Thorley Weir. Benson Edward Frederic
Craddock got in, and Joyce pushed out into the stream leaving two pairs of pathetic dogs' eyes wistfully regarding her from the bank. But it was impossible to take Huz and Buz, his brother, when her father was in the punt, for they fidgeted him on these hot days with their panting, and could not be relied on to keep perfectly and permanently motionless.
Joyce, as was usual with her, was bareheaded, and was clad in a very simple home-made skirt of butcher's blue much stained with water and bleached with sun, and a white flannel blouse the arms of which she had rolled up to above her elbows; but Craddock, who was a skilled appreciator with regard to female apparel, would not have had her change her really elementary garments for the most sumptuous and glittering fabrics. In general, he entirely believed that a woman's beauty is enhanced by the splendour of her attire, and saw the value of satin and tiaras. But there was something so completely satisfying and suitable in this rough river-dress that he would not have added any embellishment to it, nor have expunged a single water-stain or sun-bleach. The girl's superb slim figure, divine in the elasticity of its adolescence, now bending to her stroke, now rigidly erect again as she trailed her pole back through the frilled water, stood out in the simplicity of Attic relief with its plain white and blue against the reflected greens and browns which the trees and shady places cast onto the polished mirror of the water. Her arms bare to above the elbow showed the full roundness and soft, slim strength of her beautiful limbs, and for the most part, except when she turned at the end of her stroke, her face was in profile to him, giving him the short, straight nose of the Reynolds picture, the fine mouth with generous underlip a little drooping, and the firm oval of the curve from chin to ear. Here in the stern, while she made these magnificent sweeps and curtsies with her punt-pole, were sitting her father and himself, and he had no need to glance at Mr. Wroughton, or to think consciously of himself with his obese and middle-aged figure in order to remind himself of the glorious contrast between the passengers and the splendour of their long-limbed conductress. She was Thames, she was June, she was the enchanted incarnation of all that was immortally young and beautiful, and though naturally vain, he felt delighted to be part of her foil, to set her off more than any "silk and fine array" could have done. For the first time he hardly knew whether he did not admire the Reynolds portrait so much because it was so like her. There was the same spirit of wind and woodland and sunshine and joyous serenity about it. The type was here incarnate, and he bathed his mind in it, washing off, temporarily at least, the merchandise and tittle-tattle of its normal environment. Surely this admiration of his touched ecstasy, touched love.
There soon came a turn in this sunny fluid reach of Thorley, and Mr. Wroughton, without imprudence, furled his white umbrella, and adjusted his binoculars for a languid survey of the shadowed river. On one side a wood of tall virginal beeches clad the hill-side down to the edge of the towing-path, and the huge curves of aspiring tree-tops climbed unbroken to the summit of the hill. A fringe of hawthorn-trees, cascades of red and white, bordered this fairyland of forest, and below the towing-path a strip of river-fed grasses and herbs of the water-side were fresh and feathery. Spires of meadow-sweet reared their stiff-stemmed umbrellas of cream-colour, and loosestrife pointed its mauve spires into the tranquil air. The dog-rose spread its maiden-hued face skywards, with defence of long-thorned shoots, and lovely sprays with half-opened chalices hung Narcissus-like above the tranquil tide. Below the water waved secret forests of river-weed, with darting fishes for birds in the drowned branches, that undulated in the stream, and here and there tall clumps of rushes with their dry brown blooms wagged and oscillated mysteriously to the twitchings of unseen currents. To the left the ground was low-lying in stretch of tree-bordered meadow, and from not far in front of them the sleepy murmur of Thorley weir sounded with the cool melodious thunder of its outpoured and renewed waters. Willows fringed the banks, and glimpses of meadow behind them, lying open to the level rays of the declining sun, shone with their rival sunlight of buttercup and luxuriant marsh marigold. Birds were busy among the bushes with supper, and resonant with even-song, and jubilant thrushes were rich with their rapturous and repeated phrases. And Arthur Craddock with his swift artistic sense, not too sophisticated for simplicity, saw with an appreciation that was almost tremulous how all this benediction of evening and bird-song and running water was reflected and focussed in the tall bending figure of this beautiful girl, and in her vigour and in the serenity of her brown level eyes. She was in tune with it, beating to its indwelling rhythm, a perfect human instrument in this harmony and orchestra of living things, part of it, thrilling to it, singing with it…
And the fact that he saw this so strongly, appreciated it so justly, measured the myriad miles he was distant from loving her. An infinite hair-breadth placed him further from love than is the remotest star from the revolving earth.
