Dr. Lavendar's People. Deland Margaret Wade Campbell
Lavendar," he said, in a low voice, "I will do it."
Dr. Lavendar was instantly on his feet; there was a grip of the hand, and, for a moment, no words.
"I'll telegraph Mr. Brown," said Mr. Spangler, breathlessly.
"So will I!" said Dr. Lavendar.
Mr. Spangler was scarlet with heroism. "It means giving up my house and my very congenial surroundings, and I fear Mary Ann will feel too old to accompany me; but with – with Ellen!"
"She's worth six Mary Anns, whoever Mary Ann may be," said Dr. Lavendar.
"You may have thought me hesitant," said Mr. Spangler, "but I felt that I must weigh the matter thoroughly."
"Why, certainly, man. It was your duty to think what was best for Ellen."
"Exactly," Mr. Spangler said, getting his breath again, and beginning to feel very happy. "And duty is, I hope, my watchword; but I had to reflect," he ended, a little uncomfortably.
But Dr. Lavendar would not let him be uncomfortable. They sat down again, and Dr. Lavendar filled another pipe, and until long after midnight they talked things over – the allowance to be made to David and his bride, the leasing of the house in Mercer, the possible obduracy of Mary Ann, and, most of all, the fine conduct of the Reverend Mr. Spangler.
But when they had said good-night, Dr. Lavendar sat awhile longer by his fireside, his pipe out, his old white head on his breast.
"The minute I get back," he said to himself after a while, sheepishly – "the minute I get back I poke my finger into somebody else's pie. But I think 'twas right: Ellen loves him; and he's not a bad man. – And Brown don't want brains."
Then he chuckled and got up, and blew out the lamp.
THE NOTE
Of course everybody in Old Chester knew that there was something queer about Mary Gordon's marriage – not the mere fact of the man, queer as he was; for, to Old Chester's ideas, he was very queer… A "travelling-man," to begin with – and the Gordons had a line of scholars and professional men behind them – a drummer, if you please. In theory, Old Chester was religiously democratic; it plumed itself upon its Christian humility, and every Sunday it publicly acknowledged that Old Chesterians were like the rest of humanity to the extent of being miserable sinners. But, all the same, that Mary Gordon should marry a "person" of that sort —
"Dear me!" said Old Chester.
However, travelling-men may be worthy; they need not necessarily use perfumery or put pomade upon their shiny, curly, black hair. But Mr. Algernon Keen was obviously not worthy, and he was saturated with perfumery, and his black, curly hair was sleek with oil. Furthermore, he was very handsome: his lips were weak and pouting and red; his eyes liquid and beautiful; his plump cheeks slightly pink. One may believe that such physical characteristics do not imply moral qualities; but only youth has such a belief. When one has lived a little while in the world, one comes to know that a human soul prisoned in such pretty flesh is piteously hampered. Yet Mary Gordon, meeting this poor creature by chance, fell deeply in love with him. Of course such falling in love was queer – it was inexplainable; for Mary was a nice girl – not, of course, of the caliber of some Old Chester girls; she had not the mind of Alice Gray nor the conscience of Sally Smith; but she was a quiet, biddable, good child – at least so far as anybody knew. But nobody knew much about her. In the first place, the Gordons lived just far enough out of Old Chester to miss its neighborliness. Mary was not often seen in town, and in her own home her brother Alex's loud personality crushed her into a colorless silence. Her father did not crush her – he merely did not notice her; but he was fond of her – at least he had the habit of indifferent affection. She always came into the library to say good-night to him; and he, sitting by the fire in a big, winged chair, a purple silk handkerchief spread over his white locks, to keep off possible draughts, would turn his cheek up to her mechanically; but the soft touch of her lips never made him lift his eyes from his book. She never kissed Alex good-night; she was openly afraid of him. Alex was rude to her and made her wait on him, throwing her a curt "thank you" once in a while, generally coupled with some sarcastic reference to her slowness or stupidity – for, indeed, the child was both slow and stupid. Perhaps, had she been loved – But no one can tell now how that would have been. At any rate, there was a pathetic explanation of loneliness to account for the fact that she was drawn to this Algernon Keen, who had nothing to recommend him except a cheap and easy kindliness that cost him no effort and was bestowed on everybody.
Of course the two men, her father and brother, refused to consider Keen as Mary's suitor at all. Alex nearly had a fit over it; in his rage and mortification he took all Old Chester into his confidence. He went to the Tavern – this was the day after Mary had, trembling and crying, told her little love affair to her father and begged his consent – Alex went to the Tavern and ordered the snickering, perfumed youth out of town.
"Well, I guess not," said Algy. "This town doesn't belong to you, does it?"
Alex stammered with passion: "If – if you dare to address Miss Gordon again, I'll – I'll – I'll horsewhip you," he said, his pale eyes bulging from his crimsoning face.
"I guess Mary has a right to let me talk to her if she wants to; this is a free country," the other blustered. And Alex, loudly, on the Tavern steps, cursed him for a skunk, a – Well, Old Chester was never able to quote Alex. He came to his senses after this dreadful exhibition of himself, and was horribly mortified. But post-mortification cannot undo the deed, and before night everybody in Old Chester knew that Mary Gordon had fallen in love with – "the person who brings samples to Tommy Dove's apothecary shop."
Old Chester was truly sorry for Mary; "for," as Mrs. Barkley said, "love's love, whether it's suitable or not; and Mary has such a lonely life, poor child! Well, it will take time for her to get over it."
It seemed to take a good deal of time. That winter she grew pale and was often ill. The poor little thing seemed to creep into her shell to brood over her blighted hopes. Once she was downright sick for a week, and Mr. Gordon sent for William King. Willy said at first that Mary had something on her mind (which certainly Mary's family did not need to be told).
"I believe she's thinking about that scoundrel yet," said Alex. "But she has just got to understand that we'll never allow it, Willy. You may as well make that clear to her, and let her get over her moping."
William King looked thoughtful and said he would call again.
However, any of us Old Chester girls could have enlightened the doctor. "Mary was pining away for her lover;" that was all there was to it. But the lover never appeared, being engaged in offering samples of pomade and perfumery to apothecary stores in other regions. And then, suddenly, the queer thing happened…
The Globe announced: "Married – by Dr. Lavendar, Mary Gordon to Algernon Keen" – and the date, which was the night before.
"What!" said Old Chester at the breakfast-table, and gaped out of its windows to see Mary, crying very much, get into the stage, not at her father's house, but at the Tavern door, if you please, and drive away with the Person. What did it mean? "Was Alex at home? Did he consent?" demanded Old Chester; for Alex had been away from home for a week. By noon it was decided that Alex had consented; for it came out that he had returned to Old Chester the previous afternoon, and with him, shrinking into the corner of the stage, was Mr. Algy Keen.
"Get out," Alex said to him when the stage drew up at the Gordon house. The man got out, shambling and stumbling, with a furtive look over his shoulder, for Alex Gordon walked behind him to the front door, his right hand gripped upon his walking-stick, his left clinched at his side.
"He kep' just behind the feller," the stage-driver told Van Horn at the Tavern afterwards – "just behind him, like as if he was afraid the feller'd run away from him. But the feller, he stopped right at the steps, and he turned around, and he says, 'Mind you,' he says (mad as a hatter) – 'mind you,' he says, 'I'm not brought, I've come'; – whatever that means," the stage-driver ruminated.
So much Old Chester knew the day after Mary Gordon's wedding. And it naturally sought to know a little more.
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