The Wallypug in London. Farrow George Edward

The Wallypug in London - Farrow George Edward


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opposite, who always rides to school on his bicycle, came out of doors wheeling his machine, and I was able to explain to the Wallypug the principle upon which they worked.

      “Dear me; the Doctor-in-Law told me that the machinery was part of the man, but now I see that it is separate. And he charged me sixpence for the information too,” he complained, looking reproachfully at the Doctor-in-Law.

      “Charged you sixpence!” I cried.

      “Yes,” replied the poor Wallypug. “He offered to tell me all about them for sixpence, and as I was really very curious to know I gave it to him, and then he informed me that they were a peculiar race of people who came from Coventry, and who were all born with wheels instead of legs.”

      “Take your old sixpence then, if you are going to make all that fuss about it,” said the Doctor-in-Law, crossly, throwing the coin down on the table and walking out of the room in a huff. “I’m sure I did read somewhere that they came from Coventry,” he added, popping his head in at the door and then slamming it violently after him.

      The boy opposite was still riding up and down the road, and I made up my mind that although I had never spoken to him before, I would ask him to let the Wallypug examine his bicycle more closely.

      “With pleasure,” he replied, raising his hat politely to the Wallypug, when I had explained who he was; “and if his Majesty would like to try it he is quite welcome to do so.”

      The Doctor-in-Law’s curiosity had so far overcome his ill-humour that, when he saw us talking to the boy, he came forward and offered to help the Wallypug to mount.

      “I really don’t think he had better,” I said, “he might damage the machine.”

      “Oh no, he won’t hurt it, I’m sure,” said the boy generously; and so with our united assistance the Wallypug got on to the bicycle, and after a few preliminary wobblings started off in fine style. Faster and faster he went, clinging desperately to the handle-bars, till we, who were running beside him, could no longer keep pace with him.

      “I can’t stop,” we heard him shout; and a moment later he charged straight at a large stone and half a brick which lay in the middle of the roadway.

      Poor Wallypug! The sudden impact threw him right over the handle-bars, and he landed in a huddled heap on his hands and knees in the gutter. The machine flew in half, and the front portion careered madly away by itself till stopped by the kerb.

      We hurried up to his Majesty to discover if he was much hurt, but, with the exception of a few scratches on his hands and knees and a thorough shaking, he seemed to have come off pretty well.

      “I suppose we can’t stick it together again?” he inquired, gazing ruefully at the broken bicycle, and I was obliged to tell him that there was not much chance of our doing so. The boy to whom it belonged bravely made the best of the matter, especially when I told him that the next half-holiday he had I would take him to Holborn to choose another one in its place.

      And when I discovered that he had a half-holiday that very afternoon, it was arranged that General Mary Jane should order a carriage at the livery stable, and that we should all drive to the city after luncheon.

      The Wallypug, after a good wash and a hearty breakfast, went to his room to lie down for an hour or two to recover from the effects of his accident, and I was just answering my morning letters when there was a knock at the study door, and the Rhymester entered.

      “I sat up most of the night writing poetry,” he remarked, “and I have just brought you one or two specimens. The first one is called ‘The Ode of a Toad.’ Perhaps I had better read it to you. My writing is rather peculiar,” and he began as follows:

THE ODE OF A TOAD

      There was once an old toad who lived under a tree,

      Hippety hop – Flippety flop,

      And his head was as bald as bald could be,

      He was deaf as a post and could hardly see,

      But a giddy and frivolous toad was he,

      With his hippety-hoppety-plop.

      And he gambolled and danced on the village green,

      Hippety hop – Flippety flop,

      In a way that had never before been seen,

      Tho’ he wasn’t so young as once he had been,

      And the people all wondered whate’er he could mean,

      With his hippety-hoppety-plop.

      But the old chap kept bobbing about just the same,

      Hippety hop – Flippety flop,

      Till everyone thought he must make himself lame,

      And not a soul ever could find out his aim,

      In keeping up such a ridiculous game,

      As his hippety-hoppety-plop.

      Some said he was mad, tho’ as mild as a dove,

      Hippety hop – Flippety flop,

      And as the result of a push or a shove,

      Was a little bit cracked in the storey above,

      But I fancy myself the old boy was in love,

      With his hippety-hoppety-plop.

      “There! What do you think of it?” he asked when he had finished.

      “Well, candidly, I’m afraid not very much,” I replied; “and what on earth do you call it an ode for?”

      “Why, you see, ode went so well with the word toad. I was going to call it ‘Ode to a Toad,’ but it isn’t to a toad at all, though it’s about a toad. Ah! by the bye, I might call it ‘A Toad’s Ode,’ mightn’t I? I think that sounds very jolly.” He altered the title in pencil.

      “I have another which I think you will say is very touching.” And after getting his handkerchief out in case he should be moved to tears, he began:

THE BALLADE OF A BUN

      Don’t talk to me of “Sally Lunn,”

      Or toasted tea-cake nice and hot,

      I do not care for either one

      A single solitary jot;

      My heart is fixed and changeth not,

      In all the world – whate’er I see,

      And rich or poor – whate’er my lot —

      Oh! penny bun, I love but thee.

      For thy dear sake all cakes I shun

      Smeared o’er with jam. No apricot

      Or greengage tart my heart hath won;

      Their sweetness doth but cloy and clot.

      What marmalade in fancy pot

      Or cream meringue, though fair it be,

      Thine image e’er can mar or blot?

      Oh! penny bun, I love but thee.

      I vowed to cherish thee, or none

      (Such love thy simple charms begot),

      When first I saw thee, precious one;

      And now to some sweet lonely spot,

      Some shady dell or mossy grot,

      Come let us hasten, you and me,

      And I will eat you like a shot;

      Oh! penny bun, I love but thee.

Envoy

      Small boys or girls that homeward trot

      From school in time for early tea,

      This moral ne’er must be forgot:

      “Love penny buns, and they’ll love thee.”

      “Isn’t it affecting?” he inquired, wiping his eyes when he had finished.

      “Well,


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