They glided up opposite a juncture of streams. To the right lay the main body of the river towards Thorley lock, to the left a minor stream hurried from the low-thundering weir. Joyce pushed strongly outwards on the right of the punt, and turned it with frill of protesting water into the narrower and swifter stream, willow-framed on both sides. Here there was shallower and more rapid water, that gleamed over bright gravel-beds, and even as they turned a king-fisher ashine with sapphire and turquoise wheeled like a jewelled boomerang close in front of them, giving a final hint of the gleaming romance and glory that lies so close below the surface of the most routined and rutted life. They made a sharp angle round a corner, and close in front of them was the grey spouting weir, and the deep pool below it, lucid with ropes and necklaces of foam and iridescent bubble. A long spit of land jutted out into the river and on it was a grey canvas tent.
Joyce had been punting on the right of the boat with her back to this, but just as they came opposite to it, the shifting current of the stream thrown across it by this spit of land made it advantageous to change the sides of her poling, and from close at hand she saw the tent and the presumed inhabitants thereof, two young men, one perhaps eighteen years old, the other some four or five years his senior. They were as suitably clad as she and more scantily, for a shirt and a pair of trousers apiece, without further decoration of tie or shoe or sock, was all that could be claimed for either of them. The younger was utterly intent on some elementary cooking-business over a spirit-lamp; the elder with brush and palette in hand was frowningly absorbed in a picture that stood on an easel in front of him. So close to the river-bank was the easel set, that it was impossible not to apprehend the vivid presentment that stood on it: there was the weir and the nude figure of a boy on the header-board in the act of springing from it into the water. Then at the moment when the punt was closest, the artist, hitherto so intent on his picture that the advent of the punt was as unnoticed by him as by the boy who bent over the spirit-lamp, looked away from his canvas and saw them. Thereat he attended no more to his work, but merely stared (rudely, if it had not been instinctively) at Joyce with young eager eyes, half-opened mouth, vivid, alert, and suitable to the romance of the river-side and the pulse of the beating world. It seemed right that he should be there; like Joyce and the willow-trees, he belonged to the picture that would have been incomplete without him, young and smooth-faced, and barefooted and bright-haired.
On the instant the cooking-boy spoke, high and querulously.
"Oh, Charles," he said, "this damned omelette won't do anything. It's a sort of degraded glue."
Joyce laughed before she knew she had laughed, with her eyes still on Charles. Indeed she hardly knew she laughed at all, any more than a child knows, who laughs for a reason as primal as the beat of the heart. The blood flows… Then, still primally, she saw his responsive amusement, and as they laughed, a glance as fresh as the morning of the world passed between them. She had looked at him no longer than it took her to pull her punt-pole up to her side again, then turning her head, in obedience to the exigence of another stroke, she looked away from him. But it seemed to her that that one moment had been from everlasting. It was the only thing that concerned her, that meant anything… And the strange fantastic moment was passed. Craddock's voice terminated it.
"Your glasses for a second, Mr. Wroughton," he said, and without waiting for verbal permission he snatched them up with a quickness of movement that was rare with him, and had one fleeting look at Charles' picture. The next stroke of the punt-pole took them round the spit of land into the bubble and foam of the bathing-pool below the weir.
Joyce skirted round this, keeping in shallow water and out of the current. A backwash of water made it unnecessary for her to exert herself further for a moment, and she turned