Bulldog Carney. Fraser William Alexander
allusion touched Black's vanity, and drew him to ask, "What did he do – how am I like him?" He eyed Carney suspiciously.
"The character I liked in 'Les Miserables' was a policeman, like yourself, and his mind was only capable of containing the one idea – duty. It was a fetish with him; he was a fanatic."
"You're damn funny, Bulldog, ain't you? What I ought to do is slip the bangles on you and leave you in the dark."
"If you could. I give you full permission to try, Sergeant; if you can clamp them on me there won't be any hard feelings, and the first time I meet you on the trail I won't set you afoot."
Carney had risen to his feet, ostensibly to throw his cigarette through the bars of the open window.
Black stood glowering at him. He knew Carney's reputation well enough to know that to try to handcuff him meant a fight – a fight over nothing; and unless he used a gun he might possibly get the worst of it.
"It would only be spite work," Carney declared presently; "these logs would hold anybody, and you know it."
In spite of his rough manner the Sergeant rather admired Bulldog's gentlemanly independence, the quiet way in which he had submitted to arrest; it would be a feather in his cap that, single-handed, he had locked the famous Bulldog up. His better sense told him to leave well enough alone.
"Yes," he said grudgingly, "I guess these walls will hold you. I'll be sleeping in the other room, a reception committee if you have callers."
"Thanks, Sergeant. I take it all back. Leave me a candle, and give me something to read."
Black pondered over this; but Carney's allusion to the policeman in "Les Miserables" had had an effect. He brought from the other room a couple of magazines and a candle, went out, and locked the door.
Carney pulled off his boots, stretched himself on the bunk and read. He could hear Sergeant Black fussing at a table in the outer room; then the Sergeant went out and Carney knew that he had gone to send a wire to Major Silver for instructions about his captive. After a time he came back. About ten o'clock Carney heard the policeman's boots drop on the floor, his bunk creak, and knew that the representative of the law had retired. A vagrant thought traversed his mind that the heavy-dispositioned, phlegmatic policeman would be a sound sleeper once oblivious. However, that didn't matter, there was no necessity for escape.
Carney himself dozed over a wordy story, only to be suddenly wakened by a noise at his elbow. Wary, through the vicissitudes of his order of life he sat up wide awake, ready for action. Then by the light of the sputtering candle he saw his magazine sprawling on the floor, and knew he had been wakened by its fall. His bunk had creaked; but listening, no sound reached his ears from the other room, except certain stertorous breathings. He had guessed right, Sergeant Black was an honest sleeper, one of Shakespeare's full-paunched kind.
Carney blew out the candle; and now, perversely, his mind refused to cuddle down and rest, but took up the matter of Jack the Wolf's presence. He hated to know that such an evil beast was even indirectly associated with Seth, who was easily led. His concern was not over Seth so much as over Jeanette.
He lay wide awake in the dark for an hour; then a faint noise came from the barred window; it was a measured, methodical click-click-click of a pebble tapping on iron.
With the stealthiness of a cat he left the bunk, so gently that no tell-tale sound rose from its boards, and softly stepping to the window thrust the fingers of one hand between the bars.
A soft warm hand grasped his, and he felt the smooth sides of a folded paper. As he gave the hand a reassuring pressure, his knuckles were tapped gently by something hard. He transferred the paper to his other hand, and reaching out again, something was thrust into it, that when he lifted it within he found was a strong screw-driver.
He crept back to his bunk, slipped the screwdriver between the blankets, and standing by the door listened for ten seconds; then a faint gurgling breath told him that Black slept.
Making a hiding canopy of his blanket, he lighted his candle, unfolded the paper, and read:
"Two planks, north end, fastened with screws. Below is tunnel that leads to the mine. Will meet you there. Come soon. Important."
There was no name signed, but Carney knew it was Jeanette's writing.
He blew out the candle and stepping softly to the other end of the pen knelt down, and with his fingertips searched the ends of the two planks nearest the log wall. At first he was baffled, his fingers finding the flat heads of ordinary nails; but presently he discovered that these heads were dummies, half an inch long. Suddenly a board rapped in the other room. He had just time to slip back to his bunk when a key clinked in the lock, and a light glinted through a chink as the door opened.
As if suddenly startled from sleep, Carney called out: "Who's that – what do you want?"
The Sergeant peered in and answered, "Nothing! thought I heard you moving about. Are you all right, Carney?"
He swept the pen with his candle, noted Carney's boots on the floor, and, satisfied, closed the door and went back to his bunk.
This interruption rather pleased Carney; he felt that it was a somnolent sense of duty, responsibility, that had wakened Black. Now that he had investigated and found everything all right he would probably sleep soundly for hours.
Carney waited ten minutes. The Sergeant's bunk had given a note of complaint as its occupant turned over; now it was still. Taking his boots in his hand he crept back to the end of the pen and rapidly, noiselessly, withdrew the screw-nails from both ends of two planks. Then he crept back to the door and listened; the other room was silent save for the same little sleep breathings he had heard before.
With the screw-driver he lifted the planks, slipped through the opening, all in the dark, and drew the planks back into place over his head. He had to crouch in the little tunnel.
Pulling on his boots, on hands and knees he crawled through the small tunnel for fifty yards. Then he came to stope timbers stood on end, and turning these to one side found himself in what he knew must be a cross-cut from the main drift that ran between the mine opening and the hotel.
As he stood up in this he heard a faint whistle, and whispered, "Jeanette."
The girl came forward in the dark, her hand touching his arm.
"I'm so glad," she whispered. "We'd better stand here in the dark, for I have something serious to tell you."
Then in a low tone the girl said:
"The Wolf and Cayuse Braun are going to hold up the train to-night, just at the end of the trestle, and rob the express car."
"Is Seth in it?"
"Yes, he's standing in, but he isn't going to help on the job. The Wolf is going to board the train at the station, and enter the express car when the train is creeping over the trestle. He's got a bar and rope for fastening the door of the car behind the express car. When the engine reaches the other side Cayuse will jump it, hold up the engineer, and make him stop the train long enough to throw the gold off while the other cars are still on the trestle; then the Wolf will jump off, and Cayuse will force the engineer to carry the train on, and he will drop off on the up-grade, half a mile beyond."
"Old stuff, but rather effective," Carney commented; "they'll get away with it, I believe."
"I listened to them planning the whole thing out," Jeanette confessed, "and they didn't know I could hear them."
"What about this little tunnel under the jail – that's a new one on me?"
"Seth had it dug, pretending he was looking for gold; but the men who dug it didn't know that it led under the jail, and he finished it himself, fixed the planks, and all. You see when the police go away they leave the keys with Seth in case any sudden trouble comes up. Nobody knows about it but Seth."
There was a tang of regret in Carney's voice as he said:
"Seth is playing it pretty low down, Jeanette; he's practically stealing from his pals. I put twenty thousand in gold in to-night to go by that train, coke money; he knows it, and that's what these thieves