Seeing France with Uncle John. Warner Anne

Seeing France with Uncle John - Warner Anne


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virtues and dates are all one to me. Which Henry was he, anyhow – the one with six wives or the one who never shed a smile? Either way, let's move on.

      "What comes next? Richard-Cœur-de-Lion – petrified, eh? Oh, only a statue of him; that's less interesting. I thought at last I was looking at Richard when he was himself again. What is our Swiss friend hissing about? Heart buried underneath? Whose heart? – Richard's? Ask if it's his bona fide heart or only a death-mask of it? Strikes me as a pretty big statue to put up to a heart, don't you think, Bob? But come on; I want to be looking at something else.

      "So this is the tomb of the husband of Diana of Poitiers? I didn't know she ever had a husband – thought she only had a king. I've never been brought up to think of Diana of Poitiers mourning a husband. But maybe she did, maybe she did. They say you must check your common sense at the hotel when you set out to inspect Europe, and I believe it – I believe it. It's a nice tomb, and if they kneel and mourn in a gown with a train, she certainly is doing it up brown. However, let's go on.

      "Two cardinals of Amboise kind of going in procession on their knees over their own dead bodies – or maybe it's only hearts again. Well, Bob, the Reformation was a great thing, after all, wasn't it? Must have felt fine to straighten up for a while. Stop a bit; the guide-book said there was something to examine about these two – wait till I find the place. Oh, well, never mind; I dare say a guide-book's very handy, but I move we quit this damp old hole, anyway. I wouldn't bother to come again. That's a sad thing about life, Bob; as soon as you get in front of anything and get a square look at it, you're ready to move on – at least I am.

      "What's he saying? Well, ask him again. Whose grave? Well, ask him again. Rollo's! What, Rollo that was 'At Work' and 'At Play' and at everything else when we were kids? Another? What other? Well, ask him. Rollo the Norman? I don't see anything very remarkable in a Norman being buried in Normandy, do you, Bob? When did he die? Well, ask him. What are we paying him for, anyway? Died about 900, eh! And this church wasn't built till four hundred years later. Where did he spend the time while he was waiting to be buried? Well, ask him. I declare, if I could talk French, I bet I'd know something about things. You are the dumbest lot! Here's Rollo lying around loose for as long as we've had America with us, and no one takes any interest in where. Is that the tomb he finally got into? Clever idea to have it so dark no one can see it, after all. I suppose he thinks we'll be impressed, but I ain't. I don't believe Rollo's in there, anyhow.

      "Come on; I'm tired of this old church. I move that we go out and look at the place where they burned Joan of Arc, or something else that is bright and cheerful. What's he saying? No, I don't want to see any treasury; I've done enough church-going for one week-day. Give him his money, Bob, and let's get out. You tell us where to go next; you must know everything, if you were here all day yesterday. I want to see that double-faced clock and those carvings of the Field of the Cloth of Gold. They're all over in the same direction.

      "Good to be out in the air, eh? I vow, I never was great on churches. What boat did you come over on? Did it roll? Ours rolled and pitched, too. I never saw such a rolling. I tell you, Bob, the man will make a fortune who invents a level liner. I used to try and figure on how to hang the passenger department in an open square, so it could swing free, – do you get the idea? – but I don't know as it could be managed. I was trying to work it out one morning, and I came up against the wash-stand so sudden that I thought I was cut in two; the next second I went backward so quick that the edge of the berth nearly amputated my legs; and then the whole craft arose on such a swell that I swallowed half my tooth-brush. You may laugh, Bob, but I'm not telling this to be funny; I'm telling it for a fact. I had to have the steward in to put the washing-apparatus to rights, and I asked him what in thunder was up outside. He was standing at an angle of forty-five degrees, looking up at me where I sat in the lower berth, and he said, 'If the wind shifts, we're very likely to have it rough.' Just then he took on an angle of ninety-five degrees, and my trunk slid out on his feet so quick he had to hop. I said: 'Have it rough, eh? Well, I'm glad to know, so that I can take advantage of this calm spell.'

