The Green God. Kummer Frederic Arnold

The Green God - Kummer Frederic Arnold


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perfectly."

      "Which rooms, Sir, shall I show the gentlemen to?" asked the man, a trifle uneasily, I thought.

      The Major looked at Ashton, and laughed. "Ashton," he said, "you know I only took this place a short time ago on my return from my last trip to the East, and as we do not have many visitors, it's a bit musty and out of shape. Queer old house, I fancy. Been closed, until I let it, for years. Supposed to be haunted or something of the sort – tales of wandering spirits and all that. I imagine it won't worry you much." He glanced from Ashton to myself with a quick smile of interrogation.

      "Hardly," replied my companion, lighting a cigarette. "I've outgrown ghosts. Lead on to the haunted chamber."

      The Major turned to the servant. "Show the gentlemen to the two rooms in the west wing, Gibson. The green room will suit Mr. Ashton, I fancy, and perhaps Mr. Morgan will find the white and gold room across the hall comfortable for the night."

      "Very good, Sir." The man turned toward the staircase and we followed him.

      I found my room a large and fairly comfortable one, containing a great maple bed, a chest of drawers and other furniture of an old-fashioned sort. The place seemed stuffy with the peculiar dead atmosphere of rooms long closed, but I soon dispelled this by throwing open one of the windows upon that side of the room away from the force of the storm, and busied myself in making such preparations for dinner as I could with the few requisites which my small knapsack contained. I heard Ashton across the hall, whistling merrily as he got into evening kit, and rather grumbled at myself for having been drawn into my present position as an unbidden and unprepared guest in the house of persons who were total strangers to me.

      After a considerable time, I heard the musical notes of a Chinese gong which I took to be the signal for dinner, so making my way to the staircase with, I fear, a somewhat sheepish expression, I saw Ashton ahead of me, just joining at the end of the hallway a strikingly beautiful and distinguished-looking girl, of perhaps twenty-two or three, dressed in an evening gown of white, the very simplicity of which only served to accentuate the splendid lines of her figure. Her face was pale with that healthy pallor which is in some women so beautiful – a sort of warm ivory tint – and with her splendid eyes and wide brow, crowded with a mass of bronze-colored hair, I felt that even my critical artistic taste could with difficulty find a flaw. It was evident that she and Mr. Ashton knew each other well, yet it seemed to me that Miss Temple, for so I supposed the young lady to be, did not respond with much cordiality to the effusive greeting which Mr. Ashton bestowed upon her. I descended the steps some distance behind them, and observed Major Temple standing in the center of the main hall, smiling with much apparent satisfaction at the couple ahead of me as they advanced toward him. As I joined them, Major Temple presented me to his daughter as a friend of Mr. Ashton's, which, it appeared to me, did not predispose that young lady particularly in my favor, judging by the coldness with which she received me, and then we all proceeded to the dining-room.

      The dinner was excellently cooked, and was served by the same almond-eyed Chinaman who had admitted us upon our arrival. I learned afterwards that the Major was an enthusiastic student of Oriental art, and that his collection of porcelains and carved ivory and jewels was one of the finest in England. He had, it appeared, spent a great portion of his life in the East and had only just returned from a stay of over a year in China, during which he had penetrated far into the interior, into that portion of the country lying toward Thibet, where Europeans do not usually go.

