Invention: The Master-key to Progress. Fiske Bradley Allen

Invention: The Master-key to Progress - Fiske Bradley Allen


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art of making fire did on the virgin mentality of the savage?

      The last contribution of western Asia to the betterment of the world was Christianity. It was not made until after Greece had reached the prime of her civilization and passed beyond it; and some may consider it a sacrilege to call it an invention. It was an inspiration from On High. But dare anyone assert that the wonderful conceptions that have come unbidden to the minds of the great inventors were not, in their degree, also inspirations from On High? Whence did they come? That they came there can be no doubt. Whence did they come? Our religion teaches us that God directs our paths, that He puts good thoughts into our minds. It also teaches us that He inspired the men who wrote the Bible. In the ordinary meaning of the word "inspired," Some One inspired every noble and novel and beneficent achievement that was ever made. Who?

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      Without insisting tediously on the meaning of the word invention, one may point out that the word is used continually to mean a mental act by which something heretofore non-existent is created. The expertest of all word users, in any language, cried:

      "Oh, for a muse that would ascend the highest heaven of invention"; expressing almost exactly what the present author is trying to express, and indicating invention as the highest effort of the mind.

      In this sense, may I reverently claim the Christian Religion as an invention, one of the greatest inventions ever made?

      CHAPTER III

      INVENTION IN GREECE

      Our brief survey has thus far carried us over the lands of Egypt, China and western Asia; lands so far removed from us in distance, and inhabited by people so far removed from us in time and character, that they seem to belong almost to another world. But we now are coming to a country which, though its history goes back many centuries before the Christian era, was a country of Europe and inhabited by a people who seem near. The Greeks who overran what we now call Greece, probably about 1500 B. C., took possession of a civilization exceedingly high, which the inhabitants of the mainland and the Ægean Islands had received from the East, through the Phœnicians, who brought it in their ships. This civilization the Ægean islanders, especially the Cretans, had developed and improved, particularly in creations of beauty and works of art. The Greeks created a still higher civilization, and transmitted it to us. The influence of Greek civilization we see on every hand: – in our language, in our daily life, and especially in our ideas of art, literature and philosophy.

      That a civilization so high and beautiful should have been attained, could hardly have been brought about without the presence of great imagination among the Greeks, and the exercise of considerable invention. The presence of both imagination and invention are evidenced in every page of the early history of Greece, in the stirring stories of her heroes, and in the conception and development of her government. Compared with the stories of ancient Greece, the stories of the childhood of every other country seem unimaginative and tame. The stories of early Greece still live and still have the power to charm. The Iliad and Odyssey are in the first rank of the great poems even now; and the story of Helen and the siege of Troy is as full of life and color as any that we know.

      An interesting legend characteristic of the inventiveness of the ancient Greeks was that of the large wooden horse in which a hundred brave warriors concealed themselves, and were drawn within the walls of Troy by the Trojans themselves, who had been induced to do this by an ingenious story, invented to deceive them. Whether the legend is true or not does not affect the fact that invention was needed and employed to create the legend in the one case, or to cause the incident in the other case.

      The prehistoric age of Greece was filled with myths of so much beauty, interest and originality, that the Greek mythology is more read, even now, than any other. It formed also the basis of the later mythology of the Romans.

      It may be noted here that mere imagination is not a quality of very high importance, unless it be associated with constructiveness. In fact, imagination is evidenced more by savage and barbarous peoples than by the civilized; as it is also by children and women than by men. Imagination by itself, untrained and undirected, while it is unquestionably an attribute of the mind, is not one of reason, in the sense that it does not necessarily employ the reasoning faculties. In fact, the imagination, unless trained and well-directed, may lead us to the absurdest performances, in defiance of the suggestions of reason. Using the word imagination in this sense, Shakespeare said —

      "The lunatic, the lover and the poet

      Are of imagination all compact."

      It is only when imagination has been assisted by reason, it is only when conception has been followed by construction, that practical inventions have resulted.

      The myths invented by the Greeks in their prehistoric period were the products of not only imagination but construction. Each myth was a perfectly connected story, complete in all necessary detail, admirably put together, and told in charming language. The story of Jason's Argonautic Expedition in search of the Golden Fleece cannot be surpassed in any of the elements that make a story good; Penelope is still the model of conjugal devotion, and Achilles the ideal warrior; Poseidon, or his Roman successor, Neptune, still rules the waves; Aphrodite, or Venus, calls up more vividly before our minds than any other name the vision of feminine beauty even to this day. Hercules exemplifies muscular strength, and Apollo still typifies that which is most beautiful in manliness.

      The influence of the Grecian myths, "pure inventions" as they were, in the sense that they were fictitious and not true, has been explained and demonstrated at great length and with abundant enthusiasm by poets and scholars for many centuries. They have been generally regarded as inventions, but nevertheless as quite different from such inventions as the steam-engine or the printing press. The present author wishes to point out that the mental processes by which both myths and engines were created were alike, and that the inventions differed mainly in the uses to which they were put.

      Even the uses to which they were put were similar in the end; for the use of the myths and of the steam engine was to improve the conditions of man's existence. There is only one way in which to do this, and that is by improving the impressions made on his mind. The myths did this by making beautiful pictures for his mind to gaze at, and by using them to induce him to follow a certain (good) line of conduct, rather than the contrary. The steam engine did it by making the conditions of living more comfortable, by rendering transportation more safe and rapid, and by rendering possible the procuring of many of the pleasant things of life from distant places.

      The invention of a myth may be said to be the invention of an immaterial thing; the invention of a steam engine to be of a material thing. These two lines of effort, invention has followed since long before the dawn of history. Of the two, the invention of myths and stories probably succeeded the other.

      Probably also it has been the more important in affecting our actual degree of happiness; affecting it beneficently in the main. For, while some myths and stories have filled men with dread and horror, a very large majority have had the opposite effect; and while many mechanical inventions have contributed to our material ease and comfort, it is not clear that they have much increased our actual happiness. Men accommodate themselves easily to changes in their material surroundings; what is a luxury today will be a necessity tomorrow; and very many of the material inventions have tended to artificial and unhealthful modes of living, with consequent physical deterioration and its accompanying loss of happiness.

      As to influence on history, however, the influence of the material inventions has probably been the greater. Immaterial inventions might have been made in enormous numbers without of themselves affecting history greatly; but the material inventions have brought about most of the events that history describes; and without one material invention, that of writing, history could not exist at all. History is rather a narrative of men's deeds than of their thoughts; and their deeds have been directed largely by the implements which they had to do deeds with.

      We must realize, of course, that the Greeks were much indebted to the Ægeans; for discoveries about the shores and islands of the Ægean Sea show that long before the advent of the Greeks they used tools and weapons of rough and then of polished stone, and later of copper and tin and bronze; that they lived on farms and in villages and cities, and were governed by monarchs who dwelt in


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