      "So that's the clock! Well, it's a big one, surely – almost as wide as the street, although candor compels us to own that the street is about the narrowest ever. All right, I'm done; a clock is a clock, and one look in its face always tells me all I want to know. Come on; we can't stand dilly-dallying if we're to get through Rouen to-day, and I must say I consider a day to a town as quite enough in Europe. I know, when I was young and traveled for wholesale shoes, I used often and often to do three towns a day and never turn a hair. I tell you, Bob, when I was —

      "Is that the fountain? Hold on; we want to see that! The guide-book has it in italics. I don't see anything to underline, though; looks foreign to me. Come on; we've got to be getting somewhere, or I shall feel I was a fool to stop off at Rouen. Not that I'm not glad to have met you again, Bob; but that could have happened anywhere else just as well, you know. When did you come over? Last year! Great Scott, what are you staying so long for? I bet I get enough in six weeks; I feel as if I'd got pretty close to enough now. Not that time ever hangs heavy on my hands, you know. No, not by a long shot. I'm the kind of man that can always amuse himself. Give me a fair show, – off a ship, of course, – and I'll defy any one to get on better. Take the day we landed, for instance, there in Havre, – rainy, not a thing to do, and every one else off for Paris. You might have looked for me to be a little disgusted, naturally; but not a bit of it. The day went like the wind. We landed at noon, I slept all the afternoon, and in the evening I took a bath. I tell you, Bob, a fellow with brains can get on anywhere. I never know what it is to feel bored.

      "What's our Goddess of Liberty doing up there? What's that Indian beadwork around her feet for? Who? You don't mean to tell me that's Joan of Arc? Well, all I can say is, I never imagined her like that. But what are the beads? French funeral wreaths! Great Scott! do they keep Charlemagne wreathed, too, or is five hundred years the bead-wreath limit? Pretty idea, to put up a fountain where they burnt her – keep her memory damp at all events, eh? What's the moral of her train turning into a dolphin? Just to bring the mind gradually down to the level of the fact that it is a fountain, after all, I suppose.

      "She wasn't burnt here, anyhow, the book said. The book said she was burnt farther over. Smart people here – have two places where she was burnt, so people must trot through the whole market if they try to be conscientious. Look at that woman, with her bouquet of live chickens – novel effect in chickens, eh, Bob? Strikes me it was an enterprising idea to burn Joan in the market, anyhow – good business for the market. Folks come to see the statue, and incidentally buy some peanuts.

      "Well, where can we go now? I say to set out and have a look at the tower where she was imprisoned. Pulled down! It isn't, either; it's starred in the book. What's that? This tower named for her, and hers pulled down! Well, there's French honor for you again. What do you think of Sibbilly now, Edna? I don't want to see the tower if it ain't the real one. I want to see the bas-reliefs of the Field of the Cloth of Gold, and then I want to go back to the hotel to lunch. I tell you, this sight-seeing is a great appetizer. The more old ruins and burnings I look over, the hungrier I get.

      "Is this the place? Makes me think of a sort of glorified gate to a woodyard. What is it, now? Well, ask somebody! A bank, eh? Are those the famous bas-reliefs? Those! Them! Well, well, I must say the touring public is easy game. They're all worn off. What's the tin overhead for? To keep the rain from damaging them, eh? Pretty bit of sarcasm, eh, Bob? Great pity they didn't think to put it four or five hundred years sooner. I don't see a man with a head or a horse with a leg from here. It lacks character, to my idea. Let's go home. Come on. I've racked around Rouen all I care to for one day."

      III

      YVONNE TO HER MOTHER

Rouen.

      Dearest Mama: It is midnight, and I must tell you the most astonishing piece of news. We came here with Uncle last night, and all this morning we were out with him. When we came home and unlocked our room we found Lee sitting by the window. But he doesn't want Uncle to know. It was fortunate that Uncle's room is across the hall, for I screamed. We couldn't see how he got in, but he says that he has bent a buttonhook so that he can travel all over Europe. It seems he never meant to go to Russia at all; but he doesn't want Uncle to know. He says he thinks Russia is a good place for


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