The Wiving of Lance Cleaverage. MacGowan Alice
his eyes aglow, and on his mouth a half smile. The fun waxed furious; the figures whirled faster and faster, gathering, disparting, interweaving, swinging and eddying before his eyes. Coats were thrown off, the feet thudded out the measure heavily. This was his dissipation, the draught that the mirth of others brewed for him. Its fumes were beginning to mount to his brain, when Ola's hard brown little hand came down across his strings and stopped the music. There was an instant and indignant outcry and protest.
"Consarn yo' time, Ola! What did you want to do that for?" demanded a tall young fellow who had broken down in the midst of a pigeon wing, as though he drew his inspiration from the banjo and could not move without its sound.
"I want to hear Buck play on his accordion – and I want Lance to dance with me," Ola said petulantly. "What's the use of him settin' here all the time playin' for you-all to have fun, and him never gettin' any? Come on, Lance."
Ola Derf was not used to the consideration generally accorded young women. When she made a request, she deemed it well to see that her requirements were complied with. Deftly she lifted the banjo from Lance's lap and passed it to someone behind her, who put it on the fireboard. Then laying hold of the young man himself, she pulled him out into the middle of the room.
"Play, Buck, play," she admonished Fuson, who had his accordion. "You made yo' brags about what fine music you could get out of that thar box, – now give us a sample."
Buck played. When a dance has swung so far as this one had, nothing can check its rhythmic movement. The notes dragged wheezily from the old accordion answered as well to the gathering's warm, free, fluent mood as the truer harmonies of Lance's banjo. Hand clasping hand, Ola and Lance whirled among the others, essaying a simple sort of polka. She was a tireless dancer, and he as light footed as a panther. The two of them began to feel that intoxication of swift movement timed to music which nothing else in life can quite furnish, intensified in the girl by a gripping conviction that this was her hour, and she must make the most of it. She was aflame with it. When Buck broke down she instantly proposed a game of Thimble. Boldly, almost openly, she let herself forfeit a kiss to Lance.
There was a babble of tongues and laughter, a hubbub of mirth, a crossfiring and confusion of sound and movement which wrought upon the nerves like broken chords, subtle dissonances, in music. Buck was trying to play again, some of the boys were patting and stamping, others remonstrating, jeering, making ironic suggestions, when Lance, a bit flushed and bright of eye, dropped his arm around the brown girl's waist to take his forfeit. As in duty bound she pulled away from him. He sprang after, caught her by the shoulders, turned her broad little face up to his and kissed her full on the laughing, red mouth.
Then a miracle! Kissing Ola Derf was not a serious matter; indeed common gossip hinted that it was a thing all too easily accomplished. But tonight the girl was wrought beyond herself – a magnet. And Lance's sleeping spirit felt the shock of that kiss. But alas for Ola, it was for her rival's behoof the miracle was worked; it was in her rival's cause she had labored, enlisting all her primitive arts, all her ingenuity and resolution! The lights, the music, the movement, the gayety of others, these had, so far, pleased and stimulated Lance as they always did. But the unaccustomed warmth and contact of the dance; the daring and abandon of the kissing game afterward; finally the sudden ravisher's clasp and snatched kiss – these set free in him an impulse which had slumbered till now. To this bold, aggressive, wilful nature it was always the high mountain, the long dubious road, the deep waters – never the easy way, the thing at hand; it was ever his own trail – not the path suggested to his feet. And so, in this sudden awakening, he took no account of Ola Derf, and his whole soul turned toward Callista – Callista the scornful, whose profile, or the side of whose cheek, he was always seeing; Callista who refused to lift her lashes to look at him, and who was ever saying coolly exasperating things in a tone of gentle weariness. If Callista would look at him as Ola Derf had done – if he might catch her thus in his arms – if those lips of hers were offered to his kiss – !
