The Sea Lady. Герберт Уэллс
that circulates forever with the tides, are now pretty systematically sought. The sources are various and in some cases a little odd. Many books have been found in sunken ships. “Indeed!” said Melville. There is always a dropping and blowing overboard of novels and magazines from most passenger-carrying vessels – sometimes, but these are not as a rule valuable additions – a deliberate shying overboard. But sometimes books of an exceptional sort are thrown over when they are quite finished. (Melville is a dainty irritable reader and no doubt he understood that.) From the sea beaches of holiday resorts, moreover, the lighter sorts of literature are occasionally getting blown out to sea. And so soon as the Booms of our great Popular Novelists are over, Melville assured me, the libraries find it convenient to cast such surplus copies of their current works as the hospitals and prisons cannot take, below high-water mark.
“That’s not generally known,” said I.
“They know it,” said Melville.
In other ways the beaches yield. Young couples who “begin to sit heapy,” the Sea Lady told my cousin, as often as not will leave excellent modern fiction behind them, when at last they return to their proper place. There is a particularly fine collection of English work, it seems, in the deep water of the English Channel; practically the whole of the Tauchnitz Library is there, thrown overboard at the last moment by conscientious or timid travellers returning from the continent, and there was for a time a similar source of supply of American reprints in the Mersey, but that has fallen off in recent years. And the Deep Sea Mission for Fishermen has now for some years been raining down tracts and giving a particularly elevated tone of thought to the extensive shallows of the North Sea. The Sea Lady was very precise on these points.
When one considers the conditions of its accumulation, one is not surprised to hear that the element of fiction is as dominant in this Deep Sea Library as it is upon the counters of Messrs. Mudie; but my cousin learnt that the various illustrated magazines, and particularly the fashion papers, are valued even more highly than novels, are looked for far more eagerly and perused with envious emotion. Indeed on that point my cousin got a sudden glimpse of one of the motives that had brought this daring young lady into the air. He made some sort of suggestion. “We should have taken to dressing long ago,” she said, and added, with a vague quality of laughter in her tone, “it isn’t that we’re unfeminine, Mr. Melville. Only – as I was explaining to Mrs. Bunting, one must consider one’s circumstances – how can one hope to keep anything nice under water? Imagine lace!”
“Soaked!” said my cousin Melville.
“Drenched!” said the Sea Lady.
“Ruined!” said my cousin Melville.
“And then you know,” said the Sea Lady very gravely, “one’s hair!”
“Of course,” said Melville. “Why! – you can never get it dry!”
“That’s precisely it,” said she.
My cousin Melville had a new light on an old topic. “And that’s why – in the old time – ?”
“Exactly!” she cried, “exactly! Before there were so many Excursionists and sailors and Low People about, one came out, one sat and brushed it in the sun. And then of course it really was possible to do it up. But now – ”
She made a petulant gesture and looked gravely at Melville, biting her lip the while. My cousin made a sympathetic noise. “The horrid modern spirit,” he said – almost automatically…
But though fiction and fashion appear to be so regrettably dominant in the nourishment of the mer-mind, it must not be supposed that the most serious side of our reading never reaches the bottom of the sea. There was, for example, a case quite recently, the Sea Lady said, of the captain of a sailing ship whose mind had become unhinged by the huckstering uproar of the Times and Daily Mail, and who had not only bought a second-hand copy of the Times reprint of the Encyclopædia Britannica, but also that dense collection of literary snacks and samples, that All-Literature Sausage which has been compressed under the weighty editing of Doctor Richard Garnett. It has long been notorious that even the greatest minds of the past were far too copious and confusing in their – as the word goes – lubrications. Doctor Garnett, it is alleged, has seized the gist and presented it so compactly that almost any business man now may take hold of it without hindrance to his more serious occupations. The unfortunate and misguided seaman seems to have carried the entire collection aboard with him, with the pretty evident intention of coming to land in Sydney the wisest man alive – a Hindoo-minded thing to do. The result might have been anticipated. The mass shifted in the night, threw the whole weight of the science of the middle nineteenth century and the literature of all time, in a virulently concentrated state, on one side of his little vessel and capsized it instantly…
The ship, the Sea Lady said, dropped into the abyss as if it were loaded with lead, and its crew and other movables did not follow it down until much later in the day. The captain was the first to arrive, said the Sea Lady, and it is a curious fact, due probably to some preliminary dippings into his purchase, that he came head first, instead of feet down and limbs expanded in the customary way…
However, such exceptional windfalls avail little against the rain of light literature that is constantly going on. The novel and the newspaper remain the world’s reading even at the bottom of the sea. As subsequent events would seem to show, it must have been from the common latter-day novel and the newspaper that the Sea Lady derived her ideas of human life and sentiment and the inspiration of her visit. And if at times she seemed to underestimate the nobler tendencies of the human spirit, if at times she seemed disposed to treat Adeline Glendower and many of the deeper things of life with a certain sceptical levity, if she did at last indisputably subordinate reason and right feeling to passion, it is only just to her, and to those deeper issues, that we should ascribe her aberrations to their proper cause…
My cousin Melville, I was saying, did at one time or another get a vague, a very vague conception of what that deep-sea world was like. But whether his conception has any quality of truth in it is more than I dare say. He gives me an impression of a very strange world indeed, a green luminous fluidity in which these beings float, a world lit by great shining monsters that drift athwart it, and by waving forests of nebulous luminosity amidst which the little fishes drift like netted stars. It is a world with neither sitting, nor standing, nor going, nor coming, through which its inhabitants float and drift as one floats and drifts in dreams. And the way they live there! “My dear man!” said Melville, “it must be like a painted ceiling!..”
I do not even feel certain that it is in the sea particularly that this world of the Sea Lady is to be found. But about those saturated books and drowned scraps of paper, you say? Things are not always what they seem, and she told him all of that, we must reflect, one laughing afternoon.
She could appear, at times, he says, as real as you or I, and again came mystery all about her. There were times when it seemed to him you might have hurt her or killed her as you can hurt and kill anyone – with a penknife for example – and there were times when it seemed to him you could have destroyed the whole material universe and left her smiling still. But of this ambiguous element in the lady, more is to be told later. There are wider seas than ever keel sailed upon, and deeps that no lead of human casting will ever plumb. When it is all summed up, I have to admit, I do not know, I cannot tell. I fall back upon Melville and my poor array of collected facts. At first there was amazingly little strangeness about her for any who had to deal with her. There she was, palpably solid and material, a lady out of the sea.
This modern world is a world where the wonderful is utterly commonplace. We are bred to show a quiet freedom from amazement, and why should we boggle at material Mermaids, with Dewars solidifying all sorts of impalpable things and Marconi waves spreading everywhere? To the Buntings she was as matter of fact, as much a matter of authentic and reasonable motives and of sound solid sentimentality, as everything else in the Bunting world. So she was for them in the beginning, and so up to this day with them her memory remains.
The way in which the Sea Lady talked to Mrs. Bunting on that memorable morning, when she lay all wet and still visibly fishy on the couch in Mrs. Bunting’s