The Intriguers. Le Queux William
very thrifty, and usually had a shot in the locker.
It was a very happy ménage; the old Frenchman was kindness and geniality itself. He seemed to grow younger in the society of his youthful friends.
And in time the mystery that had seemed to surround him vanished, his means of livelihood became revealed. He was on the staff of a couple of big music publishers. He corrected their proof sheets, he occasionally advised on compositions of budding composers; but needless to say, at this hack work his remuneration was very modest.
But he always appeared cheerful and resigned. He would drop fragmentary hints of a brilliant past, when money flowed like water, when he had mixed with illustrious personages. But he could never be induced to dwell very long on this period, would enter into no convincing details.
“It is gone, it is a feverish dream,” he would say with a somewhat theatrical wave of the hand. It was evidently a weakness of his to enshroud himself in an air of romance and mystery. “What does it matter who and what I was? To-day I am Papa Péron, music publisher’s hack, earning a few shillings a week at a most uncongenial occupation. But, at my age, I want little.”
Nello and his sister were happy too. The salary at the Parthenon was not magnificent, but it was a certainty, and they were frugal young people. No more playing in the sleet-driven streets, no more terrible uncertainty as to the night’s lodging and the next day’s meal.
For a month they pursued this humble, but not uncomfortable life. And Nello, who had no opportunity of displaying his talent in this big orchestra, where he was one of many, played two or three hours a day to the brilliant accompaniment of the old Frenchman.
And then the clouds began to gather. Papa Péron was taken with a severe attack of bronchitis. Racked in spasms of severe coughing, he was unable to pursue his humble and not too remunerative occupation. He could no longer correct the proof sheets. The doctor’s visits, the necessity of extra and expensive nourishment, began to eat up his slender store. The few sovereigns he had hoarded for a rainy day began to melt rapidly.
This did not matter much for a while. The regular salary at the Parthenon sufficed, with Anita’s skilful management, for the three; but there was no longer any question of putting by. Anita knew now that she had been very mistaken in thinking the poor old Papa was a miser. With tears in his poor old eyes, he had been forced to confess that he had come to his last sovereign.
And Anita had cried too. “What does it matter, dear Papa?” she said. She had grown very fond of the kind old man. “You took us in when we were poor and friendless. Nello will work for you now, and I shall be very careful. You will see how well I can manage on a little.”
And so good old Papa Péron had his beef-tea, his little drops of brandy, his expensive chicken. Whoever went without, he must not experience want. And the doctor was paid punctually.
But misfortunes never come single. One very frosty night, on coming out of the Parthenon, Nello fell on the slippery pavement and seriously hurt his left hand. He went to the doctor on his way home, and his worst fears were confirmed.
“A longish job, I fear, Signor Corsini. The fingers are very much injured, and so is the arm. You are a musician, are you not?”
“A violinist, sir. If it had been the right arm instead of the left, I might have managed with the bow. But I cannot play a note.”
Mr. Gay was informed of the accident, in a letter from Anita. He was genuinely sorry, but the theatre had to be served. He had to procure another violinist at once. For four miserable weeks Nello ate his heart out, and Papa Péron seemed to grow weaker every day.
When life and motion returned to the poor damaged fingers, there were only a few shillings left in the house. Péron had announced that if help did not come soon they must sell the piano, the one bit of property he owned in the world. So, at least, he averred.
Nello could play now. He went round at once to Gay’s lodging in Gower Street. Could he be taken on again? The kindly conductor hemmed and hawed; he was obviously very much embarrassed.
“We had to fill up your place, my dear chap, and the new man has proved quite satisfactory. It is, of course, awfully hard on you. But, you see, I can’t sack him to put you in his place.”
“Of course not,” answered Nello quietly. Misery was gnawing at his heart, but he was just. The man who was taken on had possibly been in the same state of wretchedness as himself. He would hardly have cared to turn him out, if Gay had been willing.
“And how is the dear old Papa?” asked Gay, trying to relieve an awkward situation with the inquiry.
“He is very ill; not far from death, I fear,” was Nello’s answer. And then the truth, which he could no longer conceal, flashed out. “And very soon he will be close to starvation.”
Gay looked shocked. He had experienced his ups and downs, but he had never been in such a tight corner as this. He fumbled in his waistcoat pocket and produced a sovereign, which he thrust into the other man’s hand.
“Terrible, terrible! I am sorry I cannot do more; but I am a poor man, too.”
Nello took it, but his face burned, it was such obvious charity.
“I accept it, Monsieur, with gratitude, and I thank you for the kind thought. But can you help me to find work? I want to earn money, not to beg it.”
“Sit down a moment while I think.” The kind-hearted conductor was very distressed himself at the piteous state of affairs.
“I have it,” he exclaimed after a few moments of reflection. “You have heard of Paul Degraux?”
“One of the directors of the Covent Garden Opera?”
“Right,” said Gay. “Well, Degraux is a big man now, but twenty-five years ago we were playing in the same orchestra for a few shillings a week. He is there, I am here. We have never quite lost sight of each other, and I think he would always do me a good turn if it was in his power. I will give you a note to him. Take it round to him this morning. You will find him at the theatre.”
Ten minutes later, Corsini was on his way to the great man. Gay had written a most glowing and eulogistic introduction.
“The bearer of this note, Signor Nello Corsini, is a most accomplished violinist. I have had him in my orchestra, but he is too good for that. Give him a chance at one of your concerts and he will make good. You know my judgment is generally pretty accurate. Give him a helping hand and you will not regret it.”
CHAPTER III
The name of Gay seemed one to conjure with. Five minutes after the letter had been taken in, Nello was shown in to Monsieur Degraux’s private room.
He was a tall, handsome man, this musical director of the opera who, twenty-five years ago, had played in a small orchestra for a few shillings a week. His countenance was florid, he had a very striking personality. Emphatically he was the type of man who gets on, who shoulders his way in the world, pushing aside with his strong, resolute elbows his weaker and more timorous fellow creatures.
He was always urbane, even when he had to say No. At the present moment he had not decided as to whether he would say Yes or No to his old friend’s request. He was very much taken with the appearance of the slim, handsome young Italian. His clothes were certainly shabby: Degraux’s experienced eyes took in that fact at once; but there was a certain resolution in Nello’s bearing, a brightness and animation in his face, that showed he was no ordinary seeker for favours.
“Sit down, sit down,” he said genially, “although I cannot give you very long. I am a very busy man; all the day and half the night I have to cut myself into pieces, as it were. And always, I am frightfully worried. To-day I have been more worried than usual.”
“I am sorry to hear it, Monsieur,” said the Italian, sympathetically. If he wanted to get anything out of Monsieur Degraux, he must fall in with his moods. Privately he thought the director’s worries, whatever their magnitude, were as nothing compared to his own.
This plump, prosperous-looking person was not very close to starvation.
“You