East Angels: A Novel. Woolson Constance Fenimore

East Angels: A Novel - Woolson Constance Fenimore


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Telano sprang to the little seat behind them, where, with folded arms, he sat stiffly erect, conscious of the Turmrer, showing the whites of his eyes, happy. Margaret lifted the reins, and smiling a good-bye to Garda, who was standing on the outside stairway, drove down Pacheco Lane into the plaza, and out of sight.

      Garda still leaned on the balustrade; though left alone, she did not take her departure. After a while she sat down on a step, and leaned her head back against the railing; her eyes were fixed indolently upon the sea.

      "Looking across to Spain?" said Evert Winthrop's voice, ten minutes later. He had come down the lane, his step making no sound on the mat of low, thick green.

      "No," Garda answered, without turning her eyes from the water. "If I want Spain, I have only to send for Mr. Torres; he's Spain in person."

      "Are you here alone? Where are the others?"

      "Gone out to drive; I wish you had never sent for that phaeton!"

      Several weeks had passed since the arrival of the northern ladies; but it seemed more like several months, if gauged by the friendship which had been bestowed upon them. The little circle of Gracias society had opened its doors to them with characteristic hospitality – the old-time hospitality of the days of better fortune; its spirit unchanged, though the form in which it must now manifest itself was altered in all save its charming courtesy. Mrs. Rutherford was a friend of Mrs. Carew's, that was enough; they were all friends of Mrs. Rutherford in consequence. Mrs. Kirby, the active little mother of Dr. Reginald, invited them to dine with her. Mrs. Penelope Moore, the rector's wife, though seldom able to leave her sofa, did not on that account consider herself exempt from the present privilege of entertaining them. Madame Ruiz, the mother of Manuel, insisted upon several visits at her residence on Patricio Point. Madame Giron, the aunt of Adolfo Torres, came up the Espiritu in her broad old boat, rowed by four negro boys, to beg them to pass a day with her at her plantation, which was south of East Angels. Mrs. Thorne did what she could in the way of afternoon visits at her old Spanish mansion, with oranges, conversation, and Carlos Mateo. And good Betty Carew moved in and out among these gentle festivities with assiduous watchfulness, ready to fill any gaps that might present themselves with selections from her own best resources; the number of times she invited her dearest Katrina to lunch with her, to spend the day with her, to pass the evening with her, to visit the orange groves with her, to play whist, to go and see the rose gardens, and to "bring over her work" in the morning and "sit on the piazza and talk," could not be counted. Mrs. Rutherford, who never had any work beyond the holding of a fan sometimes to screen her face from the fire or sun, was amiably willing to sit on the piazza (Betty's) and talk – talk with the peculiar degree of intimacy which embroidery (or knitting) and piazzas, taken together, seem to produce. Especially was she willing as, without fail, about eleven o'clock, Pompey appeared with a little tray, covered with a snowy damask napkin, upon which reposed a small loaf of delicious cake, freshly baked, two saucers (of that old blue china whose recent nicks owed their origin to emancipation), a glass dish heaped with translucent old-fashioned preserves, and a little glass pitcher of rich cream. Mrs. Rutherford thought this "so amusing – at eleven o'clock in the morning!" But it was noticed that she never refused it.

      If Katrina had no work, Betty had it in abundance. It was not embroidery – unless mending could be called by that name. But Betty did not accomplish as much as she might have done, owing to the fact that about once in ten minutes she became aware of the loss of her scissors, or her spool of thread, and was forced to get up, shake her skirts, or dive to the bottom of her pocket in search of them. For her pocket had a wide mouth, which was not concealed by a superfluous overskirt; it was a deep comfortable pocket going well down below the knee, its rotund outline, visible beneath the skirt of the gown, suggesting to the experienced eye a handkerchief, a battered porte-monnaie, a large bunch of keys, two or three crumpled letters, a pencil with the stubby point which a woman's pencil always possesses, a half-finished stocking and ball of yarn, a spectacle-case, a paper of peppermint drops, and a forgotten pair or two of gloves.

      These little entertainments hospitably given for the northern ladies succeeded each other rapidly – so rapidly that Margaret began to fear lest, mild as they were in themselves, they should yet make inroads on Mrs. Rutherford's strength.

      "You needn't be scairt, Miss Margaret," was Celestine's reply to this suggestion, a remote gleam of a smile lighting up for a moment her grim face; "a little gentlemen-talk is very strengthenin' to yer aunt at times; nothin' more so."

      During these weeks Garda Thorne had manifested a constantly increasing devotion to Margaret Harold; that, at least, was what they called it in the little circle of Gracias society, where it was considered an interesting development of character. These good friends said to each other that their little girl was coming on, that they should soon be obliged to think of her as something more than a lovely child.

      Mrs. Rutherford had another name for it; she called it curiosity. "That little Thorne girl (who is quite pretty)," she remarked to Winthrop, "seems to be never tired of looking at Margaret, and listening to what she says. Yet Margaret certainly says little enough!" Mrs. Rutherford never went beyond "quite pretty" where Garda was concerned. It was her superlative for young girls, she really did not think they could be more.

      "You wish that I had never sent for that phaeton? Would you, then, deprive my poor aunt of her drives?" Winthrop had said, in answer to Garda's remark.

      "Do you care much for your poor aunt?" she inquired.

      "I care a great deal."

      "Then why do you never drive out with her yourself?"

      "I do; often."

      "I have been here every afternoon for a week, and every afternoon Margaret has had to leave me, because Mrs. Rutherford sends word that the phaeton is ready."

      "Well, perhaps for the past week – "

      "I don't believe you have been for two; I don't believe you have been for three," pursued the girl. "You are willing to go, probably you suppose you do go; but in reality it is Margaret, always Margaret. Do you know what I think? – you do not half appreciate Margaret."

      "I am glad at least that you do," Winthrop answered. "Do you prefer that step to a chair?"

      "Yes; for I ought to be going back to the Kirbys, and sitting here is more like it. Not that I mean to hurry, you know."

      "It's pleasant, staying with the Kirbys, isn't it?" said Winthrop. He was standing on a step below hers, leaning against the side of the house in the shade.

      "No," answered Garda, "it isn't; that is, it isn't so pleasant as staying at home. I like my own hammock best, and Carlos Mateo is funnier than any one I know. But by staying in town I can see more of Margaret, and that is what I care for most; I don't know how I can endure it when she goes away!"

      "You had better persuade her not to go."

      "But she must go, unless Mrs. Rutherford should take a fancy to stay, which is not at all probable; Mrs. Rutherford couldn't get on without Margaret one day."

      "I think you exaggerate somewhat my aunt's dependence upon Mrs. Harold," observed Winthrop, after a pause.

      "I was waiting to hear you say that. You are all curiously blind. Mrs. Rutherford is so handsome that I like to be in the same room with her; but that doesn't keep me from seeing how much has to be done for her constantly, and in her own particular way, too, from important things down to the smallest; and that the person who attends to it all, keeps it all going, is – "

      "Minerva Poindexter," suggested Winthrop.

      "Is Margaret Harold; I cannot imagine how it is that you do not see it! But you do not any of you comprehend her – comprehend how unselfish she is, how self-sacrificing."

      Winthrop's attention had wandered away from Garda's words. He did not care for her opinion of Margaret Harold; it was not and could not be important – the opinion of a peculiarly inexperienced young girl about a woman ten years older than herself, a woman, too, whose most marked characteristic, so he had always thought, was the reticence which kept guard over all her words and actions. No, for Garda's opinions he did not care; what attracted him, besides her beauty, was her wonderful truthfulness, her grace and ease. "How indolent she is!"


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