The Bondwoman. Ryan Marah Ellis
should receive some notice.”
“Honesty! Good heavens!” cried Madame Ampere, who had not yet spoken, but who expressed horror by her eyes, “where then do you find your standards for such judgment?”
“Now, listen!” and the Marquise turned to the three with a quizzical smile, “if Kora lived exactly the same life morally, but was a ruler of the fashionable world, instead of the other one; if she wore a crown of state instead of the tinsel of the varieties, you would not exclaim if she addressed me.”
“Oh, I must protest, Marquise,” began Madame Ampere in shocked remonstrance, but the Marquise smiled and stopped her.
“Yesterday,” she said slowly, “I saw you in conversation with a man who has the panels of his carriage emblazoned with the Hydrangea–also called the Hortensia.”
The shocked lady looked uncomfortable.
“What then? since it was the Emperor’s brother.”
“Exactly; the brother of the Emperor, and both of them the sons of a mother beside whom beautiful Kora is a thing of chastity.”
“The children could not help the fact that they were all half-brothers,” laughed the Countess Helene.
“But this so-called Duke could help parading the doubtful honor of his descent; yet who fails to return his bow? And I have yet to learn that his mother was ignored by the ladies of her day. Those Hortensias on his carriage are horrible to me; they are an attempt to exalt in a queen the immorality condemned in a subject.”
“Ah! You make my head swim with your theories,” confessed the Countess. “How do you find time to study them all?”
“They require no study; one meets them daily in the street or court. The difficulty is to cease thinking of them–to enjoy a careless life when justice is always calling somewhere for help.”
“I refuse to be annoyed by the calls, yet am comfortable,” said Madame Choudey. “The people who imagine they hear justice calling have had, too often, to follow the calls into exile.”
“That is true,” agreed her friend; “take care Marquise! Your theories are very interesting, but, truly, you are a revolutionist.”
Their little battle of words did not prevent them parting with smiles and all pleasantry. But the Countess Biron, to whose house the Marquise was going, grimaced and looked at her with a smile of doubt when they were alone.
“Do you realize how daring you are Judithe?–to succeed socially you should not appeal to the brains of people, but to their vanities.”
“Farewell, my social ambitions!” laughed the Marquise. “Dear Countess, pray do not scold! I could not help it. Why must the very respectable world see only the sins of the unfortunate, and save all their charity for the heads with coronets? Maman is not like that; she is always gentle with the people who have never been taught goodness; though she is severe on those who disgrace good training. I like her way best; and Alain? Well, he only told me to do my own thinking, to be sure I was right before I spoke, and to let no other consideration weigh at all.”
“Yes! and he died in exile because he let no worldly consideration weigh,” said the Countess Helene grimly.
CHAPTER IX
At the entrance to the gallery the Marquise saw Dumaresque on the step, and with him Kenneth McVeigh. She entered the carriage, hoping the Countess would not perceive them; but the hope was in vain, she did, and she motioned them both to her to learn if Mrs. McVeigh had also unexpectedly returned.
She had not. Italy was yet attractive to her, and the Lieutenant had come alone. He was to await her arrival, whenever she chose, and then their holiday would be over. When they left Paris again it would be for America.
He smiled in the same lazy, yet deferential way, as the Countess chatted and questioned him. He confessed he did not remember why he had returned; at least he could not tell in a crowd, or with cynical Dumaresque listening to him.
“Invite him home, and he will vow it was to see you,” said the artist.
“I mean to,” she retorted; “but do not judge all men by yourself, Monsieur Loris, for I suspect Lieutenant McVeigh has a conscience.”
“I have,” he acknowledged, “too much of one to take advantage of your invitation. Some day, when you are not tired from the crowds, I shall come, if you will allow me.”
“No, no; come now!” insisted the Countess, impulsively; “you will rest me; I assure you it is true! We have been with women–women all morning! So take pity on us. We want to hear all about the battle grounds and fortresses you were to inspect. The Marquise, especially, is a lover of wars.”
“And of warriors?” queried Dumaresque; but the Countess paid no attention to him.
“Yes, she is really a revolutionist, Monsieur; so come and enlighten us as to the latest methods of those amiable patriots.”
The Marquise had given him a gracious little bow, and had politely shown interest in their remarks to such an extent that the Countess did not notice her silence. But during the brief glance she noticed that the blue eyes had dark circles under them, but they were steady for all that. He looked tired, but he also looked more the master of himself than when they last met; she need fear no further pleading.
The Countess prevailed, and he entered the carriage. Dumaresque was also invited, but was on some committee of arrangements and could not leave.
As they were about to drive away the Marquise called him.
“Oh, Monsieur Loris, one moment! I want the black and white sketch of your Kora. Pray have it bid in for me.”
It was the first time she had ever called him Loris, except in her own home, and as a partial echo of the dowager. His eyes thanked her, and Kenneth McVeigh received the benefit both of her words and the look.
“But, my dear Marquise, it will give me pleasure to make you something finer of the same subject.”
“No, no; only the sketch. I will value it as a souvenir of–well–do not let any one else have it.”
Then she bowed, flashed a rare smile at him, and they wheeled away with McVeigh facing her and noting with his careless smile every expression of her coquetry. He had gone away a boy–so she had called him; but he had come back man enough to hide the hurts she gave him, and willing to let her know it.
Someway he appeared more as he had when she met him first under the beeches; then he had seemed so big, so strong, so masterful, that she had never thought of his years. But she knew now he was younger than he looked.
She had plenty of time to think of this, and of many other things, during the drive.
The Countess monopolized the young officer with her questions. He endeavored to make the replies she invited, and neither of them appeared to note that the share of the Marquise was limited to an interested expression, and an occasional smile.
She studied his well-formed, strong hands, and thought of the night they had held her own–thought of all the impetuous, passionate words; try as she would to drive them away they came back with a rush as his cool, widely different tones fell on her ear. What a dissembler the fellow was! All that evil nature which she knew about was hidden under an exterior so engaging! “If one only loved where it was wise to love, all the sorrows of the world would be ended,” those words of the pretty figureante haunted her, with all their meaning beating through her brain. What a farce seemed the careless, empty chatter beside her! It grew unbearable, to feel his careless glance sweep across her face, to hear him laugh carelessly, to be conscious of the fact that after all he was the stronger; he could face her easily, graciously, and she did not dare even meet his eyes lest he should, after all, see; the thought of her weakness frightened her; suppose he should compel her to the truth. Suppose–
She felt half hysterical; the drive had never before been so long. She feared she must scream–do something to break through this horrible chain of circumstances, linking them for even so short a space within touch of each other. And he was