The Mountain Girl. Erskine Payne
wound and turned so frequently as to more than double the distance. At intervals it cut across the road or followed it a little way, only to diverge again. Here and there other trails crossed it or branched from it, leading higher up the mountain, or off into some gorge following the course of a stream, so that, except to one accustomed to its intricacies, the path might easily be lost.
Old Sally paid no heed to her course, apparently leaving the choice of trails to her horse. She sat easily on the beast and smoked her pipe until it was quite out, when she stowed it away in the black cloth bag, which dangled from her elbow by its strings. Spying a small sassafras shrub leaning toward her from the bank above her head, she gave it a vigorous pull as she passed and drew it, root and all, from its hold in the soil, beat it against the mossy bank, and swished it upon her skirt to remove the earth clinging to it. Then, breaking off a bit of the root, she chewed it, while she thrust the rest in her bag and used the top for a switch with which to hasten the pace of her nag.
The small stones, loosened when she tore the shrub from the bank, rattled down where the soil had been washed away, leaving the steep shelving rock side of the mountain bare, and she heard them leap the smooth space and fall softly on the moss among the ferns and lodged leaves below. There, crouched in the sun, lay a man with a black felt hat covering his face. The stones falling about him caused him to raise himself stealthily and peer upward. Descrying only the lone woman and the gray horse, he gave a low peculiar cry, almost like that of an animal in distress. She drew rein sharply and listened. The cry was repeated a little louder.
"Come on up hyar, Frale. Hit's on'y me. Hu' come you thar?"
He climbed rapidly up through the dense undergrowth, and stood at her side, breathing quickly. For a moment they waited thus, regarding each other, neither speaking. The boy – he seemed little more than a youth – looked up at her with a singularly innocent and appealing expression, but gradually as he saw her impassive and unrelenting face, his own resumed a hard and sullen look, which made him appear years older. His forehead was damp and cold, and a lock of silken black hair, slightly curling over it, increased its whiteness. Dark, heavy rings were under his eyes, which gleamed blue as the sky between long dark lashes. His arms dropped listlessly at his side, and he stood before her, as before a dread judge, bareheaded and silent. He bore her look only for a minute, then dropped his eyes, and his hand clinched more tightly the rim of his old felt hat. When he ceased looking at her, her eyes softened.
"I 'low ye mus' hev suthin' to say fer yourse'f," she said.
"I reckon." The corners of his mouth drooped, and he did not look up. He made as if to speak further, but only swallowed and was silent.
"Ye reckon? Waal, why'n't ye say?"
"They hain't nothin' to say. He war mean an' – an' – he's dade. I reckon he's dade."
"Yas, he's dade – an' they done had the buryin'." Her voice was monotonous and plaintive. A pallor swept over his face, and he drew the back of his hand across his mouth.
"He knowed he hadn't ought to rile me like he done. I be'n tryin' to make his hoss go home, but I cyan't. Hit jes' hangs round thar. I done brung him down an' lef' him in your shed, an' I 'lowed p'rhaps Uncle Jerry'd take him ovah to his paw." Again he swallowed and turned his face away. "The critter'd starve up yander. Anyhow, I ain't hoss stealin'. Hit war mo'n a hoss 'twixt him an' me." From the low, quiet tones of the two no one would have dreamed that a tragedy lay beneath their words.
"Look a-hyar, Frale. Thar wa'n't nothin' 'twixt him an' you. Ye war both on ye full o' mean corn whiskey, an' ye war quarrellin' 'bouts Cass." A faint red stole into the boy's cheeks, and the blue gleam of his eyes between the dark lashes narrowed to a mere line, as he looked an instant in her face and then off up the trail.
"Hain't ye seed nobody?" he asked.
"You knows I hain't seed nobody to hurt you-uns 'thout I'd tell ye. Look a-hyar, son, you are hungerin'. Come home with me, an' I'll get ye suthin' to eat. Ef you don't, ye'll go back an' fill up on whiskey agin, an' thar'll be the end of ye." He walked on a few steps at her side, then stopped suddenly.
"I 'low I better bide whar I be. You-uns hain't been yandah to the fall, have ye?"