      During dinner, Major Temple and Mr. Ashton talked continually of China, and referred frequently to "it," and to "the stone," although at the time I did not grasp the meaning of their references. I attempted without much success to carry on a conversation with Miss Temple, but she seemed laboring under intense excitement and unable to give my efforts any real attention, so I gradually found myself listening to the talk between Major Temple and Mr. Ashton. As near as I could gather, the latter had set out from Hong Kong some months before, on a search for a certain stone or jewel which Major Temple desired for his collection, and after an adventurous trip during which he had been forced at the risk of his life to remain disguised as a coolie for some weeks, had finally escaped and returned to England. There was also some talk of a reward, though of what nature I did not understand, but it seemed to give Mr. Ashton great satisfaction, and to cause Major Temple much uneasiness every time it was mentioned, and I saw him glance frequently, covertly, at the blanched face of his daughter. As Mr. Ashton brought his thrilling story to a conclusion, he drew from his waistcoat pocket a small, green leather case, evidently of Chinese workmanship, and, opening it, turned out upon the white cloth what I at first thought to be a small figure of green glass, which on closer inspection proved to be a miniature representation of the god Buddha, standing somewhat above an inch and a half in height, and wonderfully cut from a single flawless emerald. I looked up at Ashton in amazement as he allowed the gas light to play upon its marvelous beauty of color and the delicate workmanship of its face and figure, then rolled it across the table toward Miss Temple. It represented the well-known figure of the god, sitting with arms extended upon its knees, its face so exquisitely chiseled that the calm, beneficent smile was as perfect, the features as exact, as though the figure had been of life size. As the wonderful sparkling gem flashed across the white cloth in the direction of Miss Temple, the latter started back in dismay and an expression of intense horror passed over her face as she looked up and caught the burning eyes of Mr. Ashton fixed upon hers. She returned his gaze defiantly for a moment, then lowered her eyes and composed her features behind the cold and impassive mask she had worn throughout the evening.

      Ashton flushed a sullen red, then picked up the jewel and set it carelessly upon the top of a cut-glass salt cellar, turning it this way and that to catch the light. As he did so, I observed the Chinese servant enter the doorway opposite me with cigars, cigarettes and an alcohol lamp upon a tray, and I was startled to see his wooden, impassive face light up with a glare of sudden anger and alarm as he caught sight of the jewel. Major Temple, observing him at the same moment, quickly covered the figure with his hand, and the Chinaman, resuming almost instantly his customary look of childlike unconcern, proceeded to offer us the contents of the tray as Miss Temple rose and left the table. I instinctively felt that Mr. Ashton and his host desired to be alone, so, after lighting my cigar, I excused myself and strolled into the great hall where I stood with my back to the welcome fire, listening to the howling of the storm without.

      I had been standing there for perhaps fifteen minutes or more, when suddenly I observed Miss Temple come quickly into the hall from a door on the opposite side of the stairway. She looked about cautiously for a moment, then approached me with an eager, nervous smile. I could not help observing, as she drew near, how the beauty of her delicate, mobile face was marred by her evident suffering. Her large dark eyes were swollen and heavy as from much weeping and loss of sleep.

      "You are a friend of Mr. Ashton's," she asked earnestly as she came up to me. "Have you known him long?"

      "Miss Temple, I am afraid I can hardly claim to be a friend of Mr. Ashton's at all. As a matter of fact I never met him before this afternoon."

      She seemed vastly surprised. "But I thought you came with him," she said.

      I explained my presence, and mentioned my work, and my purpose in making a walking tour along the southwest coast.

      "Then you are Owen Morgan, the illustrator," she cried, with a brilliant smile. "I know your work very well, and I am delighted to meet you. I was afraid you, too, were in the conspiracy." Her face darkened, and again the expression of suffering fell athwart it like the shadow of a cloud.

      "The conspiracy?" I asked, much mystified. "What conspiracy?"

      Miss Temple looked apprehensively toward the door leading to the dining-room, then her eyes sought mine and she gave me a searching look. "I am all alone here, Mr. Morgan," she said at last, "and I need a friend very badly. I wonder if I can depend upon you – trust you."

      It is needless to say that I was surprised at her words, as well as the impressive manner in which she spoke them. I assured her that I would be only too happy to serve her in any way in my power. "But what is it that you fear?" I inquired, soothingly, wondering if after all I was not dealing with a somewhat excitable child. Her next words, however, showed me that this was far from being the case.

      "My father,"


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