Pearl-Fishing; Choice Stories from Dickens' Household Words; First Series. Чарльз Диккенс
beneath another roof, to serve another mistress. Humiliation! always humiliation! But at least it would be some change in her life. As she thought of this, she returned hastily to the palace that she might not, on the last day of her servitude, incur the anger of her young mistress.
Scarcely was Anielka attired in her prettiest dress, when Constantia came to her with a little box, from which she took several gay-colored ribbons, and decked her in them herself, that the serf might do her credit in the new family. And when Anielka, bending down to her feet thanked her, Constantia, with marvellous condescension, kissed her on her forehead. Even Leon cast an admiring glance upon her. His servant soon after came to conduct her to the carriage, and showing her where to seat herself, they rolled off quickly towards Radapol.
For the first time in her life Anielka rode in a carriage. Her head turned quite giddy, she could not look at the trees and fields as they flew past her; but by degrees she became more accustomed to it, and the fresh air enlivening her spirits, she performed the rest of the journey in a tolerably happy state of mind. At last they arrived in the spacious court-yard before the Palace of Radapol, the dwelling of a once rich and powerful Polish family, now partly in ruin. It was evident, even to Anielka, that the marriage was one for money on the one side, and for rank on the other.
Among other renovations at the castle, occasioned by the approaching marriage, the owner of it, Prince Pelazia, had obtained singers for the chapel, and had engaged Signor Justiniani, an Italian, as chapel-master. Immediately on Leon’s arrival, Anielka was presented to him. He made her sing a scale, and pronounced her voice to be excellent.
Anielka found that, in Radapol, she was treated with a little more consideration than at Olgogrod, although she had often to submit to the caprices of her new mistress, and she found less time to read. But to console herself, she gave all her attention to singing, which she practiced several hours a day. Her naturally great capacity, under the guidance of the Italian, began to develop itself steadily. Besides sacred, he taught her operatic music. On one occasion Anielka sung an aria in so impassioned and masterly a style, that the enraptured Justiniani clapped his hands for joy, skipped about the room, and not finding words enough to praise her, exclaimed several times, “Prima Donna! Prima Donna!”
But the lessons were interrupted. The Princess’s wedding-day was fixed upon, after which event she and Leon were to go to Florence, and Anielka was to accompany them. Alas! feelings which gave her poignant misery still clung to her. She despised herself for her weakness; but she loved Leon. The sentiment was too deeply implanted in her bosom to be eradicated; too strong to be resisted. It was the first love of a young and guileless heart, and had grown in silence and despair.
Anielka was most anxious to know something of her adopted parents. Once, after the old prince had heard her singing, he asked her with great kindness about her home. She replied, that she was an orphan, and had been taken by force from those who had so kindly supplied the place of parents. Her apparent attachment to the old bee-keeper and his wife so pleased the prince, that he said, “You are a good child, Anielka, and to-morrow I will send you to visit them. You shall take them some presents.”
Anielka, overpowered with gratitude, threw herself at the feet of the prince. She dreamed all night of the happiness that was in store for her, and the joy of the poor, forsaken, old people; and when the next morning she set off, she could scarcely restrain her impatience. At last they approached the cabin; she saw the forest, with its tall trees, and the meadows covered with flowers. She leaped from the carriage, that she might be nearer these trees and flowers, every one of which she seemed to recognize. The weather was beautiful. She breathed with avidity the pure air which, in imagination, brought to her the kisses and caresses of her poor father! Her foster-father was, doubtless, occupied with his bees; but his wife?
Anielka opened the door of the cabin; all was silent and deserted. The arm-chair on which the poor old woman used to sit, was overturned in a corner. Anielka was chilled by a fearful presentiment. She went with a slow step towards the bee-hives; there she saw a little boy tending the bees, whilst the old man was stretched on the ground beside him. The rays of the sun, falling on his pale and sickly face, showed that he was very ill. Anielka stooped down over him, and said, “It is I, it is Anielka, your own Anielka, who always loves you.”
The old man raised his head, gazed upon her with a ghastly smile, and took off his cap.
“And my good old mother, where is she?” Anielka asked.
“She is dead!” answered the old man, and falling back he began laughing idiotically. Anielka wept. She gazed earnestly on the worn frame, the pale and wrinkled cheeks, in which scarcely a sign of life could be perceived; it seemed to her that he had suddenly fallen asleep, and not wishing to disturb him, she went to the carriage for the presents. When she returned, she took his hand. It was cold. The poor old bee-keeper had breathed his last!
Anielka was carried almost senseless back to the carriage, which quickly returned with her to the castle. There she revived a little; but the recollection that she was now quite alone in the world, almost drove her to despair.
Her master’s wedding and the journey to Florence were a dream to her. Though the strange sights of a strange city slowly restored her perceptions, they did not her cheerfulness. She felt as if she could no longer endure the misery of her life; she prayed to die.
“Why are you so unhappy?” said the Count Leon kindly to her, one day.
To have explained the cause of her wretchedness would have been death indeed.
“I am going to give you a treat,” continued Leon. “A celebrated singer is to appear to-night in the theatre. I will send you to hear her, and afterwards you shall sing to me what you remember of her performances.”
Anielka went. It was a new era in her existence. Herself, by this time, an artist, she could forget her griefs, and enter with her whole soul into the beauties of the art she now heard practised in perfection for the first time. To music a chord responded in her breast which vibrated powerfully. During the performances she was at one moment pale and trembling, tears rushing into her eyes, at another, she was ready to throw herself at the feet of the cantatrice, in an ecstasy of admiration. “Prima donna,” – by that name the public called on her to receive their applause, and it was the same, thought Anielka, that Justiniani had bestowed upon her. Could she also be a prima donna? What a glorious destiny! To be able to communicate one’s own emotions to masses of entranced listeners; to awaken in them, by the power of the voice, grief, love, terror.
Strange thoughts continued to haunt her on her return home. She was unable to sleep. She formed desperate plans. At last she resolved to throw off the yoke of servitude, and the still more painful slavery of feelings which her pride disdained. Having learnt the address of the prima donna, she went early one morning to her house.
On entering she said, in French, almost incoherently, so great was her agitation – “Madam, I am a poor serf belonging to a Polish family who have lately arrived in Florence. I have escaped from them; protect, shelter me. They say I can sing.”
The Signora Teresina, a warm-hearted, passionate Italian, was interested by her artless earnestness. She said, “Poor child! you must have suffered much,” – she took Anielka’s hand in hers. “You say you can sing; let me hear you.” Anielka seated herself on an ottoman. She clasped her hands over knees, and tears fell into her lap. With plaintive pathos, and perfect truth of intonation, she prayed in song. The Hymn to the Virgin seemed to Teresina to be offered up by inspiration.
The Signora was astonished. “Where,” she asked, in wonder, “were you taught?”
Anielka narrated her history, and when she had finished, the prima donna spoke so kindly to her that she felt as if she had known her for years. Anielka was Teresina’s guest that day and the next. After the opera, on the third day, the prima donna made her sit beside her, and said: —
“I think you are a very good girl, and you shall stay with me always.”
The girl was almost beside herself with joy.
“We will never part. Do you consent, Anielka?”
“Do not call me Anielka. Give me instead some Italian name.”
“Well,