.
there," she says, bravely, though evidently frightened at her own temerity, "I – I – am almost sure I should have been there too!"
"No! would you really?" says Desmond, eagerly.
Then follows a rather prolonged silence. Not an awkward one, but certainly a silence fraught with danger to both. There is no greater friend to Cupid than an unsought silence such as this. At last it is broken.
"What lovely roses there are in this garden!" says Desmond, pointing to a bush of glowing beauty near him.
"Are there not?" She has taken off a long white glove, so that one hand and arm are bare. The hand is particularly small and finely shaped, the nails on it are a picture in themselves; the arm is slight and childish, but rounded and very fair.
Breaking a rose from the tree indicated, she examines it lovingly, and then, lifting it to his face, as though desirous of sympathy, says, —
"Is it not sweet?"
"It is indeed!" He is staring at her. Very gently he takes the little hand that holds the flower and keeps it in his own. He detains it so lightly that she might withdraw it if she pleases, but she does not. Perhaps she doesn't please, or perhaps she sees nothing remarkable in his action. At all events, she, who is so prone to blush on all occasions, does not change color now, but chatters to him gayly, in an unconcerned manner, about the scented blossoms round her, and afterwards about the people yonder, behind the tall flowering shrubs that surround the tennis-ground.
And still her little slender fingers lie passively in his. Glancing at them, he strokes them lightly with his other hand, and counts her rings.
"Four – five," he says; "quite a burden for such a little hand to carry."
"I like them," says Monica: "brooches and earrings and bracelets I don't care for, but rings I love. I never really feel dressed until they are on. To slip them on my fingers is the last thing I do every morning before running downstairs. At least nearly the last."
"And what is the last?"
"I say my prayers," says Monica, smiling. "That is what every one does, isn't it?"
"I don't know," says Mr. Desmond, not looking at her. It seems to him a long, long time now since last he said his prayers. And then he suddenly decides within himself that he will say them to-morrow morning, "the last thing before going downstairs;" he cannot have quite forgotten yet.
He is examining her rings as he thinks all this, and now a little pale turquoise thing attracts his notice.
"Who gave you that?" he asks, suddenly. It is to a jealous eye rather a lovable little ring.
"Papa, when I was fourteen," says Monica. "It is very pretty, isn't it? I have felt quite grown up ever since he gave me that."
"Monica," says Brian Desmond suddenly, tightening his hold on her hand, "had you ever a lover before?"
"Before?"
"Yes," slowly, and as if determined to make his meaning clear, and yet, too, with a certain surprise at his own question. "Had you?"
"Before?" as if bewildered, she repeats the word again. "Why, I never had a lover at all!"
"Do not say that again," says Brian, moving a step nearer to her and growing pale: "I am your lover now – and forever!"
"Oh! no, no," says Monica, shrinking from him. "Do not say that."
"I won't, if you forbid me, but," quietly, "I am, and shall be, all the same. I think my very soul – belongs to you."
A crunching of gravel, a sound of coming footsteps, the murmur of approaching voices.
Monica, pallid as an early snowdrop, looks up to see her Aunt Priscilla coming towards her, accompanied by a young man, a very tall and very stout young man, with a rather drilled air.
"Ah! here is Aunt Priscilla," says Monica, breathlessly. "Who is that with her?"
"Ryde, one of the marines stationed at Clonbree," says Mr. Desmond, cursing the marine most honestly in his heart of hearts. Clonbree is a small town about seven miles from Rossmoyne, where a company of marines has been sent to quell the Land League disturbances.
Miss Priscilla is looking quite pleased with herself, and greets Monica with a fond smile.
"I knew I should find you here," she says; "flowers have such a fascination for you. You will let me introduce you to Mr. Ryde, dear child!"
And then the introduction is gone through, and Monica says something unworthy of note to this big young man, who is staring at her in a more earnest manner than is strictly within the rules of etiquette. Somehow, too, she presently discovers she has fallen into line with her new friend, and is moving towards the lawn again with Aunt Priscilla following in her train with Mr. Desmond.
Quaking inwardly, Monica at first cannot take her mind off the twain behind her, and all the consequences that must ensue if Miss Priscilla once discovers a Desmond is being addressed by her with common civility.
She is, therefore, but poor company for the tall marine, who seems, however, quite satisfied with the portion allotted him and maunders on inanely about the surroundings generally. When the weather and the landscape have been exhausted, it must be confessed, however, that he comes to a standstill.
Miss Priscilla, pleased with her day and the satisfactory knowledge that every one has been raving about Monica, is making herself specially agreeable to her companion, who, nothing loath, draws her out and grows almost sycophantic in his attentions. She becomes genial with him, not knowing who he is, while he becomes even more than genial with her, knowing right well who she is. Indeed, so merrily does he make the time fly that Miss Priscilla is fain to confess to herself that seldom has she passed so pleasant a five minutes.
In the meantime, Monica, strolling on in front with Mr. Ryde, is feeling both nervous and depressed. This chance meeting between her aunt and Mr. Desmond, and the memory of all the strange exciting things the latter has said to her, renders her mute and unequal to conversation, and her present companion is not one likely to enchain her attention by any brilliant flashes of intellect.
He is, in truth, a very ordinary young man, of the heavy, stupid type too often met with to require either introduction or description. He had arrived in Queenstown about a fortnight before, with nothing much to guide his conduct in a strange country beyond the belief that Hibernia, as he elects to call it, is like Africa, a "land benighted," fit only to furnish food for jests. He has a fatal idea that he himself can supply these jests at times, and that, in fact, there are moments when he can be irresistibly funny over the Paddies: like many others devoid of brain, and without the power to create wholesome converse, he mistakes impertinence for wit, and of late has become rude at the expense of Ireland whenever he found anybody kind enough, or (as in Monica's case now) obliged, to listen to him.
Just now, there being a distinct and rather embarrassing pause, he says amiably, —
"Awfully jolly gown you've got on!"
"So glad you like it!" says Monica, absently.
"Got it from town, I suppose?"
"From Dublin – yes."
"Oh! by Jove, you call Dublin town, do you?" says Mr. Ryde, with a heavy laugh that suggests danger of choking, he being slightly plethoric by nature.
"Yes: what do you call it?" says Monica, regarding him steadily. She has hardly looked at him till now, and tells herself instantly that young men with fat faces are not in her line.
"Always thought it was a village, or something of that sort, you know," replies he, with a continuation of the suicidal merriment.
Monica stares, and her color rises, ever so little, but unmistakably.
"You ought to read something, papers and articles on Ireland, now and then," she says, deep but suspicious pity for him in her tone. "Considering what education costs nowadays, it is shameful the way yours has been neglected. Your college, or wherever you were, ought to be ashamed of itself. Why, I don't believe you know what a capital means."
"A capital? – in writing,