The Eye of Dread. Erskine Payne
workmen who were often difficult and lawless. He did not object; indeed he liked the new job better than that he began with. He was more interested in men than materials.
The life was hard and rough, but he came to love it. He loved the wide, sweeping prairies, and, later on, the desert. He liked to lie out under the stars,–often when the men slept under tents,–his gun at his side and his thoughts back on the river bluffs at Leauvite. He did a lot of dreaming and thinking, and he never forgot Betty. He thought of her as still a child, although he was expecting her to grow up and be ready for him when he should return to her. He had a vague sort of feeling that all was understood between them, and that she was quietly becoming womanly, and waiting for him.
Peter Junior might have found other friends in Leauvite had he sought them out, but he did not care for them. His nature called for what he found in Bertrand’s studio, and he followed the desire of his heart regardless of anything else, spending all the time he could reasonably filch from his home. And what wonder! Richard would have done the same and was even then envying Peter the opportunity, as Peter well knew from his cousin’s letters. There was no place in the village so fascinating and delightful as this little country home on its outskirts, no conversation more hopeful and helpful than Bertrand’s, and no welcome sweeter or kinder than Mary Ballard’s.
One day, after Richard had gone out on the plains with the engineers of the projected road, Peter lay stretched on a long divan in the studio, his head supported by his hand as he half reclined on his elbow, and his one crutch–he had long since discarded the other–within reach of his arm. His violin also lay within reach, for he had been playing there by himself, as Bertrand had gone on one of his rare visits to the city a hundred miles away.
Betty Ballard had heard the wail of his violin from the garden, where she had been gathering pears. That was how she knew where to find him when she quickly appeared before him, rosy and flushed from her run to the house and up the long flight of stairs.
As Peter lay there, he was gazing at the half-finished copy he had been making of the head of an old man, for Peter had decided, since in all probability he would be good for no active work such as Richard had taken up, that he too would become an artist, like Bertrand Ballard. To have followed his cousin would have delighted his heart, for he had all the Scotchman’s love of adventure, but, since that was impossible, nothing was more alluring than the thought of fame and success as an artist. He would not tie himself to Leauvite to get it. He would go to Paris, and there he would do the things Bertrand had been prevented from doing. Poor Bertrand! How he would have loved the chance Peter Junior was planning for himself as he lay there dreaming and studying the half-finished copy.
Suddenly he beheld Betty, standing directly in front of the work, extending to him a folded bit of paper. “Here’s a note from your father,” she cried.
Looking upon her thus, with eyes that had been filled with the aged, rugged face on the canvas, Betty appealed to Peter as a lovely vision. He had never noticed before, in just this way, her curious charm, but these months of companionship and study with Bertrand had taught him to see beauty understandingly, and now, as she stood panting a little, with breath coming through parted lips and hair flying almost in the wild way of her childhood, Peter saw, as if it were a revelation, that she was lovely. He raised himself slowly and reached for the note without taking his eyes from her face.
He did not open the letter, but continued to look in her eyes, at which she turned about half shyly. “I heard your violin; that’s how I knew you were up here. Oh! Have you been painting on it again?”
“On my violin? No, I’ve been playing on it.”
“No! Painting on the picture of your old man. I think you have it too drawn out and thin. He’s too hollow there under the cheek bone.”
“Is he, Miss Critic? Well, thank your stars you’re not.”
“I know. I’m too fat.” She rubbed her cheek until it was redder than ever.
“What are you painting your cheeks for? There’s color enough on them as they are.”
She made a little mouth at him. “I could paint your old man as well as that, I know.”
“I know you could. You could paint him far better than that.”
She laughed, quickly repentant. “I didn’t say that to be horrid. I only said it for fun. I couldn’t.”
“And I know you could.” He rose and stood without his crutch, looking down on her. “And you’re not ‘too long drawn out,’ are you? See? You only come up to–about–here on me.” He measured with his hand a little below his chin.
“I don’t care. You’re not so awfully tall.”
“Very well, have it so. That only makes you the shorter.”
“I tell you I don’t care. You’d better stop staring at me, if I’m so little, and read your letter. The man’s waiting for it. That’s why I ran all the way up here.” By this it may be seen that Betty had lost all her awe of the young soldier. Maybe it left her when he doffed his uniform. “Here’s your crutch. Doesn’t it hurt you to stand alone?” She reached him the despised prop.
“Hurt me to stand alone? No! I’m not a baby. Do you think I’m likely to grow up bow-legged?” he thundered, taking it from her hand without a thank you, and glaring down on her humorously. “You’re a bit cruel to remind me of it. I’m going to walk with a cane hereafter, and next thing you know you’ll see me stalking around without either.”
“Why, Peter Junior! I’d be so proud of that crutch I wouldn’t leave it off for anything! I’d always limp a little, even if I didn’t use it. Cruel? I was complimenting you.”
“Complimenting me? How?”
“By reminding you that you had been brave–and had been a soldier–and had been wounded for your country–and had been promoted–and–”
But Peter drowned her voice with uproarious laughter, and suddenly surprised himself as well as her by slipping his arm around her waist and stopping her lips with a kiss.
Betty was surprised but not shocked. She knew of no reason why Peter should not kiss her even though it was not his custom to treat her thus. In Betty’s home, demonstrative expressions of affection were as natural as sunlight, and why should not Peter like her? Therefore it was Peter who was shocked, and embarrassed her with his sudden apology.
“I don’t care if you did kiss me. You’re just like my big brother–the same as Richard is–and he often used to kiss me.” She was trying to set Peter at his ease. “And, anyway, I like you. Why, I supposed of course you liked me–only naturally not as much as I liked you.”
“Oh, more! Much more!” he stammered tremblingly. He knew in his heart that there was a subtle difference, and that what he felt was not what she meant when she said, “I like you.” “I’m sure it is I who like you the most.”
“Oh, no, it isn’t! Why, you never even used to see me. And I–I used to gaze on you–and be so romantic! It was Richard who always saw me and played with me. He used to toss me up, and I would run away down the road to meet him. I wonder when he’s coming back! I wish he’d come. Why don’t you read your father’s letter? The man’s waiting, you know.”
“Ah, yes. And I suppose Dad’s waiting, too. I wonder why he wrote me when he can see me every day!”
“Well, read it. Don’t stand there looking at it and staring at me. Do you know how you look? You look as if it were a message from the king, saying: ‘You are remanded to the tower, and are to have your head struck off at sundown.’ That’s the way they did things in the olden days.” She turned to go.
“Stay here until I see if you are right.” He dropped on the divan and made room for her at his side.
“All right! That’s what I wanted to do, but I thought it wouldn’t be polite to be curious.”
“But you wouldn’t be polite anyway, you know, so you might as well stay. M-m-m. I’m remanded to the tower, sure enough. Father wants me to meet him in the director’s