"I have. You done a heap mo'n you reckoned on. When Marthy heered o' the killin', she jes' drapped whar she stood. She war out doin' work 'at you'd ought to 'a' been doin' fer her, an' she hain't moved sence. She like to 'a' perished lyin' out thar. Pore little Hoyle, he run all the way to our place he war that skeered, an' 'lowed she war dade, an' me an' the ol' man went ovah, an' thar we found her lyin' in the yard, an' the cow war lowin' to be milked, an' the pig squeelin' like hit war stuck, fer hunger. Hit do make me clar plumb mad when I think how you hev acted, – jes' like you' paw. Ef he'd nevah 'a' started that thar still, you'd nevah 'a' been what ye be now, a-drinkin' yer own whiskey at that. Come on home with me."
"I reckon I'm bettah hyar. They mount be thar huntin' me."
"I know you're hungerin'. I got suthin' ye can eat, but I 'lowed if you'd come, I'd get you an' the ol' man a good chick'n fry." She took from her stores, slung over the nag, a piece of corn-bread and a large chunk of salt pork, and gave them into his hand. "Thar! Eat. Hit's heart'nin'."
He was suffering, as she thought, and reached eagerly for the food, but before tasting it he looked up again into her face, and the infantile appeal had returned to his eyes.
"Tell me more 'bouts maw," he said.
"You eat, an' I'll talk," she replied. He broke a large piece from the corn-cake and crowded the rest into his pocket. Then he drew forth a huge clasp-knife and cut a thick slice from the raw salt pork, and pulling a red cotton handkerchief from his belt, he wrapped it around the remainder and held it under his arm as he ate.
"She hain't able to move 'thout hollerin', she's that bad hurted. Paw an' I, we got her to bed, an' I been thar ever since with all to do ontwell Cass come. Likely she done broke her hip."
"Is Cass thar now? Hu' come she thar?" Again the blood sought his cheeks.
"Paw rode down to the settlement and telegrafted fer her. Pore thing! You don't reckon what-all you have done. I wisht you'd 'a' took aftah your maw. She war my own sister, 'nd she war that good she must 'a' went straight to glory when she died. Your paw, he like to 'a' died too that time, an' when he married Marthy Merlin, I reckoned he war cured o' his ways; but hit did'n' last long. Marthy, she done well by him, an' she done well by you, too. They hain't nothin' agin Marthy. She be'n a good stepmaw to ye, she hev, an' now see how you done her, an' Cass givin' up her school an' comin' home thar to ten' beastes an' do your work like she war a man. Her family wa'n't brought up that-a-way, nor mine wa'n't neither. Big fool Marthy war to marry with your paw. Hit's that-a-way with all the Farwells; they been that quarellin' an' bad, makin' mean whiskey an' drinkin' hit raw, killin' hyar an' thar, an' now you go doin' the same, an' my own nephew, too." Her face remained impassive, and her voice droned on monotonously, but two tears stole down her wrinkled cheeks. His face settled into its harder lines as she talked, but he made no reply, and she continued querulously: "Why'n't you pay heed to me long ago, when I tol' ye not to open that thar still again? You are a heap too young to go that-a-way, – my own kin, like to be hung fer man-killin'."
"When did Cass come?" he interrupted sullenly.
"Las' evenin'."
"I'll drap 'round thar this evenin' er late night, I reckon. I have to get feed fer my own hoss an' tote hit up er take him back – one. All I fetched up last week he done et." He turned to walk away, but stood with averted head as she began speaking again.
"Don't you do no such fool thing. You keep clar o' thar. Bring the hoss to me, an' I'll ride him home. What you want o' the beast on the mountain, anyhow? Hit's only like to give away whar ye'r' at. All you want is to git to see Cass, but hit won't do you no good, leastways not now. You done so bad she won't look at ye no more, I reckon. They is a man thar, too, now." He started back, his hands clinched, his head lifted, in his whole air an animal-like ferocity. "Thar now, look at ye. 'Tain't you he's after."
"'Tain't me I'm feared he's after. How come he thar?"
"He come with her las' evenin' – " A sound of horses' hoofs on the road far below arrested her. They both waited, listening intently. "Thar