The Incredible Honeymoon. Nesbit Edith
The Incredible Honeymoon
I
THE BEGINNING
TO understand this story you will have to believe in the Greater Gods – Love and Youth, for example, and Adventure and Coincidence; also in the trusting heart of woman and the deceitful spirit of man. You will have to reconcile yourself to the fact that though daily you go to London by the nine-seven, returning by the five-fifteen, and have your accustomed meals at eight, one, and half-past six, there are those who take neither trains nor meals regularly. That, while nothing on earth ever happens to you, there really are on earth people to whom things do happen. Nor is the possibility of such happenings wholly a matter of the independent income – the income for which you do not work. It is a matter of the individual soul. I knew a man whose parents had placed him in that paralyzing sort of situation which is symbolized by the regular trains and the regular meals. It was quite a nice situation for some people, a situation, too, in which one was certain to "get on." But the man I knew had other dreams. He chucked his job, one fine Saturday morning in May, went for a long walk, met a tinker and bought his outfit – a wheel on wheels, a sort of barrow with a grindstone on it, and a pot for putting fire in dangling underneath. This he wheeled profitably through rural districts – so profitably that he was presently able to buy a donkey and a cart, and to sell kettles as well as mend them. He has since bought a gipsy tent; with these impediments – or helps – he travels through the pleasant country. Things are always happening to him. He has found a buried treasure; frustrated a burglary; once he rescued a lady in distress; and another time he killed a man. The background to these dramatic incidents is always the pleasant background of quiet road, blossoming hedgerows and orchards, corn-fields and meadows and lanes. He says this is the way to live. I will write down his story some day, but this is not it. I only bring him in to illustrate my point, which is that adventures do happen – to the adventurous.
My friend the tinker has had, perhaps, more than his share of adventures, but then his is the temperament that shoots, like a willing needle, to the great magnet of melodrama. The temperamental needle of Edward Basingstoke followed the magnet of romance. In a gayer, if less comfortable, age he might have been a knight-errant, or, at least, the sympathetic squire of a knight-errant. Had he been born in the days when most people stayed at home and minded their own business he would have insisted on going out and minding other people's. Living in the days of aeroplanes, motors, telegraphy, and cinematographs, in a world noisy with the nonsense of politics and the press, he told himself that the ideal life was the life of the farmer who plowed and sowed and reaped, tended his beasts and filled his barns, and went home from his clean, quiet work to the open hearth whence the wood smoke curled up to heaven like the smoke of an altar.
Destiny, in deep perversity, was making an engineer of him. He dreamed his pastoral dreams in the deafening clangor of the shops at Crewe, but not ten thousand hammers could beat out of his brain the faith that life was really – little as one might suppose it, just looking at it from Crewe – full of the most beautiful and delicate possibilities, and that, somehow or other, people got from life what they chose to take. While he was making up his mind what he should take, he went on learning his trade. And Destiny seemed determined that he should learn nothing else. What we call Destiny is really Chance – and so far from being immutable, she is the veriest flirt and weathercock. She changed her mind about Edward – or perhaps Death, who is stronger than she, insisted and prevailed.
Just at the time when a faint dust was beginning to settle on his dreams – the sort of dust that thickens and hardens into clay and you grow cabbages in it – Death intervened to save him. It was his uncle who died, and he left a will, and by that will certain property came to Edward. When the news came he took a day to think of it, and he went to the works as usual that afternoon and the next morning. But next day at noon he laid down his tools and never took them up again. Instead he took a ticket to Oxford, appeared at the rooms of his friend, whom he surprised in slumber, and told his tale.
"And you're going to chuck the shop," said the friend, whose name was Vernon Martingale, and his father a baronet.
"I have chucked the shop," said Edward. "I chucked it at Fate as you might throw a stone at a dog. And that reminds me – I want a dog. Do you know of a nice dog – intelligent, good manners, self-respecting, and worthy?"
"Any particular breed?"
"Certainly not. These researches into family history are in the worst possible taste. You don't love me for my pedigree. Why should I love my dog for his?"
"I suppose you want some tea, anyhow," said Martingale.
So they had tea, and talked cricket.
"Any idea what you mean to do?" Martingale asked several times, and at last Edward answered him.
"What I mean to do," he said, "is what I always meant to do. I mean to be a farmer, and hunt, and shoot, and grow flowers. I think I shall specialize on sunflowers. They're so satisfying."
"More than you are," said Vernon. "Mean to say you're going to buy a farm and ruin yourself the moment you've got a few half-crowns to ruin yourself with?"
"I am going to be a farmer," said Basingstoke, "but first I am going to see life."
"Life? But you were always so.."
"I mean that" – Edward indicated the sunshine outside – "not getting drunk and being disreputable. I can't think why the deuce-dickens that sort of beastliness is always called seeing life. As if life were all gas, and wining, and electric light, and the things you don't talk about before ladies. No, my boy, I'm going out into the unknown – not into the night, because it happens to be afternoon – and I thought I'd just come and clasp that hand and gaze once into those eyes before I set my foot on the untrodden path of adventure. Farewell, Vernon of Martingale, good knight and true! Who knows when we shall meet again?"
"I don't, anyhow," said Vernon, "and that's why you're not going till the day after to-morrow, and why I insist on knowing what you mean by seeing life – and why you're going to stay till to-morrow, anyhow."
"Heaven forbid that I should criticize another man's tastes," Edward sighed, "or deprive him of any innocent enjoyment. If you want me to stay – well, I'll stay – till to-morrow. And as for what I mean by seeing life – well, I should have thought even you would have understood that. I'm going to get a stick, and a knapsack, and a dog, and a different kind of hat, and some very large boots with nails, and a new suit, only I shall wear it all night before I wear it all day. Oh, Vernon, can't you guess my simple secret?"
"He calls a walking-tour seeing life!" Vernon pointed out. "And who's going with you and where are you going? The Hartz Mountains? – the Carpathians? – Margate? – Trouville? What?"
"The person who is going with me," said Edward, "is the dog whom we haven't yet bought. Come along out and buy him. As to where I'm going, I shall follow the most ancient of sign-posts – and I know that I can't go wrong."
"You will follow – "
"My nose," Edward explained, kindly —
"That indicator of the place to be,
The Heaven-sent guide to beauty and to thee.
"Do you know, if you talk rot to the chaps at the works they try to understand what you mean. Like Scotchmen, you know. They think they can understand anything, no matter how shallow. Now I will say for you that you know your limitations. Let's buy the dog, my son, and get a canoe."
They did. And the dog upset the canoe.
II
MAKING AN AEROPLANE
THE Five Bells was asleep; asleep, at least, was the face with which it met the world. In the brick-floored kitchen, out of sight and hearing of the road, the maid was singing as she sluiced the bricks with a white mop; but if she and her mop had been state secrets, matters of life and death, they could not have been more safely hidden from any chance passer. In the bar the landlord was asleep behind the Lewes Gazette and South Coast Journal. In the parlor the landlady was asleep behind a screen of geraniums and campanulas. The ornamental clock on the mantelpiece said, most untruly, ten minutes to eight. Really it was four o'clock, the sleepiest hour in the day. The flies buzzed