt to reassure himself that the door was firmly fastened.
Then he smiled to himself and went noiselessly back to bed. The soldier Rowland was merely aware of a devouring curiosity. But presently the demands of his weary muscles vanquished even this, and he slept.
He awoke suddenly, as he had often done in the dugouts at the warning of the sentry, and started upright in bed, listening. The softness of the sheets perplexed him, and it was a moment before he realized where he was. No sound but the murmur of insects outside the house and the sighing of a breeze. What had awakened him? Noiselessly he got up and tried the bolt of the door. It was fastened. Then he stole cautiously to the window, and peered down into the garden.
By the star-light, he could dimly see the lawn, the path and the daïs beyond where he had first seen Tanya. His eyes, trained like a cat's to the darkness, during his weeks of night traveling, pierced slowly into every part of the obscurity beneath the trees. Something was moving there near the mound of earth, a dark figure with a cowled head and a robe. The figure moved forward slowly a few steps, peering from right to left and then darted suddenly around to the other side of the daïs, but always eager and watchful, near the mound of earth. Rowland seemed to identify the figure by its broad bent shoulders and shuffling walk as Kirylo Ivanitch. As the American watched, he saw the Russian turn and walk slowly toward the house. Beneath Rowland's window the Russian stopped with folded arms and looked upward. From beneath the black cowl the American seemed to feel the blazing eyes of Ivanitch upon his, but he knew that in his place of concealment he could not be seen and so he did not move. And presently, the man turned swiftly and went back to the mound of earth to resume his strange sentry duty.
Philip Rowland shrugged as he turned away from the window and went back to bed, grinning to himself.
"Batty," he muttered to himself. "Completely batty."
CHAPTER III
MYSTERY
Philip Rowland slept heavily until broad daylight when the sun pierced his window and cast a cheerful golden lozenge upon the white-washed wall above his iron bed. He stretched his arms luxuriously and as the events of the previous night came to him, rose and looked out of the window. A clamor of birds among the gilded tree-tops, long violet shadows along the dewy garden, and there on a bench upon the mound of earth which had perplexed him last night, a solitary black figure, quiescent but watchful. It was not Ivanitch or Tanya, but one that he had not seen before, for the figure wore no cowl and the head was clearly visible. So they had kept watch all night! The American laughed outright. The things that had seemed weird and even uncanny in the darkness were by the broad light of day little short of arrant nonsense. Mediæval flummery such as this in the fair sunlight of the summer morning! It was amateurish, sophomoric, and hardly worthy of the psychos of the intellectual mystic in the Prince Albert coat. Tanya, too-a dealer in magic and spells? He smiled to himself as he turned from the window. He knew women-they had a talent for the dramatic. But he wouldn't acknowledge even to himself that he was disappointed in Tanya. He wanted to keep last night's vision of her as a thing apart. She was his Goddess of Liberty. Whatever her share in this mumbo-jumbo business, she herself was never to be tawdry.
He was softly whistling "Tipperary" as he unbolted his door and peered out into the silent corridor. There upon a chair beside his door was the clothing that Tanya had promised him, a suit of dark clothes-not a Prince Albert, he was joyed to discover-underwear, a shirt and-blessings upon blessings-scissors and a razor! She had forgotten nothing. There is a delight in cleanliness that only the cleanly who have become filthy can ever really know. But this escaped prisoner found a secret pleasure in the fact that he was now to become Philip Rowland, gentleman, a person once known on Broadway and Fifth Avenue for the taste of his sartorial embellishments.
He bathed again, shaved and dressed in the clothing (which fitted him atrociously) and went down the stairs into the room through which he had passed last night. There was no one about and the door into the kitchen was closed, though an appetizing odor of coffee pervaded the air. He glanced at the books upon the table, a few novels, Turgeniev, Dostoievsky in French, some Russian newspapers and a miscellaneous lot of German and French socialistic periodicals. Socialism-of course-the veneer that might cover a rougher grain beneath.
But the most extraordinary object in the room, one which the visitor had not noticed last night, was a piece of ancient sculpture upon a pedestal in a corner of the room, a double-headed bust, one face young and beardless with shut lips and a steadfast gaze, the other older with wrinkled brows, a wild, anxious look in the eyes and a mouth open as though in horror. Around the neck of the double-head a garland of what seemed to be oak-leaves was carved into the stone and upon the pedestal, the inscription REX NEMORENSIS. That the sculpture was of a great antiquity was indicated by its worn surfaces and discolorations, and Rowland paused, studying it attentively, lost in speculation as to what if any connection this curious work of ancient art could have with the mystery of this house. Nemi-Ivanitch had mentioned it last night. REX NEMORENSIS-King of the Wood. But what was the symbolism of the two heads-the young man and the old, the young one, eager and fearless, the other old, anxious and terrified. Nemi!
Where had he come upon the name before? It seemed to echo to him out of the past. Nemi! A name out of a legend, written as though with fire against the darkness of a childish nightmare and then extinguished. A name of something beautiful and something unhappy, something dreadful and something fascinating-the name of a blessing or of a curse! He shrugged at last, winked cheerfully at the hideous face on the pedestal, and gave the problem up. Then, turning, he sauntered toward a door which seemed to lead to the front of the garden, but before he reached it a voice came from over his shoulder, and turning