Flowers of Freethought (Second Series). Foote George William
and we venture to think that Carlyle's greatest fault was a paltering with himself on religious subjects. His intellect rejected more than his tongue disowned. Mr. Watkinson passes a very different criticism. Taking Carlyle as a complete sceptic, he proceeds to libel him by a process which always commends itself to the preachers of the gospel of charity. He picks from Mr. Froude's four volumes a number of tid-bits, setting forth Carlyle's querulousness, arrogance, and domestic storms with Mrs. Carlyle. Behold the man! exclaims Mr. Watkinson. Begging his pardon, it is not the man at all. Carlyle was morbidly sensitive by nature, he suffered horribly from dyspepsia, and intense literary labor, still further deranging his nerves, made him terribly irritable. But he had a fine side to his nature, and even a sunny side. Friends like Professor Tyndall, Professor Norton, Sir James Stephen, and Mrs. Gilchrist, saw Carlyle in a very different light from Mr. Froude's. Besides, Mrs. Carlyle made her own choice. She deliberately married a man of genius, whom she recognised as destined to make a heavy mark on his age. She had her man of genius, and he put his life into his books. And what a life! And what books! The sufficient answer to all the Watkinson tribe is to point to Carlyle's thirty volumes. This is the man. Such work implies a certain martyrdom, and those who stood beside him should not have complained so lustily that they were scorched by the fire. Carlyle did a giant's work, and he had a right to some failings. Freethinkers see them as well as Mr. Watkinson, but they are aware that no man is perfect, and they do not hold up Carlyle, or any other sceptic, as a model for universal imitation.
Mr. Watkinson's remarks on George Eliot are simply brutal. She was a "wanton." She "lived in free-love with George Henry Lewes." She had no excuse for her "license." She was "full of insincerity, cant, and hypocrisy." And so on ad nauseam. To call Mr. Watkinson a liar would be to descend to his level. Let us simply look at the facts. George Eliot lived with George Henry Lewes as his wife. She had no vagrant attachments. Her connection with Lewes only terminated with his death. Why then did they not marry? Because Lewes's wife was still living, and the pious English law would not allow a divorce unless all the household secrets were dragged before a gaping public. George Eliot consulted her own heart instead of social conventions. She became a mother to Lewes's children, and a true wife to him, though neither a priest nor a registrar blessed their union. She chose between the law of custom and the higher law, facing the world's frown, and relying on her own strength to bear the consequences of her act. To call such a woman a wanton and a kept mistress is to confess one's self devoid of sense and sensibility. Nor does it show much insight to assert that "infidelity betrayed and wrecked her life," and to speculate how glorious it might have been if she had "found Jesus." It will be time enough to listen to this strain when Mr. Watkinson can show us a more "glorious" female writer in the Christian camp.
William Godwin is the next Freethinker whom Mr. Watkinson calls up for judgment. All the brave efforts of the author of Political Justice in behalf of freedom and progress are quietly ignored. Mr. Watkinson comments, in a true vein of Christian charity, on the failings of his old age, censures his theoretical disrespect for the marriage laws, and inconsistently blames him for his inconsistency in marrying Mary Woolstonecraft. Of that remarkable woman he observes that scepticism "destroyed in her all that fine, pure feeling which is the glory of the sex." But the only proof he vouchsafes of this startling statement is a single sentence from one of her letters, which Mr. Watkinson misunderstands, as he misunderstands so many passages in Carlyle's letters, through sheer inability to comprehend the existence of such a thing as humor. He takes every jocular expression as perfectly serious, being one of those uncomfortable persons in whose society, as Charles Lamb said, you must always speak on oath. Mr. Watkinson's readers might almost exclaim with Hamlet, "How absolute the knave is! We must speak by the card, or equivocation will undo us."
