The Helpers. Lynde Francis
and as long as they could keep track of you they begged you to come back to them. Margaret, won't you go?"
Margaret shook her head in passionate negation. "I can't —I can't! that's the one thing I can't do! Didn't I bring them shame enough and misery enough in the one day? and will I be going back to stir it all up again? having the people say, 'There's Pat Gannon's girl come back; she that went to the bad and broke her mother's heart.' Indeed, I'll not do that, Miss Constance, though the saints and the holy angels'll tell you I'd do anything else you'd ask."
This was Connie's happy thought; to induce Margaret to go back to her parents. When it proved to be but another rope of sand, she allowed it one sigh and changed front so cheerfully that Margaret never knew the cost of the effort.
"Then we must try something else," she insisted. "I'll never let you go back to the theatre – that's settled. You told me once you could trim hats. Have you ever done any other kind of sewing?"
Margaret knelt before her trunk and threw out an armful of her stage finery. "I made them," she said.
Constance examined the work critically. It was good, and she took courage. "That is our way out of the trouble, Margaret. Why didn't we think of it before? When you are well enough, I'll get you a sewing-machine and find you all the work you can do."
Margaret went to the window and stood there so long that Constance began to tremble lest the battle were going evilward at the last moment. The fear was groundless, as she found out when the girl came back to kneel and cry silently with her face in Connie's lap.
"It isn't so much the love of you," she sobbed; "it's the knowing that somebody cares whether the likes of me goes straight to the devil or not. And never so much as a word about behaving myself, or confessing to the priest, or anything. Miss Constance," – this with uplifted face, grown suddenly beautiful and glorified in the outshining of penitence, – "the devil may fly away with me, – he did that same one day, – but if he does, I'll not live to leave him have the good of it. I promise you that."
"I can trust you," said Constance; and she took her leave presently, wondering how the many-sided world could so unify itself in its merciless condemnation of the Magdalenes.
When she had closed Margaret's door behind her and was halfway to the stair, she heard sounds as of a scuffle coming from a corridor intersecting the main hallway at the landing. Her first impulse was to retreat to Margaret Gannon's room; but when she recognized Tommie's voice uplifted in alternate plea and imprecation, she went forward quickly. At the turn she met a gaunt, unshaven man leading Tommie by the ear, and her indignation slipped the leash without a thought of consequences.
"Aren't you ashamed of yourself to abuse a child like that!" she began; and then two things happened: Jeffard released the boy, and Constance recognized in the gaunt figure the wreck of the man whom she had bidden God-speed on the stair at the Calmaine dancing party.
Jeffard flattened himself against the wall, bowed low, and was about to apologize, when Tommie, scenting an accusation, proceeded to vindicate himself by exploding a veritable bomb of consternation between the two.
"I warn't doin' ary single thing, Miss Constance, 'ceptin' jest wot you telled me to do. I caught on to his nibs down on de street an' follered him up yere; an' w'en I was takin' a squint t'rough de keyhole, jest to make sure, he outs an' nabs me."
For one dreadful instant Connie thought she must scream and run away. Then her wits came back, and she saw that deliverance could come only through swift confession.
"Tommie," she said hastily, "run down and wait for me on the sidewalk." And then to Jeffard: "The poor boy wasn't to blame; he was doing just what he had been told to do, and you have a right to ask – to – to know" – She stopped in pitiable embarrassment, and Jeffard flung himself into the breach with chivalric tact.
"Not another word, Miss Elliott, I implore you. It isn't the first time I have been taken for my double, and in broad daylight at that. May I go down and make my peace with the boy?"
Constance was too greatly perturbed not to catch gratefully at the chance to escape, and she made use of it while Jeffard was talking to Tommie at the foot of the stair. Taking Constance's nod and smile in passing as tokens of amity, the urchin allowed himself to be placated; and when Jeffard went back to his room he knew all that Tommie could tell him about Miss Elliott and her deeds of mercy.
That night, before he went out to tramp himself weary, Jeffard did a characteristic thing. He wrapped his last five-dollar note around a bit of plaster dug from the wall, and creeping through the corridor in his stocking feet, tossed the pellet over the transom into Margaret Gannon's room.
CHAPTER IX
At the breakfast-table the next morning, Constance had a shock that set her nerves a-jangle and banished her appetite. The exciting cause was a paragraph in the morning "Coloradoan" which her father had been reading between the fruit and the cereals.
"I wonder if that isn't the fellow Dick was looking for and couldn't find," he queried, passing the paper across the table with his finger on the suggestive paragraph.
It was a custom-hardened account of a commonplace tragedy. A man whose name was given as George Jeffrey had shot himself an hour before midnight on one of the bridges spanning Cherry Creek. Constance read the story of the tragedy with her father's remark in abeyance, and the shock came with the conviction that the self-slain one was Jeffard, whose name might easily become Jeffrey in the hurried notes of a news-gatherer. The meagre particulars tallied accurately with Bartrow's terse account of Jeffard's sociological experiment. The suicide was a late-comer from the farther East; he had spent his money in riotous living; and he had latterly been lost to those who knew him best.
It was characteristic of Stephen Elliott's daughter that she passed the paper back to her father without comment, and that she preserved an outward presentment of cheerfulness during the remainder of the meal. But when she was free she ran up to her room and was seen no more of her father or her cousin until the latter went upstairs an hour later to see if Connie were ready for her morning walk.
"Why, Connie, dear! What is the matter?"
Since her tap at the door went unanswered, Myra had turned the knob and entered. Connie was lying in a dejected little heap on the floor before the fireless grate. She shook her head in dumb protest at her cousin's question; but when Myra knelt beside her it all came out brokenly.
"You didn't see what poppa gave me to read: it was an account of a suicide. Mr. Jeffard has killed himself, and – and, oh, Myra! it's all my fault!"
"Mr. Jeffard? Oh, I remember now, – Mr. Bartrow's friend. But I don't understand; how could it have been your fault?"
"It was, it was! Don't you remember what Dick said? that Mr. Jeffard was in trouble, and that he had a place for him? I saw him yesterday, and I —I didn't tell him!"
"But, Connie, dear, how could you? You didn't know him." Getting no more than a smothered sob in reply to this, Myra asked for particulars, and Connie gave them sparingly.
"You say the name was George Jeffrey? Why do you think it was Mr. Jeffard? I can't for the life of me see how you are to blame, in the remotest sense; but if you are, it's foolish to grieve over it until you are quite sure of the identities. Isn't there any way you can find out?"
Connie sat up at that, but she refused to be comforted.
"There is a way, and I'll try it; but it's no use, Myra. I'm just as sure as if I had stood beside him when he did it. And I shall never, never forgive myself!"
She got up and bathed her eyes, and when she had made herself ready to go out, she refused Myra's proffer of company.
"No, dear; thank you, but I'd rather go alone," she objected; "I'll share the misery of it with you by and by, perhaps, but I can't just yet."
Her plan for making sure was a simple one. Tommie Reagan had known Jeffard living, and he would know him dead. Putting it in train, she found her small henchman selling papers on his regular beat in front of the Opera House; and inasmuch as he was crying the principal fact of the tragedy, she was spared the necessity of entering into details.
"Tommie,