Without a word of excuse or explanation he dropped the girl's hand as he stood in the ring of players, caught his banjo down from the shelf, and leaving open mouths and staring eyes behind him, strode through the door. A moment later he was footing it out in the moonlight road, walking straight and fast toward the church where protracted meeting was going on, and where he guessed Callista would be with her family. A javelin, flame-tipped, had touched him. Something new and fiery danced in his veins. He would see her home. They would walk together, far behind the family group, in this wonderful white moonlight.
When he reached Brush Arbor church he avoided the young fellows lounging about the entrance waiting to beau the girls. He moved lightly to a window at the back of the building and looked in. There sat Octavia Gentry on the women's side, and old Ajax, her father-in-law, on the men's. Callista he could not find from his coign of vantage. An itinerant exhorter was on his feet, preaching loud, pounding the pulpit, addressing himself now and again to the mourners who knelt about the front bench. Lance cautiously put his head in and looked further. Somehow he knew, all in a moment, that this was what he had expected – what he had hoped for; Callista was at home waiting for him. Yet none the less he carefully examined the middle seats where might be found the courting couples. He would not put it beyond his Callista to go to church with some other swain and sit there publicly advertising her favor to the interloper.
When he was at last satisfied that she was not in the building, he turned as he had turned from Ola Derf, and made a straight path for himself from Brush Arbor to the Gentry place. Scorning the beaten highway of other men's feet, he struck directly into the forest, and through a little grove of second-growth chestnut, with its bunches of silver-gray stems rising slim and white in the light of the moon. Moonshine sifting through the leaves changed his work-a-day clothing to the garb of a troubadour. The banjo hung within easy reach of his fingers; he took off his old hat and tucked it under his arm, striking now and again as he went a twanging chord.
It was an old story to him, this walking the moonlit wild with his banjo for company. Many a time in the year's release, the cool, fragrant, summer-deep forest had called him by its delicate silver nocturnes, its caverns of shadow and milky pools of light, bidden him to a wild spring-running. On such nights his heart could not sleep for song. Sometimes, intoxicated with the rhythm, he had swung on and on, crashing through the dew-drenched huckleberry tangles, rocking a little, with eyes half closed, and interspersing the barbaric jangle of his banjo with quaint jodeling and long, falsetto-broken whoops, the heritage that the Cherokee left behind him in this land. But now it was no mere physical elation of youth and summer and moonlight. It was the supreme urge of his nature that sent his feet forward steadily, swiftly, as toward a purpose that might not be let or stayed. Speed – to Callista – that was all. He fell into silence, even the banjo's thrumming hushed to an intense quivering call of broken chords, hardly to be distinguished from the insect cries of love that filled the summer wood about him.
All the fathomless gulf of the sky was poured full of the blue-green splendors that flooded the night world of the mountains. Drops of dew spilled from leaf to leaf; down in the spring hollow he was spattered to the knees by the thousand soft, reaching fronds of cinnamon fern. Wild fragrances splashed him with great waves of sweetness. So the lords of the wild, under pelt and antler, have ever been wont to rove to their wooing; so restless are the wings that flutter among summer branches and under summer moons.
Between the banjo's murmuring chords, as he neared the Gentry clearing, once more a melody began to stray, like smoke which smoulders fitfully and must presently burst into flame. – Thrum-dum, thrum-dum, and then the tune's low call. It was a gypsy music, that lured with vistas of unknown road, the glint of water, and the sparkle of the hunter's fire; a wildly sweet note that asked, "How many miles?" – and again, out of colorless drumming, "How many years?.. how many miles?".. a song shadow-like in its come-and-go, rising at intervals to the cry of a passion no mortality has power to tame, and then, ere the ear had fairly caught its message, falling again into dim harmonies as of rain blown through the dark; – a question, and the wordless, haunting refrain for all answer. Just above his breath Lance voiced the words:
"How many years, how many miles,
Far from the door where my darling smiles?
How many miles, how many years.
Divide our hearts