The next culprit is Shelley, who, we are told, "deserted his young wife and children in the most shameful and heartless fashion." It does not matter to Mr. Watkinson that Shelley's relations with Harriet are still a perplexing problem, or that when they parted she and the children were well provided for, Nor does he condescend to notice the universal consensus of opinion among those who were in a position to be informed on the subject, that Harriet's suicide, more than two years afterwards, had nothing to do with Shelley's "desertion." Instead of referring to proper authorities, Mr. Watkinson advises his readers to consult "Mr. Jeafferson's painstaking volumes on the Real Shelley." Mr. Jeafferson's work is truly painstaking, but it is the work of an advocate who plays the part of counsel for the prosecution. Hunt, Peacock, Hogg, Medwin, Lady Shelley, Rossetti, and Professor Dowden – these are the writers who should be consulted. Shelley was but a boy when Harriet Westbrook proposed to run away with him. Had he acted like the golden youth of his age, and kept her for a while as his mistress, there would have been no scandal. His father, in fact, declared that he would hear nothing of marriage, but he would keep as many illegitimate children as Shelley chose to get. It was the intense chivalry of Shelley's nature that turned a very simple affair into a pathetic tragedy. Mr. Watkinson's brutal methods of criticism are out of place in such a problem. He lacks insight, subtlety, delicacy of feeling, discrimination, charity, and even an ordinary sense of justice.
James Mill is another flagrant sinner. Mr. Watkinson goes to the length of blaming him because "his temper was constitutionally irritable," as though he constructed himself. Here, again, Mr. Watkinson's is a purely debit account. He ignores James Mill's early sacrifices for principle, his strenuous labor for what he considered the truth, and his intense devotion to the education of his children. His temper was undoubtedly austere, but it is more than possible that this characteristic was derived from his forefathers, who had been steeped in the hardest Calvinism.
John Stuart Mill was infatuated with Mrs. Taylor, whom he married when she became a widow. But Mr. Watkinson conceals an important fact. He talks of "selfish pleasure" and "indulgence," but he forgets to tell his readers that Mrs. Taylor was a confirmed invalid. It is perfectly obvious, therefore, that Mill was attracted by her mental qualities; and it is easy to believe Mill when he disclaims any other relation than that of affectionate friendship. No one but a Watkinson could be so foolish as to imagine that men seek sensual gratification in the society of invalid ladies.
Harriet Martineau is "one of the unloveliest female portraits ever traced." Mr. Watkinson is the opposite of a ladies' man. Gallantry was never his foible. He hates female Freethinkers with a perfect hatred. He pours out on Harriet Martineau his whole vocabulary of abuse. But it is, after all, difficult to see what he is in such a passion about. Harriet Martineau had no sexual sins, no dubious relations, no skeleton in the domestic cupboard. But, says Mr. Watkinson, she was arrogant and censorious. Oh, Watkinson, Watkinson! have you not one man's share of those qualities yourself? Is there not "a sort of a smack, a smell to" of them in your godly constitution?
We need not follow Mr. Watkinson's nonsense about "the domestic shrine of Schopenhauer," who was a gay and festive bachelor to the day of his death. As for Mr. Watkinson's treatment of Comte, it is pure Christian; in other words, it contains the quintessence of uncharitableness. Comte had a taint of insanity, which at one time necessitated his confinement. That he was troublesome to wife and friends is not surprising, but surely a man grievously afflicted with a cerebral malady is not to be judged by ordinary standards. Comte's genius has left its mark on the nineteenth century; he was true to that in adversity and poverty. This is the fact posterity will care to remember when the troubles of his life are buried in oblivion.
Mr. Watkinson turns his attention next to the French Revolution, which he considers "as much a revolt against morals as it was against despotism." If that is his honest opinion, he must be singularly ignorant. The moral tone of the Revolutionists was purity itself compared with the flagrant profligacy of the court, the aristocracy, and the clergy, while Freethinkers were imprisoned, and heretics were broken on the wheel. We have really no time to give Mr. Watkinson lessons in French history, so we leave him to study it at his leisure.
It was natural that Voltaire should come in for his share of slander. All Mr. Watkinson can see in him is that he wrote "an unseemly poem," by which we presume he means La Pucelle. But he ought to know that the grosser parts of that poem were added by later hands, as may be seen at a glance in any variorum edition. In any case, to estimate Voltaire's Pucelle by the moral standard of a century later is to show an absolute want of judgment. Let it be compared with similar works of his age, and it will not appear very heinous. But Voltaire did a great deal besides the composition